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		<title>Hacktivist/Philosopher Xabier Barandiaran on &#8220;What is (it like) to be a Hard Problem?</title>
		<link>http://voidmanufacturing.wordpress.com/2008/12/13/hacktivistphilosopher-xabier-barandiaran-on-what-is-it-like-to-be-a-hard-problem/</link>
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		<pubDate>Sat, 13 Dec 2008 05:37:34 +0000</pubDate>
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 Here is a bio from 2006:
 Xabier Barandiaran is a PhD student and researcher on Cybernetics, Neurophilosophy and Artificial Life at the University of the Basque Country (Europe), member of the autonomous server SinDominio.Net, the hacktivist laboratory Metabolik BioHacklab (located at the social squat center Undondo Gaztetxea), the spanish and european HackLabs.Org network and the recent [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=919&subd=voidmanufacturing&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><!--StartFragment--></p>
<p class="MsoNormal"><img class="aligncenter size-full wp-image-922" title="animac_dancer" src="http://voidmanufacturing.files.wordpress.com/2008/12/animac_dancer.png?w=580&#038;h=480" alt="animac_dancer" width="580" height="480" /></p>
<p class="MsoNormal"><span lang="EN-GB"> Here is a bio from 2006:</span></p>
<p class="MsoNormal"><span lang="EN-GB"><em> </em><em>Xabier Barandiaran is a PhD student and researcher on Cybernetics, Neurophilosophy and Artificial Life at the University of the Basque Country (Europe), member of the autonomous server SinDominio.Net, the hacktivist laboratory Metabolik BioHacklab (located at the social squat center Undondo Gaztetxea), the spanish and european HackLabs.Org network and the recent copyleft activist campaing &#8220;CompartirEsBueno.Net&#8221; (SharingIsGood: a spanish network of hacktivists and media-activists against intelectual property regimes and the media-culture industry). He has also been involved on other grassroots movement such as alternative education, social desobedience, anti-war movements and squatting. Xabier has also co-organized and activelly participated on a number of HackMeetings (self-managed technopolitical meetings that take place in squatted social centers in europe), Copyleft Conferences and other parallel events, workshops and seminars. His work has been devoted to development and promotion of free-software tools for social movements, direct action and coordination of autonomous technopolitical networks as research on free technologies &amp; culture, community based digital self-management and hacktivism.<span id="more-919"></span><br />
</em></span>
</p>
<p class="MsoNormal"><span lang="EN-GB"><strong><em>What is (it like) to be a Hard Problem?</em></strong><strong><em></em></strong></span></p>
<p class="MsoNormal"><span lang="EN-GB"><strong><em> </em></strong></span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB"> </span></p>
<p class="MsoNormal" align="right"><span lang="EN-GB"><em>&#8220;Some books are important not because they solve a </em></span></p>
<p class="MsoNormal" align="right"><span lang="EN-GB"><em>problem or even address it in a way that points to solution,</em></span></p>
<p class="MsoNormal" align="right"><span lang="EN-GB"><em>but because they are symptomatic of the confusions of the time.&#8221;</em></span><span lang="EN-GB"> <em></em></span></p>
<p class="MsoNormal" align="right"><span lang="EN-GB">SEARLE</span><span lang="EN-GB">1</span><span lang="EN-GB">Searle, 1997, p.162. Searle&#8217;s review on David Chalmers <em>The Conscious Mind; In Search of a Fundamental Theory</em></span><span lang="EN-GB"> (Oxford University Press, 1996)</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"><strong>Structure of the essay:</strong></span></p>
<p class="MsoNormal"><span lang="EN-GB"><strong> </strong></span></p>
<p class="MsoNormal"><span lang="EN-GB">1. Introduction.</span></p>
<p class="MsoNormal"><span lang="EN-GB">2. The Hard Problem (HP)</span></p>
<p class="MsoNormal"><span lang="EN-GB">3. What is (it like) to be a Hard Problem.</span></p>
<p class="MsoNormal"><span lang="EN-GB">3.1. The dissolution of the HP and the HP of functionalism</span></p>
<p class="MsoNormal"><span lang="EN-GB">3.2. What is (it like) to be a cognitive system</span></p>
<p class="MsoNormal"><span lang="EN-GB">4. Recognising a conscious being.</span></p>
<p class="MsoNormal"><span lang="EN-GB">5. Conclusion: conscious experience and scientific study</span></p>
<p class="MsoNormal"><span lang="EN-GB">6. Discussion: pointing to a hard problem and a crucial gap</span></p>
<p class="MsoNormal"><span lang="EN-GB">7. Acknowledgements</span></p>
<p class="MsoNormal"><span lang="EN-GB">8. Bibliography and References.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"><strong>Abstract</strong></span><span lang="EN-GB">: In this essay I argue that a systemic perspective of cognition may be sufficient to explain whatever it must be necessary to explain about consciousness. By analysing Chalmers’ diagnosis of the Hard Problem of consciousness we conclude that the only Hard Problem arises from the functionalist view of cognition. I argue that a functional explanation is not enough to explain consciousness (and that is why Chalmers’ Hard Problem arises) and that an operational explanation is required. It follows that once we have specified the structure that makes us conscious then ‘what phenomenal consciousness is’ becomes a matter of <em>being</em></span><span lang="EN-GB"> that structure and not something to be explained. Finally I argue that considering a system conscious depends on the operational conditions under which it is legitimate to describe an entity as conscious i.e. the necessary and sufficient operational conditions for a system to be conscious.<strong></strong></span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"><strong>Key words</strong></span><span lang="EN-GB">: Consciousness, Cognitive Sciences, Cartesian Dualism, Explanatory gap, Dynamical approach, Phenomenal experience, Operational explanation.<strong></strong></span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB">1. INTRODUCTION</span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">Since Descartes the relation between the phenomenological world (<em>res cogitans</em></span><span lang="EN-GB">) and the physical world (<em>res extensa</em></span><span lang="EN-GB">) occupies a privileged position between the unresolved philosophical questions of the Western history. If not so much Descartes&#8217; dualist ontology, its vocabulary and conceptual foundation remain alive in the contemporary debate (Searle, 1992) and, while consciousness is becoming an object of scientific study it’s ontological and epistemological status is still in question. And it&#8217;s<strong> </strong></span><span lang="EN-GB">not a trivial question since consciousness seem<strong>s</strong></span><span lang="EN-GB"> to us the highest human capacity, the more inaccessible domain, the most secret privacy, and the last hiding place of the individual against the objectivity. Can science grasp this mystery? Is there any mystery at all? </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">The current study of consciousness is characterised by a transdisciplinary, multidimensional and weakly co-ordinated approach. All sorts of theories and approaches inhabit the scene while they remain unconnected (at best) or incompatible. Moreover the claim of the impossibility of a scientific study of consciousness remains alive among some scientist and philosophers (Nagel and McGinn). In this context, as Searle’s <em>Chinese Room Experiment</em></span><span lang="EN-GB"> (1980) for the problem of intentionality, Chalmers’ article <em>Facing Up to the Problem of Consciousness</em></span><span lang="EN-GB"> (1995) became a reference point and focused the debate. Even if Chalmers&#8217; article has been considered a steep back in the debate (Dennett, 1996) I consider it symptomatic of a profound disagreement between different views in the field. I believe the really <em>Hard Problem</em></span><span lang="EN-GB"> stands in the<strong> </strong></span><span lang="EN-GB">deep tension between confronted underlying assumptions in the current field (specially among Functionalists) and that we shall assume a biologically grounded operational perspective in order for the Hard Problem to vanish. </span></p>
<p class="MsoNormal"><span lang="EN-GB">But what is the, so called, Hard Problem?</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB">2. THE HARD PROBLEM</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">From Chalmers&#8217; article we will rescue the analysis of the so called Hard Problem (HP); a) because part of the current debate is focused in Chalmers diagnosis of the Hard Problem, b) because I consider (and I will try to argue) that Chalmers&#8217; mistake is already present in that diagnosis and that the latter development of his paper is a consequence of that mistake, and, c) because the claim of the HP, seems to me, is the point where consciousness, as a philosophical debate/problem, should arrive to an end, just because there is not such a problem (or at least the problem shows to be a philosophical problem in the more Wittgensteinian linguistic viewpoint).</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">At the beginning of the paper Chalmers divides the problems of the study of consciousness into the &#8216;easy&#8217; problems and the &#8216;hard&#8217; problem. </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">&#8220;The easy problems of consciousness are those that seem directly susceptible to standard methods of cognitive science, whereby a phenomenon is explained in terms of computational or neural mechanisms. The hard problems are those that seem to resist those methods&#8221; (§ 3).</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"><strong>The easy problems</strong></span><span lang="EN-GB">: the easy problems are those concerning functional mechanisms:<strong></strong></span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Ability to discriminate stimuli</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Integration of information</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Reportability of mental states</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Focus of attention</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Control of behaviour</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Difference between wakefulness and sleep</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">All those phenomena are associated to consciousness but they have a functional role in the cognitive processes of the cognitive agent; thus they can be explained in functional terms. However difficult they may turn to be in the future, Chalmers takes for grounded the conceptual frame on which they will be explained so that a good explanation is a matter of techno-scientific achievement but not one of conceptual re-formulation.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"><strong>The Hard Problem</strong></span><span lang="EN-GB">: But… (Chalmers follows) if those phenomena (easy problems) are exhausted in their functional role… how is it possible that they give rise to phenomenal experience? And this is what Chalmers considers The HP. The HP, thus, is the problem of <em>experience</em></span><span lang="EN-GB"> that carries on in the Mind-Body debate under different forms:<strong></strong></span></p>
<p class="MsoNormal"><span lang="EN-GB">•Consciousness* (Harvey)</span></p>
<p class="MsoNormal"><span lang="EN-GB">•First person ontology (Searle)</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Qualia</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Phenomenal consciousness (Ned Block)</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">&#8220;What is it like&#8221; (Nagel)</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Explanatory gap (Joseph Levine)</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Knowledge argument (Frank Jackson)</span></p>
<p class="MsoNormal"><span lang="EN-GB">•Phenomenal experience (Chalmers)</span></p>
<p class="MsoNormal"><span lang="EN-GB">·</span><span lang="EN-GB">Etc…</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">What makes the HP hard, for Chalmers, is that it goes beyond any performance of functions because &#8220;to explain a cognitive function we need only specify a mechanism that can perform that function&#8221; (§12) and after explaining all those mechanisms we still have something else to explain: consciousness is more than a mechanism. That&#8217;s why, again on Chalmers&#8217; view, any attempt to explain consciousness in the current literature, doesn&#8217;t work. We need an <em>extra ingredient</em></span><span lang="EN-GB">, a <em>something else</em></span><span lang="EN-GB"> to fill the <em>explanatory gap</em></span><span lang="EN-GB"> of <em>why</em></span><span lang="EN-GB"> this functional or neural processes are <em>accompanied by experience</em></span><span lang="EN-GB"> (the italic is mine to highlight Chalmers&#8217; most common expressions when describing the <em>problem</em></span><span lang="EN-GB">).</span></p>
<p class="MsoNormal"><span lang="EN-GB">After analysing some case studies that fail to explain consciousness, Chalmers concludes</span></p>
<p class="MsoNormal"><span lang="EN-GB">At the end of the day, the same criticism applies to any purely physical account of consciousness. For any physical process we specify there will be an unanswered question: Why should this process give rise to experience? Given any such process, it is conceptually coherent that it could be instantiated in the absence of experience. It follows that no mere account of the physical process will tell us why experience arises. The emergence of experience goes beyond what can be derived from physical theory. (§ 43)</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">At this point, considering that any given cognitive process could exist without experience, Chalmers proposes to introduce <em>experience</em></span><span lang="EN-GB"> as a fundamental feature of the world. Then he outlines a theory of consciousness whose central claim is &#8216;The double-aspect theory of information&#8217; by which information is understood as being the basis of consciousness and the link with physics through the embeddedness of information in physical processes.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB">3. WHAT IS (IT LIKE) TO BE A HARD PROBLEM</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"><em>3.1. The dissolution of the HP and the HP of traditional functionalism.</em></span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"><em>Explanatory gap</em></span><span lang="EN-GB">, <em>extra ingredient</em></span><span lang="EN-GB">, <em>accompanied by experience</em></span><span lang="EN-GB">, <em>something else</em></span><span lang="EN-GB">, and so on seems to me dangerous expressions that cover a non-existing problem. If we add to a functional explanation a structural bottom-up, operational2Here operational vs. functional will be understood following (Di Paolo, 1999). By operational we mean an explanation which is &#8220;formulated in terms of a set of elements all pitched at a same descriptional level and also in terms of law-like realtionships between these elements so that an account can be given of how the phenomena are generated&#8221; (p.16) while by functional explanation we understand an explanation where &#8220;the terms of the reformulation are deemed to belong to a more encompassing context, in which te observer provides links and nexuses not supposed to operat in the domain in which the systems that generate the phenomena operate&#8221; (p.16). We intuitivelly understand operational explanations as specifying the structure of the system by establishing the elements and the law-like relations between the elements that constitute the system as such. While by funcional explanation we will understand particularly the kind of explanations of cognition held by Traditional AI where a cognitive agent can be defined solely in terms of the causal-computational relations between inputs and outputs requiring an external observer to specify them.