<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
	>

<channel>
	<title>Void Manufacturing &#187; Economy</title>
	<atom:link href="http://voidmanufacturing.wordpress.com/category/economy/feed/" rel="self" type="application/rss+xml" />
	<link>http://voidmanufacturing.wordpress.com</link>
	<description>“Turning and turning in a cell, like a fly that doesn’t know where to die.”</description>
	<lastBuildDate>Thu, 17 Dec 2009 19:33:54 +0000</lastBuildDate>
	<generator>http://wordpress.com/</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<cloud domain='voidmanufacturing.wordpress.com' port='80' path='/?rsscloud=notify' registerProcedure='' protocol='http-post' />
<image>
		<url>http://www.gravatar.com/blavatar/dd2d99ba39b36adfe6a921adc1810163?s=96&#038;d=http://s.wordpress.com/i/buttonw-com.png</url>
		<title>Void Manufacturing &#187; Economy</title>
		<link>http://voidmanufacturing.wordpress.com</link>
	</image>
	<atom:link rel="search" type="application/opensearchdescription+xml" href="http://voidmanufacturing.wordpress.com/osd.xml" title="Void Manufacturing" />
		<item>
		<title>An interview with Nic Clear from the Ballardian</title>
		<link>http://voidmanufacturing.wordpress.com/2009/12/11/an-interview-with-nic-clear-from-the-ballardian/</link>
		<comments>http://voidmanufacturing.wordpress.com/2009/12/11/an-interview-with-nic-clear-from-the-ballardian/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 23:02:32 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
				<category><![CDATA[Dystopia]]></category>
		<category><![CDATA[Economy]]></category>
		<category><![CDATA[Evil]]></category>
		<category><![CDATA[Hell]]></category>
		<category><![CDATA[Insanity]]></category>
		<category><![CDATA[Nightmare]]></category>

		<guid isPermaLink="false">http://voidmanufacturing.wordpress.com/?p=1055</guid>
		<description><![CDATA[Here is an interview with architect/theorist/educator/etc Nic Clear concerning ‘The Near Future’, the issue of Architectural Design guest-edited by Nic. The interview covers a number of topics including the relationship of J. G. Ballard’s work to architecture. On the Ballardian site are included videos made by some of Nic’s students (www.ballardian .com, this is a [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=1055&subd=voidmanufacturing&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><em>Here is an interview with architect/theorist/educator/etc Nic Clear concerning</em><em> </em><em>‘The Near Future’, the issue of Architectural Design guest-edited by Nic. The interview covers a number of topics including the relationship of J. G. Ballard’s work to architecture. On the Ballardian site are included videos made by some of Nic’s students (www.ballardian .com, this is a very good resource for anyone interested in Ballard). We here have replaced the videos with images of some of the more ridiculous projects proposed in Dubai… the oasis of idiocy.</em></p>
<p><em>For example this classic:</em></p>
<p><em><a href="http://voidmanufacturing.files.wordpress.com/2009/12/dubai_pictures_the_world_dubai.jpg"><img class="aligncenter size-full wp-image-1056" title="dubai_pictures_the_world_dubai" src="http://voidmanufacturing.files.wordpress.com/2009/12/dubai_pictures_the_world_dubai.jpg?w=420&#038;h=315" alt="" width="420" height="315" /></a><br />
</em></p>
<p><em>&#8220;A journey. A saga. A legend. The World is today&#8217;s great development epic. An engineering odyssey to create an island paradise of sea, sand and sky, a destination has arrived that allows investors to chart their own course and make the world their own&#8221;… a vision realized… an ecosystem eliminated</em></p>
<p><em><br />
</em></p>
<p>In recognition of the sophistication of Ballard’s architectural analysis, a raft of discourse has been produced in recent times from within both academic and pop-cultural realms. This takes the form of tributes, analyses, ‘reimaginings’ and course syllabuses. In the influential architecture blog BLDGBLOG, for example, Geoff Manaugh <a href="http://bldgblog.blogspot.com/2005/01/bldgblog-as-soundbite.html">sounds the note</a>:</p>
<p>We have more to learn from the fiction of J.G. Ballard … than we do from Le Corbusier. The good city form of tomorrow is a refugee camp built by Brown &amp; Root; the world’s largest architectural client is the U.S. Department of Defense. More people now live in overseas military camps than in houses designed by Mies van der Rohe — yet we study Mies van der Rohe.<span id="more-1055"></span></p>
<p>While Le Corbusier appears to be (mis)remembered by history for supposedly self-important, grandiose plans to realise an architectural utopia that ignored the basic requirements of its inhabitants, Ballard, according to Manaugh, assumes increasing importance for the manner in which his work acutely analyses the ways in which the built environment can impact psychologically on its users and inhabitants. This includes, <a href="http://www.ballardian.com/politics-of-enthusiasm-geoff-manaugh-interview">he elaborates</a>, an identification of a ‘constant dissatisfaction with … architectural surroundings [that] becomes a kind of quiet aggression, an unarticulated suburban angst’. For Manaugh, the ‘psycho spatial’ nature of ‘Ballardian space’ is best articulated by <a href="http://www.ballardian.com/biblio-concrete-island">Concrete Island</a>, <a href="http://www.ballardian.com/biblio-high-rise">High-Rise</a> and <a href="http://www.ballardian.com/biblio-super-cannes">Super-Cannes</a>, which he has utilised to varying degrees as the cornerstones of several BDLGBLOG posts.</p>
<p>Within the creative arts, the Birmingham-based artist Michelle Lord <a href="http://www.ballardian.com/future-ruins">exhibited a series of images</a> that used imagery from Concrete Island and Ballard’s novella ‘The Ultimate City’ (1976) to examine the legacy of Brutalist architecture in Britain. Lord’s work explicitly critiques the utopian ’social idealism’ of Brutalism, itself a descendant of the Le Corbusier school of architecture, and the fashion in which it disregarded ‘the communal, historic and surrounding built environment’. Yet Lord also successfully captures the sense of ambivalence that powers ‘The Ultimate City’, with its depiction of a far-future, ‘post technological’ world in which the harshness of the urban environment is rejected in favour of a ‘green’, sterile ecotopia, only to be fatally underscored by a lingering lament for the decline of industrial landscapes.</p>
<p>Academically, Ballardian Studies is an emerging discipline in architectural schools. Here, the website of the London-based firm, Azhar Architecture, is instructive, <a href="http://www.azhararchitecture.com/links_books.html">featuring a list</a> entitled ‘What’s being recommended in Architecture Schools: A Sample’. High-Rise, tracking the breakdown of social order in a Corbusian apartment block, is included alongside works from Rem Koolhaas, Mike Davis, Deleuze &amp; Guattari and Guy Debord. At Columbia University’s Department of English &amp; Comparative Literature, Professor Ursula Heise <a href="http://www.columbia.edu/cu/english/syllabi/3209heise.htm">taught a subject</a> entitled ‘Modern and Postmodern Cities’, in which depictions of ‘the metropolis and urban life’