<em></em></span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">I don&#8217;t deny conscious experience, the vivid sensation of perceiving a red apple or having an orgasm. The Knowledge Argument (Jackson, <em>Epiphenomenal Qualia</em></span><span lang="EN-GB"> 1982, from Torrance, 1998) illustrates this point: it is still different to have an orgasm than knowing all the processes and biological structures involving the phenomenon. But the Knowledge Argument is not an argument against the explanation (as it has been used), it is not an argument that shows that any explanation of consciousness is not enough; it just shows that it is different to explain how a cognitive systems works than being a cognitive system (how are they going to be equal? They are not even in the same level to be compared!). Probably the narrow vision of the classical functionalist viewpoint of what a cognitive agent is makes impossible to imagine that experience <em>is</em></span><span lang="EN-GB"> to <em>be</em></span><span lang="EN-GB"> a cognitive system. If we take cognition (as traditional functionalists do) to be the computation of an algorithm (independently of the system that performs it) then experience (the inner vivid sensation of experience) seems to be something else and the HP arrives when we realise that phenomenal consciousness cannot be added to the list of algorithms that constitute cognition. That&#8217;s why Chalmers considers that &#8216;the something else&#8217; must be explained. But, from a systemic perspective, there is nothing to be explained about <em>being </em></span><span lang="EN-GB">a cognitive system because there is nothing on <em>the</em></span><span lang="EN-GB"> <em>being </em></span><span lang="EN-GB">that can/should/must be explained. As well as there is nothing to be explained about &#8220;what it is like to be <em>solid</em></span><span lang="EN-GB">&#8220;; there is nothing to explain about <em>being</em></span><span lang="EN-GB"> conscious. The only way of explaining solidity is specifying how the microstructure makes a solid macrostructure (what we have called structural3The term <em>structural</em></span><span lang="EN-GB"> or <em>structure</em></span><span lang="EN-GB"> won’t be used in this essay as oposed to <em>operational</em></span><span lang="EN-GB"> (Varela) but rather as oposed to <em>functional</em></span><span lang="EN-GB">.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">Lets go back to the beginning of this section; now we can see how terms like <em>explanatory gap</em></span><span lang="EN-GB">, <em>extra ingredient</em></span><span lang="EN-GB">, <em>accompanied by experience</em></span><span lang="EN-GB">, <em>something else</em></span><span lang="EN-GB">, and so on, are absolutely mistaken. There is no <em>explanatory gap</em></span><span lang="EN-GB"> because there are not two objects to be linked. From our perspective <em>accompanied by experience</em></span><span lang="EN-GB"> is completely nonsensical, the perceptive process of perceiving red IS the experience, thus, there is no <em>extra ingredient</em></span><span lang="EN-GB"> to be added. But Chalmers mistake is still worst since the assumption of any extra ingredient falls under the Hard Problem again (the extended HP, Torrance, 1998), and no matter how many ingredients we add we will always need another one. At this point Zhalmers could argue against Chalmers with his own arguments: &#8220;why does any aspect of information give rise to experience? We need a third extra ingredient since it is, still, conceptually coherent to imagine any physical process + informational process without <em>experience</em></span><span lang="EN-GB">.&#8221; and so on, and so on <em>ad infinitum</em></span><span lang="EN-GB">.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">Chalmers&#8217; Hard Problem itself is a problem of functionalism (whose view of the mental and cognition is disembodied and functional and never operational), not a problem of Cognitive Sciences. As Jackendorff pointed out: if consciousness has no causal effect (functional role) then &#8216;it is useless&#8217; (Jackendorff, 1987 p.26, from Varela et al. 1991. P. 82). But all there is in the domain of the mental is not functional. Chalmers functionalist view of the mind (only considering the causal connections between representations) is the <em>real</em></span><span lang="EN-GB"> Hard Problem. As Searle points out (Searle, 1997) Chalmers mistake stands on trying to hold both functionalism and property dualism or irreducibility of consciousness; and it just doesn&#8217;t work. As Chalmers itself sees, functionalism is not enough to account for consciousness. And that is because functionalism has an horizontal concept of causation. Functionalism studies relations between representations (propositional attitudes) and this is not enough to account for cognition; on the lower boundary of cognition to account for the symbol grounding problem (Harnard, 1990), embodied situated cognition (Brooks, 1991) etc.; on the upper boundary for such non-functional &#8216;phenomena&#8217;4I quoted &#8216;phenomena&#8217; because the self and consciousness cannot be properly called phenomena because they are prior to any phenomenon as such. In fact, this is the whole point of the essay.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"><em>3.2. What is (it like) to be a cognitive system</em></span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">If we now consider a dynamical-embodied perspective of cognition, the functionalist HP comes to an end: our experience is embodied (Varela et al. 1991, Varela 1996) thus if we don&#8217;t want to fall into explanatory gap problems we have to consider cognition as embodied, as realised (and only realisable?) in a biological-dynamical structure. And then take (conscious) experience as <em>being</em></span><span lang="EN-GB"> this embodied dynamical structure. Them, ones we assume this viewpoint, what makes us being as we are, which are the concrete dynamics that constitute a conscious being, will become a scientific task to be resolved, an operational description to be made.</span></p>
<p class="MsoNormal"><span lang="EN-GB">At this point I would like to point to a dynamic-systemic Artificial Life (A-Life) approach to cognition from which I believe the problem could be addressed in a fruitful way (as this new approach to cognitive phenomena has showed with many other problems of Cognitive Science). Within this view cognition as a process can be understood as the structural coupling between an agent and its environment and a cognitive agent can be studied as a dynamical system. The dynamical approach (van Gelder, 1993, Van Gelder and Port 1995) does not entail, necessarily, the exclusion of symbolic/computational explanations of some cognitive processes because any computational process can (in principle) be explained by dynamical system theory (even if the concrete mechanisms require a research effort not yet resolved –Crutchfield, 1998). Thus any informational and functional account of consciousness (the easy problems) is not rejected but subsumed in an embodied dynamical bottom-up explanation of cognition (at the same time an embodied perspective can solve the symbol-grounding problem, the intentionality (Searle) of some cognitive processes5It is not a coincidence that what Chalmers calls the Hard Problem is strongly related to the problem of semantic content and intentionality, which is, at the same time, one of the major problems of functionalism (are consciousness and intentionality very far from being the same problem?).</span></p>
<p class="MsoNormal"><span lang="EN-GB">Up to now we have been addressing the explanation of consciousness to a structural-operational study. But how does consciousness emerge from the dynamics of the brain? There is an increasing work on the foundations of biology, A-life and complex dynamical systems (Varela et al., 1991), where the concept of emergence plays a central role. Collier (Collier, 1998) argues that emergent properties entail cohesion, where “cohesion represents those factors that causally bind the components of something through space and time, so it acts coherently and resists which internal and external fluctuations”. But cohesion, as causal condition for the emergence of a property can be understood in terms of transfer of information (according to Collier). Thus, Chalmers was probably not completely wrong with his double aspect theory of information after all? Well it depends on what we understand by completely wrong, which is clear is that Collier’s argument does not support any interpretation of a phenomenal side of information. On the contrary I suggest that consciousness could be understood as an emergent property of informational processes happening in the brain6In this sense my position could be compared with Searle’s <em>biological naturalism</em></span><span lang="EN-GB">. </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB">4. DISTINGUISHING A CONSCIOUS BEING</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">Up to now we have dealt with what it could be defined as an explanatory problem. But immersed in the literature around the topic of consciousness we find another sort of problem which is strongly linked to the above one not necessarily determining it (as it happens for some authors) , i.e. the problem of <em>distinguishing</em></span><span lang="EN-GB"> a conscious being from a non-conscious one. I find the problem quite similar to the Turing test and all the ongoing functionalist problems of Strong and Weak AI (Searle, 1997). If we reduce consciousness (the cognitive and the phenomenal side) to a functional explanation, thus to an observable behaviour, then the Hard Problem arises and Zombies enter the scene (as well as if we reduce cognition to functional computation the ‘symbol grounding problem’ arises and ‘Chinese room’ kind of arguments enter the scene). </span></p>
<p class="MsoNormal"><span lang="EN-GB">But nor functionalism is enough to explain cognition nor we do discriminate solely by behavioural observations. Until the sciences of the artificial, and robotics arose, for a certain behaviour there was usually the same kind of physical structures performing it (i.e. a human body for linguistic behaviour). That is why we, humans, take for grounded that for a certain behaviour there is a corresponding structure performing it, with its evolutionary history, structural causality and so on. But if, by chance, a plastic ball gets out of the window, nobody will attribute to that behaviour any intentionality of willing to suicide, nor any other intentional instance, because we know that the causal relations that make that ball going out of the window are structurally different from ours. </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">At this point the problem can be understood as an attitude problem: </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">So if one accepts that the creation of robots with consciousness1-3 offers merely ‘easy’ problems (&#8230;), the additional magic ingredient for consciousness* is merely a change of attitude in us, the observers. Such a change of attitude cannot be achieved arbitrarily; the right conditions of complexity of behaviour, of similarity to humans, are required first </span></p>
<p class="MsoNormal" align="right"><span lang="EN-GB">(Harvey:10)</span></p>
<p class="MsoNormal"><span lang="EN-GB">But an attitude problem is not merely an ‘attitude’ problem because my attitude with my teddy bear does not make the teddy bear conscious. The problem must be addressed as under what condition it is legitimate the attitude of considering or not a certain entity to be conscious. If phenomenal consciousness is referred to that <em>being</em></span><span lang="EN-GB"> a cognitive system independently of the performing functional behaviour of the moment, the attribution of consciousness to a certain entity cannot be a matter of behaviour but a matter of the operational organisation of the entity that performs such behaviour. This way the matter of ‘attitude’ becomes an epistemological matter of establishing the operational conditions under which it is legitimate to describe an entity as conscious i.e. the necessary and sufficient operational conditions for a system to be conscious.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB">5. CONCLUSION: CONSCIOUS EXPERIENCE AND SCIENTIFIC STUDY:</span></p>
<p class="MsoNormal"><span lang="EN-GB"><em> </em></span></p>
<p class="MsoNormal"><span lang="EN-GB">By the claim that being conscious is no more (nor less) than <em>being</em></span><span lang="EN-GB"> a certain kind of cognitive system (with the appropriate structure and processes from where consciousness emerges) and thus that the HP does not entail any problem at all (but addresses a HP inside the functionalist assumptions), I don&#8217;t mean that we have no inner experience. What I suggest is that the <em>existence</em></span><span lang="EN-GB"> of experience, of phenomenal consciousness, does not require any intrinsic explanation at all: because it is impossible a priori (by definition of the term explanation), and because the concept of intrinsic explanation entails the same problem ones again ad infinitum. Neither do I mean that there is no place in science for conscious experience. I suggest that the place of experience should be methodological rather than ontological. In this sense Varela&#8217;s proposal for a neurophenomenological framework (Varela, 1996) seems to me completely coherent with my argument. If there is anything to be explained this must be in functional and structural-operational terms, as proposed above. </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">But this claim does not narrow the methodological scope, it just opens it ones we realise that there is no extra ingredient nor explanatory gap. In this context, doubtless, phenomenology stands for one of the most powerful tools to take into account. Just because been cognitive systems put us in a privileged position to know how 3 trillion neurones work (and how the embodied study of those 3 trillion neurones work, as well). After all, the problem, seems to me, is more methodological than ontological. We know that something special (cognition, intentionality, consciousness) is going on in our brains, because we experience it7I want to point to the contradiction involved in this expresion, namely that we cannot experience consciousness because consciousness is not an object to be experienced or hadled by a subject but the very fact of been a subject. Language makes the whole subject/object dicotomy hard to solve since the very structure of language involves such dualism.</span></p>
<p class="MsoNormal"><span lang="EN-GB">Probably explanable by the 40 Hz hypothesys (Crick and Koch). </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB">6. DISCUSSION: POINTING TO A HARD PROBLEM AND A CRUCIAL GAP</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">I wish to finish this essay by pointing to a further discussion about some related issues that I find specially important but far from most of the efforts in the field. I will briefly note them.</span></p>
<p class="MsoNormal"><span lang="EN-GB">In what accounts for consciousness we are dealing as well with the notion of the self (and still <em>worst,</em></span><span lang="EN-GB"> with the <em>experience</em></span><span lang="EN-GB"> of the self) considered as the unifying substrate of experience. I consider that the underlying problem of the self has great possibilities of becoming a real hard problem since it is one of the constitutive notions of western civilisation on which science is immersed. </span></p>
<p class="MsoNormal"><span lang="EN-GB">On the other hand (but somehow linked with the former problem) I find the problem of the gap between dynamic experiences (understood as personal/individual experiences) and intellectual experiences (purely symbolic/abstract experiences). Following the work by Varela et al. (1991) I believe that working in this two issues is fundamental if we want knowledge to serve human purposes and not <em>vice versa</em></span><span lang="EN-GB">. </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB">7. ACKNOWLEDGEMENTS</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">To my father for his help on rigour, for his patience, for being always there. To Steve Torrance and Alvaro Moreno for guiding me first steeps into Cognitive Sciences. To Alfredo for technical support on <em>What Macintosh still can’t do</em></span><span lang="EN-GB"> (on decompressing on-line articles).</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal" align="center"><span lang="EN-GB">8. BIBLIOGRAPHY and REFERENCES</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">BROOKS, R. (1991) <em>Intelligence without representation.</em></span><span lang="EN-GB"> Artificial Intelligence <strong>47</strong></span><span lang="EN-GB"> (1991), 139-159.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">CHALMERS, D. (1995). Facing Up to the Problem of Consciousness. Journal of Consciousness Studies. <strong>2</strong></span><span lang="EN-GB">:200-220. </span></p>
<p class="MsoNormal"><span lang="EN-GB">[I used the HTML version on http://cogprints.soton.ac.uk/archives/phil/papers/199806/199806022/…/cosnciousness.html]</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">COLLIER, J. D. (1998). <em>The dynamical basis of emergence in natural hierarchies</em></span><span lang="EN-GB">. From George Farre and Tarko Oksala (eds<em>) Emergence, Complexity, Hierarchy and Organization, Selected and Edited Papers from the ECHO III Conference, Acta Polytechnica Scandinavica, MA19 </em></span><span lang="EN-GB">(Finish Academy of Technology, Espoo, 1998.)</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">CRUTCHFIELD, J P. (1998) <em>Dynamical Embodiment of Computation in Cognitive Processes</em></span><span lang="EN-GB">. Submited as Open Peer Commentary on T. van Gelder (1998) The Dynamical Hypothesis in Cognitive Science, BBS to appear. </span></p>
<p class="MsoNormal"><span lang="EN-GB">[Taken from the internet http://www.santafe.edu/jpc]</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">DENNETT, D. (1996). <em>Facing Backwards on the Problem of Consciousness</em></span><span lang="EN-GB">. Published in Journal of Consciousness Studies, vol.3, no.1, 1996, 4-6. </span></p>
<p class="MsoNormal"><span lang="EN-GB">[I used the HTML version on http://ase.tufts.edu/cogstud/papers/chalmers.htm]</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">DI PAOLO, E. (1999). <em>On the Evolutionary and Behavioral Dynamics of Social Coordination: Models and Theoretical</em></span><span lang="EN-GB">. DPhil Thesis, School of Cognitive and Computing Sciences, University of Sussex. </span></p>
<p class="MsoNormal"><span lang="EN-GB">[I used the internet version from www.cogs.susx.ac.uk/users/ezequiel/thesis.html]</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">DI PAOLO, E. (2000). <em>Behavioral coordination, structural congruence and entrainment in a simulation of acoustically coupled agents</em></span><span lang="EN-GB">. Adaptive Behavior 8:1. 25-46. Special issue on Simulation Models of Social Agents. K. Dautenhahn (guest ed.)</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">GUTTENPLAN, S. (editor). <em>A companion to the philosophy of mind</em></span><span lang="EN-GB">. Blackwell, 1998.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">HARNAD, S. (1990) The Symbol Grounding Problem. Physica D42: 335-346</span></p>
<p class="MsoNormal"><span lang="EN-GB">[I used the HTML version on http://cogprints.soton.ac.uk/archives/psyc/papers/199803/199803014/doc.html/The_Symbol_Grounding_Problem.html]</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">HARVEY, I. <em>Evolving Robot Consciousness: The Easy Problems and the Rest</em></span><span lang="EN-GB">. To appear in Evolving Consciousness, G. Mulhauser (ed.), Advances in Consciousness Research Series, John Benjamins, Amsterdam. In preparation.<strong> </strong></span></p>
<p class="MsoNormal"><span lang="EN-GB">[I used the internte version at ftp://ftp.cogs.susx.ac.uk/pub/users/inmanh/consc.ps.gz]</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">MORENO, A., UMEREZ, J. &amp; IBAÑEZ, J. (1997) <em>Cognition and Life. The Autonomy of Cognition. </em></span><span lang="EN-GB">Brain &amp; Cognition <strong>34 (1)</strong></span><span lang="EN-GB"> Special Issue Academic Press pp. 107-129.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">RORTY, R. (1994).<em>Consciousness, Intentionality, and the Philosophy of Mind</em></span><span lang="EN-GB">. From <em>The Mind-Body Problem (A guide to the current debate)</em></span><span lang="EN-GB">. Edited by Richard Wagner and Tadesz Szubka. Blackwell, 1994. P. 121-127.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">SEARLE, J. (1992) <em>What&#8217;s Wrong With the Philosophy of Mind?.</em></span><span lang="EN-GB"> 1</span><span lang="EN-GB">st</span><span lang="EN-GB"> chapter of &#8216;The rediscovery of the mind&#8217; (MIT press, 1992). Taken from <em>The Mind-Body Problem (A guide to the current debate)</em></span><span lang="EN-GB">. Edited by Richard Wagner and Tadesz Szubka. Blackwell, 1994. p. 277-298.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">SEARLE, J. (1997). <em>The Mystery of Consciousness</em></span><span lang="EN-GB">. Granta Books 1998.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">TORRANCE, S. (1996). <em>Real world: embedding and traditional AI</em></span><span lang="EN-GB">.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">TORRANCE, S. (1998). <em>The Taste of Lemons: A New Twist to the Cosnciousness Debate.</em></span><span lang="EN-GB"> (Talk delivered in Psychology Group, Middlesex University, November 1998)</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">Van GELDER, T. (1993) What can cognition be if not computation? From <em>III International Workshop on Artificial Life and Arificial Intelligence</em></span><span lang="EN-GB">, Workshop Notes, second edition, UPV. San Sebastian, 1995.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">Van GELDER, T. (1995). <em>Mind as Motion: Explorations in the Dynamics of cognition</em></span><span lang="EN-GB">. MIT press.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">VARELA, THOMPSON AND ROSCH, (1991). <em>The Embodied Mind: Cognitive Science and Human Experience</em></span><span lang="EN-GB">, Cambridge MA:MIT Press. (I used the Spanish edition: Editorial Gedisa, 1997)</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><span lang="EN-GB">VARELA, F. (1996). <em>Neurophenomenology: A Methodological Remedy for the Hard Problem</em></span><span lang="EN-GB">. In <span style="text-decoration:underline;">Journal of Consciousness Studies</span>, &#8220;Special Issues on the Hard Problems&#8221;, J.Shear (Ed.) June 1996. </span></p>
<p class="MsoNormal"><span lang="EN-GB">[I used the HTML version on http://www.ccr.jussieu.fr/varela/ human_consciousness/article01.html]</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"> </p>
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		<title>Elliot Carter is still rockin&#8217; at 100 years old</title>
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A life in music: Elliott Carter
&#8216;I used to write gigantic pieces that took a long time to compose, if not to play. Now I couldn&#8217;t stand working for so long on the same thing&#8217;
 
Elliott Carter is sitting at the dining table of his Greenwich Village apartment. In front of him is a large pile of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=914&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<p class="MsoNormal"><em> </em></p>
<p class="MsoNormal"><span style="text-decoration:underline;"> <img class="aligncenter size-full wp-image-912" title="polyrhythm2" src="http://voidmanufacturing.files.wordpress.com/2008/12/polyrhythm2.jpg?w=350&#038;h=290" alt="polyrhythm2" width="350" height="290" /><br />
</span>
</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><strong>A life in music: Elliott Carter</strong></p>
<p class="MsoNormal"><em>&#8216;I used to write gigantic pieces that took a long time to compose, if not to play. Now I couldn&#8217;t stand working for so long on the same thing&#8217;</em></p>
<p class="MsoNormal"><em> </em></p>
<p class="MsoNormal">Elliott Carter is sitting at the dining table of his Greenwich Village apartment. In front of him is a large pile of contracts for upcoming performances of his work. As he begins to sign them, he turns quickly to his manager to check the date. &#8220;It&#8217;s the 22nd, yes?&#8221; &#8220;Yes,&#8221; replies his manager, who adds, with a stage wink: &#8220;and the year is 2008&#8243;. Carter puts down his pen and laughs. &#8220;I really needed to be reminded what year it is.&#8221;<span id="more-914"></span></p>
<p class="MsoNormal">Next Thursday Carter will celebrate his hundredth birthday. All year has been filled with performances of his work that will culminate next week with concerts all over the world. But while these events will mark an extraordinarily long and distinguished career, they will not be exclusively retrospective occasions. New work will be as much a feature as old, especially in New York, where a &#8220;kind of piano concerto&#8221;, Interventions, will be premiered by Daniel Barenboim with James Levine conducting the Boston Symphony Orchestra. &#8220;And they&#8217;re also going to play a Schubert four-hander together, which is one of my favourite pieces,&#8221; he explains. &#8220;And there&#8217;ll be some Stravinsky, which really got me started as a composer in the first place.&#8221;</p>
<p class="MsoNormal">In London, two long-time champions of Carter&#8217;s work, Pierre Boulez and Pierre-Laurent Aimard, will perform recent work, including Dialogues for piano and ensemble, while another Carter disciple, Oliver Knussen, will conduct a programme comprised solely of works composed by Carter in his 90s.</p>
<p class="MsoNormal">Carter does admit that his production has dropped off a little this year, but insists it is not his age that has slowed him down: it is people wanting to celebrate his age. &#8220;This year has been a bit peculiar in all sorts of ways, mostly in that there has been a lot more talking about music than writing it. But I don&#8217;t really mind that. I sometimes think of my pieces as wayward children. I feel an obligation to encourage them and help them on their way, so I don&#8217;t mind talking to people about them. I can&#8217;t just let them run off on their own.&#8221;</p>
<p class="MsoNormal">Carter, a comparatively late starter, first built a reputation as a composer in the 1940s with work that seemed to capture a certain American expansiveness and confidence. Then, in the 50s, he reinvented himself as a harder-edged and more innovative composer in a series of monumental pieces that established him as a leading figure in the postwar avant-garde music scene. His recent output has represented a remarkable late burst of prolific creativity.</p>
<p class="MsoNormal">He treats his longevity with a relaxed shrug: &#8220;I know it must sound amazing, but it doesn&#8217;t really feel so odd.&#8221; He can remember the first world war starting &#8211; &#8220;actually, I can remember knocking over a goldfish bowl, but it was on the day that America entered the war&#8221; &#8211; and he has known some of the most significant musical and artistic figures of the past century. Charles Ives was a family friend, Varèse was a neighbour, he knew Bartók, Cage and Copland, and sat next to George Gershwin at the American premiere of Berg&#8217;s opera Wozzeck. Stravinsky became a friend, and Carter was witness to a legendary musical encounter when he and Stravinsky were having dinner in a New York restaurant. A waiter asked if a fellow diner could have Stravinsky&#8217;s autograph. A somewhat irked Stravinsky chose to keep the fan waiting. So it was only after an agonisingly lengthy pause that a bemused Frank Sinatra, accompanied by his then wife Mia Farrow, were signalled that they might be allowed to approach the table.</p>
<p class="MsoNormal">Boulez describes Carter&#8217;s career as a &#8220;résumé of the century&#8221; and contrasts its arc with that of Messiaen, who was born just one day before him: while Messiaen established his approach early in his career and then, albeit in highly imaginative ways, largely stuck to it, Carter rediscovered his &#8220;compositional voice&#8221; in his 50s and &#8220;became quite adventurous. Today,&#8221; Boulez continues, &#8220;he is more flexible, inventive, less complicated and easier to perform as a consequence. I am amazed . . . everybody is amazed that he still composes and creates so many new works.&#8221;</p>
<p class="MsoNormal">But such productivity also, perversely, militates against continued productivity. &#8220;I get quite a lot of musicians coming here to practise my new pieces. So things I wrote six months ago are going through my head, which means I can have a hard time getting back to the piece I&#8217;m writing. And these musicians always want me to say something. But I have to be careful about imposing my way on it, which might not be so easy for them, and therefore they might not play it so well. When I was younger, my music was not being played that often or that well. A lot of people play my music well today, but in the old days it bothered me a great deal and it made me wonder that I hadn&#8217;t written it right. So I used to change things, but always ended up going back to the first version. But it is a peculiar business. Just as there are a hundred ways of playing Hamlet, I hope there are a hundred ways of playing my music. But there is still that play, Hamlet, no matter what people do to it. And I&#8217;m now happy enough with that thought.&#8221;</p>
<p class="MsoNormal">Carter was born in New York, on December 11 1908, into a prosperous family of lace importers. His father would visit France four times every year, even during the first world war, and it was assumed that Elliott would take over the business. He was taught French &#8211; &#8220;for some time I could speak it better than English&#8221; &#8211; and he even accompanied his pacifist father to Europe in the early 1920s, &#8220;when there were still a lot of unpleasant things to see&#8221;. They visited battlefields, and he remembers starving waiters in Berlin stealing food off the tables.</p>
<p class="MsoNormal">Carter attended a renowned private school, where his best friend was the son of the playwright Eugene O&#8217;Neill. A teacher would take students to concerts, and in 1924 Carter heard Stravinsky&#8217;s The Rite of Spring at Carnegie Hall. &#8220;Half the audience walked out, but I thought it was the most wonderful thing.&#8221; On subsequent trips to Europe with his father, Carter began to pick up scores of music by Schoenberg, then all but unavailable in America. A later introduction to Charles Ives &#8211; who was at that stage not composing, but selling insurance &#8211; ensured that Carter was for ever lost to the world of lace importing.</p>
<p class="MsoNormal">Ives wrote a letter recommending Carter to Harvard, where he studied English as well as music and was tutored, briefly, by Gustav Holst. Ever since that evening at Carnegie Hall, he &#8220;consciously didn&#8217;t like old music&#8221; and had walked out of concerts of Beethoven and Brahms because &#8220;I thought they were tiresome. But then I realised the pieces I was writing weren&#8217;t terribly good, and that I had better learn about music properly&#8221;. In 1932 Carter travelled to Paris, where he studied with Nadia Boulanger and &#8220;learnt traditional things such as counterpoint and harmony and analysis of various pieces. So I studied how people had written music in the past, which, unsurprisingly, was very helpful.&#8221;</p>
<p class="MsoNormal">When he returned to America in 1935, Carter became musical director of the Ballet Caravan and produced what is widely regarded as his first major work, the ballet score Pocahontas (1939), as well as beginning his first symphony. The same year, he married the sculptor Helen Frost-Jones. She died in 2003 after 64 years of marriage. When war broke out, Carter was rejected for military service on health grounds. &#8220;I had all these allergies, which made me very guilty, so I tried all sorts of things to get into the war.&#8221; For a time he was asked to spy on Germans in New York &#8211; &#8220;they were often people I knew and I didn&#8217;t want to get into that&#8221; &#8211; before working for the office of war information, where he was behind broadcasts to Nazi-occupied countries. &#8220;We played Schoenberg and all sorts of things.&#8221;</p>
<p class="MsoNormal">He says he knew, &#8220;more or less&#8221;, when D-Day would happen, and in 1944 wrote Holiday Overture, which reflected the liberation of Paris and linked back to his time studying in the city with Boulanger. Immediately after the war, the Carters moved into the Greenwich Village apartment where he still lives. He says he has seen the neighbourhood transformed in recent years into an adjunct of Wall Street, with mostly bankers moving in. &#8220;It wasn&#8217;t always like that. When I was in high school, and even college, there was prohibition, and Greenwich Village was one of the few places you could get an illegal drink. When we moved in, the poets EE Cummings and Marianne Moore lived down the street. So did the composer Varèse. As a young man, I would go to jazz clubs here and on 57th Street. I loved Art Tatum and was very interested in the whole movement of jazz, which is reflected in some of my music. In some ways, the whole conception of music from that time is jazz-related in terms of irregular rhythms and working against rhythms, and improvisation are things I&#8217;ve done in many of my works.&#8221;</p>
<p class="MsoNormal">On his return to America from Paris, Carter says, the serious music world was dominated by a group of composers, including Aaron Copland, who were writing &#8220;semi-populist&#8221; music. Carter attempted for some years to write in a similar style. &#8220;But then it dawned on me that these pieces, which were intended to be accessible and easy to understand for a more general public, were still considered modern music and the public didn&#8217;t like them. That allowed me to go back and write anything I wanted, because if the public didn&#8217;t like the music written specifically for them, I might as well write the music that I&#8217;d like.&#8221;</p>
<p class="MsoNormal">In 1950, he retreated with his family to the Arizona desert, where he began the next phase of his career. Over the next quarter of a century, he produced a series of newly complex and challenging works. His first string quartet (1951) featured the four instruments apparently running on quite separate tracks. Variations for Orchestra (1954-55) is now routinely described as a 20th-century masterpiece, and his double concerto for harpsichord, piano and two chamber orchestras (1959-61) was acclaimed in the same terms by Stravinsky.</p>
<p class="MsoNormal">&#8220;Even though I was now writing what I wanted to, I hope I wasn&#8217;t writing in a selfish way. I did have some ideas I wanted to deal with and I thought of each piece as an adventure. I tried to discover something new that I hadn&#8217;t written before. That would not normally be something that attracted a crowd, but I did seem to build an audience.&#8221;</p>
<p class="MsoNormal">Although Carter was honoured with prizes and posts in America, it was in Europe that he found his public. He travelled to France often after the second world war and &#8220;got to know a lot of musicians, such as Boulez, as friends. There was a big reaction after the war to the Nazis having refused modern music. So modern music was well thought of up to the level of governments sometimes, as well as by musicians and concert-goers.&#8221;</p>
<p class="MsoNormal">The New Yorker music writer Alex Ross has identified how &#8220;the tireless mechanism of cold-war cultural politics gave Carter&#8217;s international career an early boost. Although the first quartet had little hope of charming American audiences of the period, it went over well in the new music centres of postwar Europe.&#8221; Carter, while always politically and socially progressive, says his strong early interest in leftwing politics had been eclipsed by the realities of Stalinism and he had not adopted any other ideology.</p>
<p class="MsoNormal">&#8220;Of course I wanted my music to give pleasure to and interest people who might play or listen to it, but the notion that it might change the world in some way seemed to me hopeless. Remember I&#8217;ve lived through two world wars. And I saw France and Germany right after both of them. What I really wanted was just to make music that I liked.&#8221;</p>
<p class="MsoNormal">In the past three decades, he has done that with an astonishing frequency, producing his first opera at the age of 90. &#8220;I used to write these gigantic pieces that were very complex and took a long time to compose, if not to play. I am now much more impatient and couldn&#8217;t stand working for so long on the same thing. But also those pieces were me working out certain ideas about music. Those ideas are now part of my life, so I don&#8217;t have to think about them in quite the same way. But some things never change, in that you are still glad to finish a piece and still wonder whether it is as good as you hoped it might be when you started out.&#8221;</p>
<p class="MsoNormal">Carter has been so productive that, alongside works being premiered to mark his centenary, there are even newer works lined up for next year. He has a long history of setting American poetry to music, and has just finished adapting some of Ezra Pound&#8217;s Pisan Cantos for a piece of music that will be heard first at Aldeburgh next year.</p>
<p class="MsoNormal">&#8220;Robert Lowell had shown me certain things that he liked very much in the Cantos and I have chosen a good deal of what he told me. The Cantos were a gigantic project that was going to be something like an Americanised version of Dante&#8217;s Divine Comedy, although that only emerges now and then. Some of them are wonderful poems, and I&#8217;ve used a section in which he talks about paradise &#8211; which for him was writing the perfect poem<strong>.</strong><span> Of course he never succeeded and he ends the piece saying that the &#8216;only paradise is in the wind&#8217;. It&#8217;s a wonderful way for an artist to look at things. But my turn of mind is not quite as apocalyptic as Pound&#8217;s. I prefer to think of myself as just working along, like any other person. I could be mending shoes or something, but I&#8217;m also aware that sometimes newly mended shoes are not only useful, but beautiful. And perhaps even fascinating.&#8221;</span></p>
<p class="MsoNormal">I&#8217;ve been interested in the idea of the concerto for a long time and have written works that might be called concertos for several instruments, including the flute, oboe, clarinet and violin, as well as things like my concerto for orchestra. These have not often been straightforward uses of the form, and I&#8217;ve enjoyed playing with the ideas that concertos raise.</p>
<p class="MsoNormal">There is the obvious fact of the soloist contrasted against the orchestra, which is often seen as the individual set against society. It&#8217;s a very potent idea. But there are many subtle variations, starting with the fact that the individual is also within society and the society is made up of individuals. For many years I thought deeply about these things. But today, maybe because of my age but more likely because these ideas are now ingrained within me, I just write the piece.</p>
<p class="MsoNormal">The new piano work for Daniel Barenboim and James Levine is called Interventions because the piano intervenes with the orchestra. It is a little like a concerto, but as Levine specifically told me to write something interesting for the orchestra as well as the pianist, I hope I&#8217;ve made something in which they both can shine.</p>
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		<title>Zizek on the upcoming US election</title>
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		<pubDate>Thu, 30 Oct 2008 17:39:34 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
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Through the Glasses Darkly
What if the between-the-lines Republican message (don’t be afraid, there will be no real change) is the true illusion?
By SLAVOJ ZIZEK


Today, even the strongest advocates of diminishing the excessive role of Washington accept the necessity of a state intervention that is sublime in its unimaginable quantity.

When the hero of John Carpenter’s 1988 They Live puts [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=695&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<h1>Through the Glasses Darkly</h1>
<h2>What if the between-the-lines Republican message (don’t be afraid, there will be no real change) is the true illusion?</h2>
<h3>By <a href="http://www.inthesetimes.com/community/profile/70">SLAVOJ ZIZEK</a></h3>
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<blockquote><p>Today, even the strongest advocates of diminishing the excessive role of Washington accept the necessity of a state intervention that is sublime in its unimaginable quantity.</p></blockquote>
</div>
<p>When the hero of John Carpenter’s 1988 <em>They Live</em> puts on a pair of weird sunglasses that he has stumbled upon in an abandoned church, he notices a billboard that once invited us to a Hawaii beach holiday now simply displays the words:</p>
<p>“MARRY AND REPRODUCE.” Ad copy on another billboard — this one for a new color TV — says, “DON’T THINK, CONSUME!”</p>
<p>The glasses, then, function as a device for the critique of ideology. In other words, they enable him to see the real message lying beneath the glossy, colorful surface.</p>
<p>What would we see if we were to observe the Republican presidential campaign through such glasses?The first thing would be a long series of contradictions and inconsistencies:<span id="more-695"></span></p>
<p>• Their call to reach across party lines — while waging the cultural war politics of “us” against “them.”</p>
<p>• Their warning that the candidates’ family life should be off limits — while parading their families on stage.</p>
<p>• Their promises of change — while offering the same old programs (lower taxes and less social welfare, a belligerent foreign policy, etc.).</p>
<p>• Their pledge to reduce state spending — while incessantly praising President Reagan. (Recall Reagan’s answer to those who worried about the exploding debt: “It is big enough to take care of itself.”)</p>
<p>• Their accusations that Democrats privilege style over substance — which they deliver at perfectly staged media events.</p>
<p>The next thing we would see is that these and other inconsistencies are not a weakness, but a source of strength for the Republican message. Republican strategists masterfully exploit the flaws of liberalism: Its patronizing “concern” for the poor that is combined with a thinly disguised indifference toward — if not outright contempt for — blue-collar workers, and its politically correct feminism that is usually combined with an underlying mistrust of women in power. Alaska Gov. Sarah Palin was a hit on both counts, parading both her working-class husband and her femininity.</p>
<p>The earlier generations of women politicians (Indian Prime Minister Indira Gandhi, Israeli Prime Minister Golda Meir, British Prime Minister Margaret Thatcher and even, up to a point, U.S. Sen. Hillary Clinton) were what can be referred to as “phallic” women. They acted as “iron ladies” who imitated and tried to outdo male authority, to be “more men than men themselves.”</p>
<p>Writing in <em>Le Point</em>, a French weekly, Jacques-Alain Miller, a follower of the late French philospher Jacques Lacan, pointed out that Palin, on the contrary, proudly displays her femininity and motherhood. She has a “castrating” effect on her male opponents, not by being more manly than them, but by sarcastically downgrading the puffed-up male authority. According to Miller, Palin instinctively knows that male “phallic” authority is a posture, a semblance to be exploited and mocked. Recall how she mocked Sen. Barack Obama’s work as a community organizer.</p>
<p>Palin provides a “post-feminist” femininity without complexity, uniting the features of mother, prim teacher (glasses, hair in a bun), public figure and, implicitly, sex object, proudly displaying the “first dude” as a phallic toy. The message is that she doesn’t lack anything — and, to add insult to injury, it was a Republican woman who realized this left-liberal dream. It is as if she simply is what left-liberal feminists <em>want</em> to be. No wonder the Palin effect is one of false liberation: “Drill, baby, drill!” Feminism and family values! Big corporations and blue collars!</p>
<p>So, back to Carpenter’s <em>They Live</em>. To get the true Republican message, one should take into account not only what is said but what is implied.</p>
<p>Where we hear the message of populist frustration over Washington gridlock and corruption, the glasses would show a condoning of the public’s refusal to understand: “We allow you NOT to understand — so have fun, vent your frustration! We will take care of business. We have enough behind-the-scenes experts who can fix things. In a way, it’s better for you not to know.” (Recall Vice President Dick Cheney’s hints at the dark side of power, as he successfully orchestrated an expansion of presidential executive power.)</p>
<p>And where the message is the promise of change, the glasses would show something like this: “Don’t worry, there will be no real change, we just want to change some small things to make sure that nothing will really change.” The rhetoric of change, of troubling Washington’s stagnant waters, is a permanent Republican staple. (Recall former Republican House Speaker Newt Gingrich’s populist anti-Washington rise to power in 1994.)</p>
<p>Let us not be naïve here: Republican voters <em>know</em> there will be no real change. They know the same substance will go on with changes in style. This is part of the deal.</p>
<p>Four years ago, Sen. John Kerry lost because he was President Bush with a human face. Today, Sen. John McCain is Bush with a lipsticked face. It’s a rhetorical lipstick of “No bullshit!” When Princeton philosopher Harry Frankfurt, author of the bestselling <em>On Bullshit</em>, was asked which U.S. politician breaks out of the predominant bullshitting, he named McCain — and thereby tragi-comically missed a key point. Talking straight, displaying no-bullshit honesty, can be the cleverest form of bullshitting, a mere populist pose.</p>
<p>What if, however, the between-the-lines Republican message (don’t be afraid, there will be no real change) is the true illusion, not the secret truth? What if there really <em>will</em> be a change? Or, to paraphrase the Marx brothers: McCain and Palin look like they want a change and talk like they want a change — but this shouldn’t deceive us, they might very well accomplish a change!</p>
<p>Perhaps this is the true danger, since it would be change in the direction of “Country first!” and of “Drill, baby, drill!”</p>
<p>Luckily, as an electoral blessing in disguise, a sobering thing happened to remind us where we really live: in the reality of global capitalism. The state is planning emergency measures to spend hundreds of billions of dollars — if not $1 trillion — to repair the consequences of the financial crisis caused by free-market speculations.</p>
<p>The lesson is clear: The market and state are not opposed. Indeed, strong state interventions are needed to keep markets balanced.</p>
<p>The initial Republican reaction to the financial meltdown was a desperate attempt to reduce it to a minor misfortune that could easily be healed by a proper dose of the old Republican medicine (a proper respect for market mechanisms, etc.). In short, the Republicans’ between-the-lines message was this: We allow you to continue to dream.</p>
<p>However, all the political posturing of lower state spending became irrelevant after this sudden brush with the real. Today, even the strongest advocates of diminishing the excessive role of Washington accept the necessity for a state intervention that is sublime in its almost unimaginable quantity. Confronted with this sublime grandeur, all the “no bullshit” bravado was reduced to a confused mumble. Where, today, are McCain’s steely resolve and Palin’s sarcasm?</p>
<p>But was the financial meltdown really the awakening from a dream? It depends on how the meltdown will be perceived by the general public. In other words, which interpretation will win? Which “story” about it will predominate?</p>
<p>When the normal run of things is traumatically interrupted, the field of “discursive” ideological competition opens up. In Germany in the late ’20s, Adolf Hitler won the competition for the narrative that explained to Germans the reasons for the crisis of the Weimar Republic and the way out of it. (His plot was the Jewish plot.) In France in 1940, Marshall Petain’s narrative, that France lost because of the Jewish influence and democratic degeneration, won in explaining the reasons for the French defeat.</p>
<p>Consequently, the main task of the ruling ideology is to impose a narrative that will not put the blame for the meltdown onto the global capitalist system <em>as such</em>, but on, say, lax legal regulations and the corruption of big financial institutions. Against this tendency, we should insist on the key question: which “flaw” of the system as such opens up the possibility for — and continuous outbreaks of — such crises and collapses?</p>
<p>The first thing to bear in mind is that the origin of the crisis is a “benevolent” one. After the dot-com bubble exploded in the first years of the new millennium, the decision across party lines was to facilitate real estate investments to keep the economy growing and prevent recession. Today’s meltdown is the price paid for the United States avoiding a prolonged recession five years ago.</p>
<p>The danger is that the predominant narrative of the meltdown will be the one that, instead of waking us from a dream, will enable us to <em>continue to dream</em>. And it is here that we should start to worry — not only about the economic consequences of the meltdown, but also about the obvious temptation to reinvigorate the “war on terror” and U.S. interventionism in order to keep the economy running.</p>
<div class="moreby"><strong>Slavoj Žižek</strong>, a philosopher and psychoanalyst, is a senior researcher at the Institute for Advanced Study in the Humanities, in Essen, Germany. He is the author of, among many other books, <em>The Fragile Absolute </em>and <em>Did Somebody Say Totalitarianism?</em></div>
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		<title>Noam Chomsky on the economic meltdown</title>
		<link>http://voidmanufacturing.wordpress.com/2008/10/11/noam-chomsky-on-the-economic-meltdown/</link>
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		<pubDate>Sat, 11 Oct 2008 01:08:37 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
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Anti-democratic nature of US capitalism is being exposed
NOAM CHOMSKY
Fri, Oct 10, 2008
Bretton Woods was the system of global financial management set up at the end of the second World War to ensure the interests of capital did not smother wider social concerns in post-war democracies. It was hated by the US neoliberals &#8211; the very [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=620&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<h1>Anti-democratic nature of US capitalism is being exposed</h1>
<p><strong>NOAM CHOMSKY</strong></p>
<p>Fri, Oct 10, 2008</p>
<p>Bretton Woods was the system of global financial management set up at the end of the second World War to ensure the interests of capital did not smother wider social concerns in post-war democracies. It was hated by the US neoliberals &#8211; the very people who created the banking crisis writes Noam Chomsky</p>
<p>THE SIMULTANEOUS unfolding of the US presidential campaign and unravelling of the financial markets presents one of those occasions where the political and economic systems starkly reveal their nature.</p>
<p>Passion about the campaign may not be universally shared but almost everybody can feel the anxiety from the foreclosure of a million homes, and concerns about jobs, savings and healthcare at risk.</p>
<p>The initial Bush proposals to deal with the crisis so reeked of totalitarianism that they were quickly modified. Under intense lobbyist pressure, they were reshaped as &#8220;a clear win for the largest institutions in the system . . . a way of dumping assets without having to fail or close&#8221;, as described by James Rickards, who negotiated the federal bailout for the hedge fund Long Term Capital Management in 1998, reminding us that we are treading familiar turf. The immediate origins of the current meltdown lie in the collapse of the housing bubble supervised by Federal Reserve chairman Alan Greenspan, which sustained the struggling economy through the Bush years by debt-based consumer spending along with borrowing from abroad. But the roots are deeper. In part they lie in the triumph of financial liberalisation in the past 30 years &#8211; that is, freeing the markets as much as possible from government regulation.<span id="more-620"></span></p>
<p>These steps predictably increased the frequency and depth of severe reversals, which now threaten to bring about the worst crisis since the Great Depression.</p>
<p>Also predictably, the narrow sectors that reaped enormous profits from liberalisation are calling for massive state intervention to rescue collapsing financial institutions.</p>
<p>Such interventionism is a regular feature of state capitalism, though the scale today is unusual. A study by international economists Winfried Ruigrok and Rob van Tulder 15 years ago found that at least 20 companies in the Fortune 100 would not have survived if they had not been saved by their respective governments, and that many of the rest gained substantially by demanding that governments &#8220;socialise their losses,&#8221; as in today&#8217;s taxpayer-financed bailout. Such government intervention &#8220;has been the rule rather than the exception over the past two centuries&#8221;, they conclude.</p>
<p>In a functioning democratic society, a political campaign would address such fundamental issues, looking into root causes and cures, and proposing the means by which people suffering the consequences can take effective control.</p>
<p>The financial market &#8220;underprices risk&#8221; and is &#8220;systematically inefficient&#8221;, as economists John Eatwell and Lance Taylor wrote a decade ago, warning of the extreme dangers of financial liberalisation and reviewing the substantial costs already incurred &#8211; and proposing solutions, which have been ignored. One factor is failure to calculate the costs to those who do not participate in transactions. These &#8220;externalities&#8221; can be huge. Ignoring systemic risk leads to more risk-taking than would take place in an efficient economy, even by the narrowest measures.</p>
<p>The task of financial institutions is to take risks and, if well-managed, to ensure that potential losses to themselves will be covered. The emphasis is on &#8220;to themselves&#8221;. Under state capitalist rules, it is not their business to consider the cost to others &#8211; the &#8220;externalities&#8221; of decent survival &#8211; if their practices lead to financial crisis, as they regularly do.</p>
<p>Financial liberalisation has effects well beyond the economy. It has long been understood that it is a powerful weapon against democracy. Free capital movement creates what some have called a &#8220;virtual parliament&#8221; of investors and lenders, who closely monitor government programmes and &#8220;vote&#8221; against them if they are considered irrational: for the benefit of people, rather than concentrated private power.</p>
<p>Investors and lenders can &#8220;vote&#8221; by capital flight, attacks on currencies and other devices offered by financial liberalisation. That is one reason why the Bretton Woods system established by the United States and Britain after the second World War instituted capital controls and regulated currencies.*</p>
<p>The Great Depression and the war had aroused powerful radical democratic currents, ranging from the anti-fascist resistance to working class organisation. These pressures made it necessary to permit social democratic policies. The Bretton Woods system was designed in part to create a space for government action responding to public will &#8211; for some measure of democracy.</p>
<p>John Maynard Keynes, the British negotiator, considered the most important achievement of Bretton Woods to be the establishment of the right of governments to restrict capital movement.</p>
<p>In dramatic contrast, in the neoliberal phase after the breakdown of the Bretton Woods system in the 1970s, the US treasury now regards free capital mobility as a &#8220;fundamental right&#8221;, unlike such alleged &#8220;rights&#8221; as those guaranteed by the Universal Declaration of Human Rights: health, education, decent employment, security and other rights that the Reagan and Bush administrations have dismissed as &#8220;letters to Santa Claus&#8221;, &#8220;preposterous&#8221;, mere &#8220;myths&#8221;.</p>
<p>In earlier years, the public had not been much of a problem. The reasons are reviewed by Barry Eichengreen in his standard scholarly history of the international monetary system. He explains that in the 19th century, governments had not yet been &#8220;politicised by universal male suffrage and the rise of trade unionism and parliamentary labour parties&#8221;. Therefore, the severe costs imposed by the virtual parliament could be transferred to the general population.</p>
<p>But with the radicalisation of the general public during the Great Depression and the anti-fascist war, that luxury was no longer available to private power and wealth. Hence in the Bretton Woods system, &#8220;limits on capital mobility substituted for limits on democracy as a source of insulation from market pressures&#8221;.</p>
<p>The obvious corollary is that after the dismantling of the postwar system, democracy is restricted. It has therefore become necessary to control and marginalise the public in some fashion, processes particularly evident in the more business-run societies like the United States. The management of electoral extravaganzas by the public relations industry is one illustration.</p>
<p>&#8220;Politics is the shadow cast on society by big business,&#8221; concluded America&#8217;s leading 20th century social philosopher John Dewey, and will remain so as long as power resides in &#8220;business for private profit through private control of banking, land, industry, reinforced by command of the press, press agents and other means of publicity and propaganda&#8221;.</p>
<p>The United States effectively has a one-party system, the business party, with two factions, Republicans and Democrats. There are differences between them. In his study Unequal Democracy: The Political Economy of the New Gilded Age, Larry Bartels shows that during the past six decades &#8220;real incomes of middle-class families have grown twice as fast under Democrats as they have under Republicans, while the real incomes of working-poor families have grown six times as fast under Democrats as they have under Republicans&#8221;.</p>
<p>Differences can be detected in the current election as well. Voters should consider them, but without illusions about the political parties, and with the recognition that consistently over the centuries, progressive legislation and social welfare have been won by popular struggles, not gifts from above.</p>
<p>Those struggles follow a cycle of success and setback. They must be waged every day, not just once every four years, always with the goal of creating a genuinely responsive democratic society, from the voting booth to the workplace.</p>
<p>* The Bretton Woods system of global financial management was created by 730 delegates from all 44 Allied second World War nations who attended a UN-hosted Monetary and Financial Conference at the Mount Washington Hotel in Bretton Woods in New Hampshire in 1944.</p>
<p>Bretton Woods, which collapsed in 1971, was the system of rules, institutions, and procedures that regulated the international monetary system, under which were set up the International Bank for Reconstruction and Development (IBRD) (now one of five institutions in the World Bank Group) and the International Monetary Fund (IMF), which came into effect in 1945.</p>
<p>The chief feature of Bretton Woods was an obligation for each country to adopt a monetary policy that maintained the exchange rate of its currency within a fixed value.</p>
<p>The system collapsed when the US suspended convertibility from dollars to gold. This created the unique situation whereby the US dollar became the &#8220;reserve currency&#8221; for the other countries within Bretton Woods.</p>
<p>Noam Chomsky is professor emeritus of linguistics at the Massachusetts Institute of Technology. His writings on linguistics and politics have just been collected in The Essential Chomsky, edited by Anthony Arnove, from the New Press. This article appeared first in the New York Times</p>
<p>© 2008 The Irish Times</p>
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		<title>Building Dwelling Thinking by Martin Heidegger</title>
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		<pubDate>Wed, 01 Oct 2008 06:05:22 +0000</pubDate>
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Building Dwelling Thinking by Martin Heidegger
  

Intellectual Property

 

Building Dwelling Thinking by Martin Heidegger
In what follows we shall try to think about dwelling and building. This thinking about building does not presume to discover architectural ideas, let alone to give rules for building. This venture in thought does not view building as an art or as a [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=567&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<h1 class="title">Building Dwelling Thinking by Martin Heidegger</h1>
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<p>Building Dwelling Thinking by Martin Heidegger</p>
<p>In what follows we shall try to think about dwelling and building. This thinking about building does not presume to discover architectural ideas, let alone to give rules for building. This venture in thought does not view building as an art or as a technique of construction; rather it traces building back into that domain to which everything that is belongs. We ask:<br />
1. What is it to dwell?<br />
2. How does building belong to dwelling?<span id="more-567"></span></p>
<p>I</p>
<p>We attain to dwelling, so it seems, only by means of building. The latter, building, has the former, dwelling, as its goal. Still, not every building is a dwelling. Bridges and hangars, stadiums and power stations are buildings but not dwellings; railway stations and highways, dams and market halls are built, but they are not dwelling places. Even so, these buildings are in the domain of our dwelling. That domain extends over these buildings and yet is not limited to the dwelling place. The truck driver is at home on the highway, but he does not have his shelter there; the working woman is at home in the spinning mill, but does not have her dwelling place there; the chief engineer is at home in the power station, but he does not dwell there. These buildings house man. He inhabits them and yet does not dwell in them, when to dwell means merely that we take shelter in them. In today&#8217;s housing shortage even this much is reassuring and to the good; residential buildings do indeed provide shelter; today&#8217;s houses may even be well planned, easy to keep, attractively cheap, open to air, light, and sun, but-do the houses in themselves hold any guarantee that dwelling occurs in them? Yet those buildings that are not dwelling places remain in turn determined by dwelling insofar as they serve man&#8217;s dwelling. Thus dwelling would in any case be the end that presides over all building. Dwelling and building are related as end and means. However, as long as this is all we have in mind, we take dwelling and building as two separate activities, an idea that has something correct in it. Yet at the same time by the means-end schema we block our view of the essential relations. For building is not merely a means and a way toward dwelling -to build is in itself already to dwell. Who tells us this? Who gives us a standard at all by which we can take the measure of the nature of dwelling and building?</p>
<p>It is language that tells us about the nature of a thing, provided that we respect language&#8217;s own nature. In the meantime, to be sure, there rages round the earth an unbridled yet clever talking, writing, and broadcasting of spoken words. Man acts as though he were the shaper and master of language, while in fact language remains the master of man. Perhaps it is before all else man&#8217;s subversion of this relation of dominance that drives his nature into alienation. That we retain a concern for care in speaking is all to the good, but it is of no help to us as long as language still serves us even then only as a means of expression. Among all the appeals that we human beings, on our part, can help to be voiced, language is the highest and everywhere the first.</p>
<p>What, then, does Bauen, building, mean? The Old English and High German word for building, buan, means to dwell. This signifies: to remain, to stay in a place. The real meaning of the verb bauen, namely, to dwell, has been lost to us. But a covert trace of it has been preserved in the German word Nachbar, neighbor. The neighbor is in Old English the neahgehur; neah, near, and gebur, dweller. The Nachbar is the Nachgebur, the Nachgebauer, the near-dweller, he who dwells nearby. The verbs buri, bÃ¼ren, beuren, beuron, all signify dwelling, the abode, the place of dwelling. Now to be sure the old word buan not only tells us that bauen, to build, is really to dwell; it also gives us a clue as to how we have to think about the dwelling it signifies. When we speak of dwelling we usually think of an activity that man performs alongside many other activities. We work here and dwell there. We do not merely dwell-that would be virtual inactivity-we practice a profession, we do business, we travel and lodge on the way, now here, now there. Bauen originally means to dwell. Where the word bauen still speaks in its original sense it also says how far the nature of dwelling reaches. That is, bauen, buan. bhu, beo are our word bin in the versions: ich bin, I am, du bist, you are, the imperative form bis, be. What then does ich bin mean? The old word bauen, to which the bin belongs, answers: ich bin, du bist mean: I dwell, you dwell. The way in which you are and I am, the manner in which we humans are on the earth, is Buan, dwelling. To be a human being means to be on the earth as a mortal. it means to dwell. The old word bauen, which says that man is insofar as he dwells, this word barren however also means at the same time to cherish and protect, to preserve and care for, specifically to till the soil, to cultivate the vine. Such building only takes care-it tends the growth that ripens into its fruit of its own accord. Building in the sense of preserving and nurturing is not making anything. Shipbuilding and temple-building, on the other hand, do in a certain way make their own works. Here building, in contrast with cultivating, is a constructing. Both modes of building-building as cultivating, Latin colere, cultura, and building as the raising up of edifices, aedificare -are comprised within genuine building, that is, dwelling. Building as dwelling, that is, as being on the earth, however, remains for man&#8217;s everyday experience that which is from the outset &#8220;habitual&#8221;-we inhabit it, as our language says so beautifully: it is the Gewohnte. For this reason it recedes behind the manifold ways in which dwelling is accomplished, the activities of cultivation and construction. These activities later claim the name of bauen, building, and with it the fact of building, exclusively for themselves. The real sense of bauen, namely dwelling, falls into oblivion.</p>
<p>At first sight this event looks as though it were no more than a change of meaning of mere terms. In truth, however, something decisive is concealed in it, namely, dwelling is not experienced as man&#8217;s being; dwelling is never thought of as the basic character of human being.</p>
<p>That language in a way retracts the real meaning of the word bauen, which is dwelling, is evidence of the primal nature of these meanings; for with the essential words of language, their true meaning easily falls into oblivion in favor of foreground meanings. Man has hardly yet pondered the mystery of this process. Language withdraws from man its simple and high speech. But its primal call does not thereby become incapable of speech; it merely falls silent. Man, though, fails to heed this silence.</p>
<p>But if we listen to what language says in the word bauen we hear three things:<br />
1. Building is really dwelling.<br />
2. Dwelling is the manner in which mortals are on the earth.<br />
3. Building as dwelling unfolds into the buildingthat cultivates growing things and the building that erects buildings.</p>
<p>If we give thought to this threefold fact, we obtain a clue and note the following: as long as we do not bear in mind that all building is in itself a dwelling, we cannot even adequately ask, let alone properly decide, what the building of buildings might be in its nature. We do not dwell because we have built, but we build and have built because we dwell, that is, because we are dwellers. But in what does the nature of dwelling consist? Let us listen once more to what language says to us. The Old Saxon wuon, the Gothic wunian like the old word bauen, mean to remain, to stay in a place. But the Gothic wunian says more distinctly how this remaining is experienced. Wunian means: to be at peace, to be brought to peace, to remain in peace. The word for peace, Friede, means the free, das Frye, and fry means: preserved from harm and danger, preserved from something, safeguarded. To free really means to spare. The sparing itself consists not only in the fact that we do not harm the one whom we spare. Real sparing is something positive and takes place when we leave something beforehand in its own nature, when we return it specifically to its being, when we &#8220;free&#8221; it in the real sense of the word into a preserve of peace. To dwell, to be set at peace, means to remain at peace within the free sphere that safeguards each thing in its nature. The fundamental character of dwelling is this sparing and preserving. It pervades dwelling in its whole range. That range reveals itself to us as soon as we reflect that human being consists in dwelling and, indeed, dwelling in the sense of the stay of mortals on the earth.</p>
<p>But &#8220;on the earth&#8221; already means &#8220;under the sky.&#8221; Both of these also mean &#8220;remaining before the divinities&#8221; and include a &#8220;belonging to men&#8217;s being with one another.&#8221; By a primal oneness the four-earth and sky, divinities and mortals-belong together in one.</p>
<p>Earth is the serving bearer, blossoming and fruiting, spreading out in rock and water, rising up into plant and animal. When we say earth, we are already thinking of the other three along with it, but we give no thought to the simple oneness of the four.</p>
<p>The sky is the vaulting path of the sun, the course of the changing, moon, the wandering glitter of the stars, the year&#8217;s seasons and their changes, the light and dusk of day, the gloom and glow of night, the clemency and inclemency of the weather, the drifting clouds and blue depth of the ether. When we say sky, we are already thinking of the other three along with it, but we give no thought to the simple oneness of the four.</p>
<p>The divinities are the beckoning messengers of the godhead. 0ut of the holy sway of the godhead, the god appears in his presence or withdraws into his concealment. When we speak of the divinities, we are already thinking of the other three along with them, but we give no thought to the simple oneness of the four.</p>
<p>The mortals are the human beings. They are called mortals because they can die. To die means to be capable of death as death. Only man dies, and indeed continually, as long as remains on earth, under the sky, before the divinities. When we speak of mortals, we are already thinking of the other three along with them, but we give no thought to the simple oneness of the four.</p>
<p>This simple oneness of the four we call the fourfold. Mortals are in the fourfold by dwelling. But the basic character of dwelling is to spare, to preserve. Mortals dwell in the way they preserve the fourfold in its essential being, its presencing. Accordingly, the preserving that dwells is fourfold.</p>
<p>Mortals dwell in that they save the earth-taking the word in the old sense still known to Lessing. Saving does not only snatch something from a danger. To save really means to set something free into its own presencing. To save the earth is more than to exploit it or even wear it out. Saving the earth does not master the earth and does not subjugate it, which is merely one step from spoliation.</p>
<p>Mortals dwell in that they receive the sky as sky. They leave to the sun and the moon their journey, to the stars their courses, to the seasons their blessing and their inclemency; they do not turn night into day nor day into a harassed unrest.</p>
<p>Mortals dwell in that they await the divinities as divinities. In hope they hold up to the divinities what is unhoped for. They wait for intimations of their coming and do not mistake the signs of their absence. They do not make their gods for themselves and do not worship idols. In the very depth of misfortune they wait for the weal that has been withdrawn.</p>
<p>Mortals dwell in that they initiate their own nature-their being capable of death as death-into the use and practice of this capacity, so that there may be a good death. To initiate mortals into the nature of death in no way means to make death, as empty Nothing, the goal. Nor does it mean to darken dwelling by blindly staring toward the end.</p>
<p>In saving the earth, in receiving the sky, in awaiting the divinities, in initiating mortals, dwelling occurs as the fourfold preservation of the fourfold. To spare and preserve means: to take under our care, to look after the fourfold in its presencing. What we take under our care must be kept safe. But if dwelling preserves the fourfold, where does it keep the fourfold&#8217;s nature? How do mortals make their dwelling such a preserving? Mortals would never be capable of it if dwelling were merely a staying on earth under the sky, before the divinities, among mortals. Rather, dwelling itself is always a staying with things. Dwelling, as preserving, keeps the fourfold in that with which mortals stay: in things.</p>
<p>Staying with things, however, is not merely something attached to this fourfold preserving as a fifth something. On the contrary: staying with things is the only way in which the fourfold stay within the fourfold is accomplished at any time in simple unity. Dwelling preserves the fourfold by bringing the presencing of the fourfold into things. But things themselves secure the fourfold only when they themselves as things are let be in their presencing. How is this done? In this way, that mortals nurse and nurture the things that grow, and specially construct things that do not grow. Cultivating and construction are building in the narrower sense. Dwelling, insofar as it keeps or secures the fourfold in things, is, as this keeping, a building. With this, we are on our way to the second question.</p>
<p>II</p>
<p>In what way does building belong to dwelling?</p>
<p>The answer to this question will clarify for us what building, understood by way of the nature of dwelling, really is. We limit ourselves to building in the sense of constructing things and inquire: what is a built thing? A bridge may serve as an example for our reflections.</p>
<p>The bridge swings over the stream &#8220;with case and power. It does not just connect banks that are already there. The banks emerge as banks only as the bridge crosses the stream. The bridge designedly causes them to lie across from each other. One side is set off against the other by the bridge. Nor do the banks stretch along the stream as indifferent border strips of the dry land. With the banks, the bridge brings to the stream the one and the other expanse of the landscape lying behind them. It brings stream and bank and land into each other&#8217;s neighborhood. The bridge gathers the earth as landscape around the stream. Thus it guides and attends the stream through the meadows. Resting upright in the stream&#8217;s bed, the bridge-piers bear the swing of the arches that leave the stream&#8217;s waters to run their course. The waters may wander on quiet and gay, the sky&#8217;s floods from storm or thaw may shoot past the piers in torrential waves-the bridge is ready for the sky&#8217;s weather and its fickle nature. Even where the bridge covers the stream, it holds its flow up to the sky by taking it for a moment under the vaulted gateway and then setting it free once more.</p>
<p>The bridge lets the stream run its course and at the same time grants their way to mortals so that they may come and go from shore to shore. Bridges lead in many ways. The city bridge leads from the precincts of the castle to the cathedral square; the river bridge near the country town brings wagons and horse teams to the surrounding villages. The old stone bridge&#8217;s humble brook crossing gives to the harvest wagon its passage from the fields into the village and carries the lumber cart from the field path to the road. The highway bridge is tied into the network of long-distance traffic, paced as calculated for maximum yield. Always and ever differently the bridge escorts the lingering and hastening ways of men to and from, so that they may get to other banks and in the end, as mortals, to the other side. Now in a high arch, now in a low, the bridge vaults over glen and stream-whether mortals keep in mind this vaulting of the bridge&#8217;s course or forget that they, always themselves on their way to the last bridge, are actually striving to surmount all that is common and unsound in them in order to bring themselves before the haleness of the divinities. The bridge gathers, as a passage that crosses, before the divinities-whether we explicitly think of, and visibly give thanks for, their presence, as in the figure of the saint of the bridge, or whether that divine presence is obstructed or even pushed wholly aside.</p>
<p>The bridge gathers to itself in its own way earth and sky, divinities and mortals.</p>
<p>Gathering or assembly, by an ancient word of our language, is called &#8220;thing.&#8221; The bridge is a thing-and, indeed, it is such as the gathering of the fourfold which we have described. To be sure, people think of the bridge as primarily and really merely a bridge; after that, and occasionally, it might possibly express much else besides; and as such an expression it would then become a symbol, for instance ,t symbol of those things we mentioned before. But the bridge, if it is a true bridge, is never first of all a mere bridge and then afterward a symbol. And just as little is the bridge in the first place exclusively a symbol, in the sense that it expresses something that strictly speaking does not belong to it. If we take the bridge strictly as such, it never appears as an expression. The bridge is a thing and only that. Only? As this thing it gathers the fourfold.</p>
<p>Our thinking has of course long been accustomed to understate the nature of the thing. The consequence, in the course of Western thought, has been that the thing is represented as an unknown X to which perceptible properties are attached. From this point of view, everything that already belongs to the gathering nature of this thing does, of course, appear as something that is afterward read into it. Yet the bridge would never be a mere bridge if it were not a thing.</p>
<p>To be sure, the bridge is a thing of its own kind; for it gathers the fourfold in such a way that it allows a site for it. But only something that is itself a location can make space for a site. The location is not already there before the bridge is. Before the bridge stands, there are of course many spots along the stream that can be occupied by something. One of them proves to be a location, and does so because of the bridge. Thus the bridge does not first come to a location to stand in it; rather, a location comes into existence only by virtue of the bridge. The bridge is a thing; it gathers the fourfold, but in such a way that it allows a site for the fourfold. By this site are determined the localities and ways by which a space is provided for.</p>
<p>Only things that are locations in this manner allow for spaces. What the word for space, Raum, Rum, designates is said by its ancient meaning. Raum means a place cleared or freed for settlement and lodging. A space is something that has been made room for, something that- namely within a boundary, Greek peras. A boundary is not that at which something stops but, as the Greeks recognized, the boundary is that from which something begins its presencing. That is why the concept is that of horismos, that is, the horizon, the boundary. Space is in essence that for which room has been made, that which is let into its bounds. That for which room is made is always granted and hence is joined, that is, gathered, by virtue of a location, that is, by such a thing as the bridge. Accordingly, spaces receive their being from locations and not from &#8220;space.&#8221;</p>
<p>Things which, as locations, allow a site we now in anticipation call buildings. They are so called because they are made by a process of building construction. Of what sort this making-building-must be, however, we find out only after we have first given thought to the nature of those things which of themselves require building as the process by which they are made. These things are locations that allow a site for the fourfold, a site that in each case provides for a space. The relation between location and space lies in the nature of these things qua locations, but so does the relation of the location to the man who lives at that location. Therefore we shall now try to clarify the nature of these things that we call buildings by the following brief consideration.</p>
<p>For one thing, what is the relation between location and space? For another, what is the relation between man and space? The bridge is a location. As such a thing, it allows a space into which earth and heaven, divinities and mortals are admitted. The space allowed by the bridge contains many places variously near or far from the bridge. These places, however, may be treated as mere positions between which there lies a measurable distance; a distance, in Greek stadion, always has room made for it, and indeed by bare positions. The space that is thus made by positions is space of a peculiar sort. As distance or &#8220;stadion&#8221; it is what the same word, stadion, means in Latin, a spatium, an intervening space or interval. Thus nearness and remoteness between men and things can become mere intervals of intervening space. In a space that is represented purely as spatium, the bridge now appears as a mere something at some position, which can be occupied at any time by something else or replaced by a mere marker. What is more, the mere dimensions of height, breadth, and depth can be abstracted from space as intervals. What is so abstracted we represent as the pure manifold of the three dimensions. Yet the room made by this manifold is also no longer determined by distances; it is no longer a spatium, but now no more than extensio- extension. But from a space as extensio a further abstraction can be made, to analytic-algebraic relations. What these relations make room for is the possibility of the construction of manifolds with an arbitrary number of dimensions. The space provided for in this mathematical manner may be called &#8220;space,&#8221; the &#8220;one&#8221; space as such. But in this sense &#8220;the&#8221; space , &#8220;space,&#8221; contains no spaces and no places. We never find in it any locations, that is, things of the kind the bridge is. As against that, however, in the spaces provided for by locations there is always space as interval, and in this interval in turn there is space as pure extension. Spatium and extensio afford at any time the possibility of measuring things and what they make room for, according to distances, spans, and directions, and of computing these magnitudes. But the fact that they are universally applicable to everything that has extension can in no case make numerical magnitudes the ground of the nature of space and locations that are measurable with the aid of mathematics. How even modern physics was compelled by the facts themselves to represent the spatial medium of cosmic space as a field-unity determined by body as dynamic center, cannot be discussed here.</p>
<p>The spaces through which we go daily are provided for by locations; their nature is grounded in things of the type of buildings. If we pay heed to these relations between locations and spaces, between spaces and space, we get a due to help us in thinking of the relation of man and space.</p>
<p>When we speak of man and space, it sounds as though man stood on one side, space on the other. Yet space is not something that faces man. It is neither an external object nor an inner experience. It is not that there are men, and over and above them space; for when I say &#8220;a man,&#8221; and in saying this word think of a being who exists in a human manner-that is, who dwells-then by the name &#8220;man&#8221; I already name the stay within the fourfold among things. Even when we relate ourselves to those things that are not in our immediate reach, we are staying with the things themselves. We do not represent distant things merely in our mind-as the textbooks have it-so that only mental representations of distant things run through our minds and heads as substitutes for the things. If all of us now think, from where we are right here, of the old bridge in Heidelberg, this thinking toward that location is not a mere experience inside the persons present here; rather, it belongs to the nature of our thinking of that bridge that in itself thinking gets through, persists through, the distance to that location. From this spot right here, we are there at the bridge-we are by no means at some representational content in our consciousness. From right here we may even be much nearer to that bridge and to what it makes room for than someone who uses it daily as an indifferent river crossing. Spaces, and with them space as such-&#8221;space&#8221;-are always provided for already within the stay of mortals. Spaces open up by the fact that they are let into the dwelling of man. To say that mortals are is to say that in dwelling they persist through spaces by virtue of their stay among things and locations. And only because mortals pervade, persist through, spaces by their very nature are they able to go through spaces. But in going through spaces we do not give up our standing in them. Rather, we always go through spaces in such a way that we already experience them by staying constantly with near and remote locations and things. When I go toward the door of the lecture hall, I am already there, and I could not go to it at all if I were not such that I am there. I am never here only, as this encapsulated body; rather, I am there, that is, I already pervade the room, and only thus can I go through it.</p>
<p>Even when mortals turn &#8220;inward,&#8221; taking stock of themselves, they do not leave behind their belonging to the fourfold. When, as we say, we come to our senses and reflect on ourselves, we come back to ourselves from things without ever abandoning our stay among things. Indeed, the loss of rapport with things that occurs in states of depression would be wholly impossible if even such a state were not still what it is as a human state: that is, a staying with things. Only if this stay already characterizes human being can the things among which we are also fail to speak to us, fail to concern us any longer.</p>
<p>Man&#8217;s relation to locations, and through locations to spaces, inheres in bis dwelling. The relationship between man and space is none other than dwelling, strictly thought and spoken.</p>
<p>When we think, in the manner just attempted, about the relation between location and space, but also about the relation of man and space, a light falls on the nature of the things that are locations and that we call buildings.</p>
<p>The bridge is a thing of this sort. The location allows the simple onefold of earth and sky, of divinities and mortals, to enter into a site by arranging the site into spaces. The location makes room for the fourfold in a double sense. The location admits the fourfold and it installs the fourfold. The two making room in the sense of admitting and in the sense of installing-belong together. As a double space-making, the location is a shelter for the fourfold or, by the same token, a house. Things like such locations shelter or house men&#8217;s lives. Things of this sort are housings, though not necessarily dwelling-houses in the narrower sense.</p>
<p>The making of such things is building. Its nature consists in this, that it corresponds to the character of these things. They are locations that allow spaces. This is why building, by virtue of constructing locations, is a founding and joining of spaces. Because building produces locations, the joining of the spaces of these locations necessarily brings with it space, as spatium and as extension into the thingly structure of buildings. But building never shapes pure &#8220;space&#8221; as a single entity. Neither directly nor indirectly. Nevertheless, because it produces things as locations, building is closer to the nature of spaces and to the origin of the nature of &#8220;space&#8221; than any geometry and mathematics. Building puts up locations that mane space and a site for the fourfold. From the simple oneness in which earth and sky, divinities and mortals belong together, building receives the directive for its erecting of locations. Building takes over from the fourfold the standard for all the traversing and measuring of the spaces that in each case are provided for by the locations that have been founded. The edifices guard the fourfold. They are things that in their own way preserve the fourfold. To preserve the fourfold, to save the earth, to receive the sky, to await the divinities, to escort mortals-this fourfold preserving is the simple nature, the presencing, of dwelling. In this way, then, do genuine buildings give form to dwelling in its presencing and house this presence.</p>
<p>Building thus characterized is a distinctive letting-dwell. Whenever it is such in fact, building already has responded to the summons of the fourfold. All planning remains grounded on this responding, and planning in turn opens up to the designer the precincts suitable for his designs.</p>
<p>As soon as we try to think of the nature of constructive building in terms of a letting-dwell, we come to know more clearly what that process of making consists in by which building is accomplished. Usually we take production to be an activity whose performance has a result, the finished structure, as its consequence. It is possible to conceive of making in that way; we thereby grasp something that is correct, and yet never touch its nature, which is a producing that brings something forth. For building brings the fourfold hither into a thing, the bridge, and brings forth the thing as a location, out into what is already there, room for which is only now made by this location.</p>
<p>The Greek for &#8220;to bring forth or to produce&#8221; is tikto. The word techne, technique, belongs to the-verb&#8217;s root tec. To the Greeks techne means neither art nor handicraft but rather: to make something appear, within what is present, as this or that, in this way or that way. The Greeks conceive of techne, producing, in terms of letting appear. Techne thus conceived has been concealed in the tectonics of architecture since ancient times. Of late it still remains concealed, and more resolutely, in the technology of power machinery. But the nature of the erecting buildings cannot be understood adequately in terms either of architecture or of engineering construction, nor in terms of a mere combination of the two. The erecting of buildings would not be suitably defined even if we were to think of it in the sense of the original Greek techne as solely a letting-appear, which brings something made, as something present, among the things that are already present.</p>
<p>The nature of building is letting dwell. Building accomplishes its nature in the raising of locations by the joining of their spaces. Only if we are capable of dwelling, only then can we build. Let us think for a while of a farmhouse in the Black Forest, which was built some two hundred years ago by the dwelling of peasants. Here the self-sufficiency of the power to let earth and heaven, divinities and mortals enter in simple oneness into things, ordered the house. It placed the farm on the wind-sheltered mountain slope looking south, among the meadows close to the spring. It gave it the wide overhanging shingle roof whose proper slope bears up under the burden of snow, and which, reaching deep down, shields the chambers against the storms of the long winter nights. It did not forget the altar corner behind the community table; it made room in its chamber for the hallowed places of childbed and the &#8220;tree of the dead&#8221;-for that is what they call a coffin there: the Totenbaum-and in this way it designed for the different generations under one roof the character of their journey through time. A craft which, itself sprung from dwelling, still uses its tools and frames as things, built the farmhouse.</p>
<p>Only if we are capable of dwelling, only then can we build. Our reference to the Black Forest farm in no way means that we should or could go back to building such houses; rather, it illustrates by a dwelling that has been how it was able to build.</p>
<p>Dwelling, however, is the basic character of Being in keeping with which mortals exist. Perhaps this attempt to think about dwelling and building will bring out somewhat more clearly that building belongs to dwelling and how it receives its nature from dwelling. Enough will have been gained if dwelling and building have become worthy of questioning and thus have remained worthy of thought.</p>
<p>But that thinking itself belongs to dwelling in the same sense as building, although in a different way, may perhaps be attested to by the course of thought here attempted.</p>
<p>Building and thinking are, each in its own way, inescapable for dwelling. The two, however, are also insufficient for dwelling so long as each busies itself with its own affairs in separation instead of listening to one another. They are able to listen if both-building and thinking-belong to dwelling, if they remain within their limits and realize that the one as much as the other comes from the workshop of long experience and incessant practice.</p>
<p>We are attempting to trace in thought the nature of dwelling. The next step on this path would be the question: what is the state of dwelling in our precarious age? On all sides we hear talk about the housing shortage, and with good reason. Nor is there just talk; there is action too. We try to fill the need by providing houses, by promoting the building of houses, planning the whole architectural enterprise. However hard and bitter, however hampering and threatening the lack of houses remains, the real plight of dwelling does not lie merely in a lack of houses. The real plight of dwelling is indeed older than the world wars with their destruction, older also than the increase of the earth&#8217;s population and the condition of the industrial workers. The real dwelling plight lies in this, that mortals ever search anew for the nature of dwelling, that they must ever learn to dwell. What if man&#8217;s homelessness consisted in this, that man still does not even think of the real plight of dwelling as the plight? Yet as soon as man gives thought to his homelessness, it is a misery no longer. Rightly considered and kept well in mind, it is the sole summons that calls mortals into their dwelling.</p>
<p>But how else can mortals answer this summons than by trying on their part, on their own, to bring dwelling to the fullness of its nature? This they accomplish when they build out of dwelling, and think for the sake of dwelling.</p></div>
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		<title>Homeland Security Detects Terrorist Threats by Reading Your Mind</title>
		<link>http://voidmanufacturing.wordpress.com/2008/09/23/homeland-security-detects-terrorist-threats-by-reading-your-mind/</link>
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		<pubDate>Tue, 23 Sep 2008 19:04:16 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
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Tuesday , September 23, 2008
By Allison Barrie     




Baggage searches are SOOOOOO early-21st century. Homeland Security is now testing the next generation of security screening — a body scanner that can read your mind.




Most preventive screening looks for explosives or metals that pose a threat. But a new system called MALINTENT turns the old school approach on its head. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=490&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<p><strong>Tuesday , September 23, 2008</strong></p>
<h4>By Allison Barrie<span style="font-weight:normal;">     </p>
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<div id="OUTER_DIV_28301781_11222207175142"><span style="font-family:'Lucida Grande';">Baggage searches are <em>SOOOOOO</em> early-21st century. Homeland Security is now testing the next generation of security screening — a body scanner that can read your mind.</span></div>
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<p>Most preventive screening looks for explosives or metals that pose a threat. But a new system called MALINTENT turns the old school approach on its head. This Orwellian-sounding machine detects the person — not the device — set to wreak havoc and terror.</p>
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<p>MALINTENT, the brainchild of the cutting-edge Human Factors division in Homeland Security&#8217;s directorate for Science and Technology, searches your body for non-verbal cues that predict whether you mean harm to your fellow passengers.</p>
<p>It has a series of sensors and imagers that read your body temperature, heart rate and respiration for unconscious tells invisible to the naked eye — signals terrorists and criminals may display in advance of an attack.</p>
<p>But this is no polygraph test. Subjects do not get hooked up or strapped down for a careful reading; those sensors do all the work without any actual physical contact. It&#8217;s like an X-ray for bad intentions.</p>
<p>Currently, all the sensors and equipment are packaged inside a mobile screening laboratory about the size of a trailer or large truck bed, and just last week, Homeland Security put it to a field test in Maryland, scanning 144 mostly unwitting human subjects.</p>
<p>While I&#8217;d love to give you the full scoop on the unusual experiment, testing is ongoing and full disclosure would compromise future tests.</p>
<p>• <a href="http://www.foxnews.com/printer_friendly_story/0,3566,426485,00.html#">Click here for an exclusive look at MALINTENT in action.</a></p>
<p>But what I can tell you is that the test subjects were average Joes living in the D.C. area who thought they were attending something like a technology expo; in order for the experiment to work effectively and to get the testing subjects to buy in, the cover story had to be convincing.</p>
<p>While the 144 test subjects thought they were merely passing through an entrance way, they actually passed through a series of sensors that screened them for bad intentions.</p>
<p>Homeland Security also selected a group of 23 attendees to be civilian &#8220;accomplices&#8221; in their test. They were each given a &#8220;disruptive device&#8221; to carry through the portal — and, unlike the other attendees, were conscious that they were on a mission.</p>
<p>In order to conduct these tests on human subjects, DHS had to meet rigorous safety standards to ensure the screening would not cause any physical or emotional harm.</p>
<p>So here&#8217;s how it works. When the sensors identify that something is off, they transmit warning data to analysts, who decide whether to flag passengers for further questioning. The next step involves micro-facial scanning, which involves measuring minute muscle movements in the face for clues to mood and intention.</p>
<p>Homeland Security has developed a system to recognize, define and measure seven primary emotions and emotional cues that are reflected in contractions of facial muscles. MALINTENT identifies these emotions and relays the information back to a security screener almost in real-time.</p>
<p>This whole security array — the scanners and screeners who make up the mobile lab — is called &#8220;Future Attribute Screening Technology&#8221; — or FAST — because it is designed to get passengers through security in two to four minutes, and often faster.</p>
<p>If you&#8217;re rushed or stressed, you may send out signals of anxiety, but FAST isn&#8217;t fooled. It&#8217;s already good enough to tell the difference between a harried traveler and a terrorist. Even if you sweat heavily by nature, FAST won&#8217;t mistake you for a baddie.</p>
<p>&#8220;If you focus on looking at the person, you don&#8217;t have to worry about detecting the device itself,&#8221; said Bob Burns, MALINTENT&#8217;s project leader. And while there are devices out there that look at individual cues, a comprehensive screening device like this has never before been put together.</p>
<p>While FAST&#8217;s batting average is classified, Undersecretary for Science and Technology Adm. Jay Cohen declared the experiment a &#8220;home run.&#8221;</p>
<p>As cold and inhuman as the electric eye may be, DHS says scanners are unbiased and nonjudgmental. &#8220;It does not predict who you are and make a judgment, it only provides an assessment in situations,&#8221; said Burns. &#8220;It analyzes you against baseline stats when you walk in the door, it measures reactions and variations when you approach and go through the portal.&#8221;</p>
<p>But the testing — and the device itself — are not without their problems. This invasive scanner, which catalogues your vital signs for non-medical reasons, seems like an uninvited doctor&#8217;s exam and raises many privacy issues.</p>
<p>But DHS says this is not Big Brother. Once you are through the FAST portal, your scrutiny is over and records aren&#8217;t kept. &#8220;Your data is dumped,&#8221; said Burns. &#8220;The information is not maintained — it doesn&#8217;t track who you are.&#8221;</p>
<p>DHS is now planning an even wider array of screening technology, including an eye scanner next year and pheromone-reading technology by 2010.</p>
<p>The team will also be adding equipment that reads body movements, called &#8220;illustrative and emblem cues.&#8221; According to Burns, this is achievable because people &#8220;move in reaction to what they are thinking, more or less based on the context of the situation.&#8221;</p>
<p>FAST may also incorporate biological, radiological and explosive detection, but for now the primary focus is on identifying and isolating potential human threats.</p>
<p>And because FAST is a mobile screening laboratory, it could be set up at entrances to stadiums, malls and in airports, making it ever more difficult for terrorists to live and work among us.</p>
<p>Burns noted his team&#8217;s goal is to &#8220;restore a sense of freedom.&#8221; Once MALINTENT is rolled out in airports, it could give us a future where we can once again wander onto planes with super-sized cosmetics and all the bottles of water we can carry — and most importantly without that sense of foreboding that has haunted Americans since Sept. 11.</p>
<p><em>Allison Barrie, a security and terrorism consultant with the Commission for National Security in the 21st Century, is FOX News&#8217; security columnist.</em></p>
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		<title>Alan Moore on the &#8220;Watchmen&#8221; movie and his 750,000 word novel.</title>
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Alan Moore on &#8216;Watchmen&#8217; movie: &#8216;I will be spitting venom all over it&#8217;
12:48 PM PT, Sep 18 2008


For the record, Alan Moore has not softened his view on Hollywood nor its plan to bring his classic graphic novel &#8220;Watchmen&#8221; to the screen next March.
&#8220;I find film in its modern form to be quite bullying,&#8221; Moore told me [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=469&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<h1 class="entry-header"><a title="'I will be spitting venom all over it'" rel="bookmark" href="http://latimesblogs.latimes.com/herocomplex/2008/09/alan-moore-on-w.html">Alan Moore on &#8216;Watchmen&#8217; movie: &#8216;I will be spitting venom all over it&#8217;</a></h1>
<div class="time">12:48 PM PT, Sep 18 2008</div>
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<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/alanmoore_2.jpg"><img title="Alan Moore" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/alanmoore_2.jpg" border="0" alt="Alan Moore" width="400" height="260" /></a>For the record, <strong>Alan Moore</strong> has not softened his view on Hollywood nor its plan to bring his classic graphic novel &#8220;<strong>Watchmen</strong>&#8221; to the screen next March.<a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/alanmoore.jpg"></a></p>
<p>&#8220;I find film in its modern form to be quite bullying,&#8221; Moore told me during an hour-long phone call from his home in England. &#8220;It spoon-feeds us, which has the effect of watering down our collective cultural imagination. It is as if we are freshly hatched birds looking up with our mouths open waiting for Hollywood to feed us more regurgitated worms. The &#8216;Watchmen&#8217; film sounds like more regurgitated worms. I for one am sick of worms. Can&#8217;t we get something else? Perhaps some takeout? Even Chinese worms would be a nice change.&#8221;<span id="more-469"></span></p>
<p>Moore is often described as a recluse but, really, I think it&#8217;s more precise to say he is simply too busy at his writing desk. &#8220;Yes, perhaps I <em>should</em> get out more,&#8221; he said with a chuckle. In conversation, the 54-year-old iconoclast is everything his longtime readers would expect &#8212; articulate, witty, obstinate and selectively enigmatic. Far from grouchy, he only gets an edge in his voice when he talks about the effect of Hollywood on the comics medium that he so memorably energized in the 1980s with &#8220;<strong>Saga of the Swamp Thing</strong>,&#8221; &#8220;<strong>V for Vendetta</strong>,&#8221; &#8220;<strong>Marvelman</strong>&#8221; and, of course, &#8220;Watchmen,&#8221; his 1986 masterpiece. The Warner Bros. film version of &#8220;Watchmen&#8221; is due in theaters in March although the project has encountered some turbulence with <a href="http://latimesblogs.latimes.com/herocomplex/2008/08/watchmen-movie.html">a lawsuit filed by 20th Century Fox over who has the rights</a> to the property. Moore has no intention of seeing the film and, in fact, he hints that he has put a magical curse on the entire endeavor.</p>
<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/comedian.jpg"><img title="Comedian" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/comedian.jpg" border="0" alt="Comedian" width="300" height="456" /></a>&#8220;Will the film even be coming out? There are these legal problems now, which I find wonderfully ironic. Perhaps it&#8217;s been cursed from afar, from England. And I can tell you that I will also be spitting venom all over it for months to come.&#8221;</p>
<p>Moore said all that with more mischievous glee than true malice, but I know it will still pain &#8220;Watchmen&#8221; director <strong><a href="http://www.imdb.com/name/nm0811583/">Zack Snyder</a></strong> when he reads it. The director of &#8220;<strong>300</strong>&#8221; absolutely adores the work of Moore and has been laboring intensely to bring &#8220;Watchmen&#8221; to the screen with faithful sophistication. But I don&#8217;t think there&#8217;s any way to win Moore over, he simply detests Hollywood. Moore said he has never watched any of the film adaptations of his comics creations (which have included &#8220;<strong>V for Vendetta</strong>,&#8221; &#8220;<strong>From Hell,&#8221;</strong> &#8221;<strong>Constantine</strong>&#8221; and &#8220;<strong>The League of Extraordinary Gentlemen</strong>&#8220;) and that he believes &#8220;Watchmen&#8221; is &#8220;inherently unfilmable.&#8221; He also rues the effect of Hollywood&#8217;s siren call on the contemporary comics scene.</p>
<p>&#8220;There are three or four companies now that exist for the sole purpose of creating not comics, but storyboards for films. It may be true that the only reason the comic book industry now exists is for this purpose, to create characters for movies, board games and other types of merchandise. Comics are just a sort of pumpkin patch growing franchises that might be profitable for the ailing movie industry.&#8221;</p></div>
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<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/niteowl.jpg"><img title="Nite Owl" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/niteowl.jpg" border="0" alt="Nite Owl" width="300" height="456" /></a>There is one film that Moore <em>is</em> supporting right now. It&#8217;s the new DVD release entitled &#8220;<strong>The Mindscape of Alan Moore</strong>&#8221; and it&#8217;s an artfully executed documentary that is built entirely around Moore sitting in his somewhat spooky living room and ruminating about art, storytelling, magic and culture. The movie was made by <strong>Dez Vylenz</strong>, who was still a student at the London International Film School when he sent Moore a letter expressing interest in creating a documentary film on the writer as his senior project.</p>
<p>That project went well and, several years ago, the filmmaker and the author decided to do it again for a film that would be released to the public. Vylenz has intercut images and used visual effects that give the film a psychedelic swirl and shamanistic textures (it reminded me a bit of the sensibilities of a <strong><a href="http://www.imdb.com/name/nm0716585/">Godfrey Reggio</a></strong> film, such as &#8220;<a href="http://en.wikipedia.org/wiki/Koyanniqatsi">Koyaanisqatsi</a>,&#8221; but on a far, far smaller scale production-wise).</p>
<p>&#8220;It was very enjoyable to sit there in a chair and talking and talking and talking because, as anyone who knows me for even an hour will tell you, that is my second nature. The idea of it &#8212; just me talking &#8212; sounded incredibly boring to me but Dez Vylenz is very talented and if there is anything about the film that is not a success, I would blame the flaws of its central character.&#8221; The film was made in 2003 but is just now reaching stores, with a Sept. 30 on-sale date as a two-disc DVD from <strong><a href="http://www.shadowsnake.com/home.html">Shadowsnake Films</a></strong>.</p>
<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/alanmooremovie.jpg"><img title="Alan Moore movie" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/alanmooremovie.jpg" border="0" alt="Alan Moore movie" width="300" height="432" /></a>In the film, Moore makes it clear that he believes magic and storytelling are clearly linked and that, upon closer examination, the definitions of what is real and what is imagined are far more slippery than generally considered. This documentary is not the compelling success that &#8220;<a href="http://www.imdb.com/title/tt0109508/">Crumb</a>&#8221; was but, like that 1994 film by Terry Zwigoff, this one will leave casual viewers with the impression that some of the more peculiar geniuses of our day tend to gravitate to comics.</p>
<p>Moore sometimes wears metallic talons, describes himself as an anarchist and, in the past, has told interviewers that he worships an ancient Roman snake god. But what&#8217;s <em>really</em> unusual about him is that he seems to be the very last creator in comics who would hang up on Hollywood anytime it calls.</p>
<p>&#8220;I got into comics because I thought it was a good and useful medium that had not been explored to its fullest potential,&#8221; Moore told me.</p>
<p>He went on to explain that it was the late Will Eisner who brought a cinematic approach to comics in the 1940s after watching &#8220;Citizen Kane&#8221; dozens of times and transferring its visual style and approach to transitions to the pages of &#8220;The Spirit.&#8221; &#8220;As much as I admire Eisner, I think maintaining that approach in recent history has done more harm than good. If you approach comics as a poor relation to film, you are left with a movie that does not move, has no soundtrack and lacks the benefit of having a recognizable movie star in the lead role.&#8221;</p>
<p>Moore said that with &#8220;Watchmen,&#8221; he told the epic tale of a large number of characters over decades of history with &#8220;a range of techniques&#8221; that cannot be translated to the movie screen, among them the &#8220;book within a book&#8221; technique, which took readers through a second, interior story as well as documents and the writings of characters. He also said he was offended by the amount of money and resources that go into the Hollywood projects. &#8220;They take an idea, bowdlerize it, blow it up, make it infantile and spend $100 million to give people a brief escape from their boring and often demeaning lives at work. It&#8217;s obscene and it&#8217;s offensive. This is not the culture I signed up for. I&#8217;m sure I sound like Bobby Fischer talking about chess &#8220;</p>
<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/rohrshach.jpg"><img title="Rorschach" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/rohrshach.jpg" border="0" alt="Rorschach" width="300" height="478" /></a>Moore said he is now working on new installments in his marvelous comics series &#8220;League of Extraordinary Gentlemen,&#8221; which is far more nuanced and daring than the forgettable film of the same title. The new stories take the narrative to the moon where there is a war underway between the giant insects (inspired by the <a href="http://www.hgwellsusa.50megs.com/"><strong>H.G. Wells</strong></a> 1901 book &#8220;<a href="http://en.wikipedia.org/wiki/The_First_Men_in_the_Moon">The First Men in the Moon</a>&#8220;) and nude lunar amazons. &#8220;The idea, it pretty much sells itself, doesn&#8217;t it?&#8221;</p>
<p>He is also at work on a massive, 750,000-word novel. &#8220;It&#8217;s the grown-up kind, with no pictures at all,&#8221; he said. &#8220;Although modern binding technology may be overwhelmed by the size of it. It&#8217;s a huge mad fantasy called <strong>&#8216;Jerusalem</strong>.&#8217; &#8220;</p>
<p>The story is partially a history of his native Northampton that dates back to its Saxon settlement days in AD 700, but it is also a &#8220;demented children&#8217;s story&#8221; that features <strong>Charlie Chaplin</strong>, <strong>Oliver Cromwell</strong> and &#8220;an explanation of the afterlife that conforms to all known laws of physics.&#8221;</p>
<p>There&#8217;s also a huge sort of reference book of magic that he is toiling on with contributions from notable artists and writing peers. It delves into Kabbalah, astral projection, seance, tarot, practical applications of magic and deep research into the origins of magic history, such as the true beginnings of the <strong>Faust</strong>tales. Talking about the book, the skeptical shaman of comics sounded positively giddy, especially for a parchment wizard trapped in a crass digital age.</p>
<p>&#8220;Magic is a state of mind. It is often portrayed as very black and gothic and that is because certain practitioners played that up for a sense of power and prestige. That is a disservice. Magic is very colorful. Of this, I am sure.&#8221;</p></div>
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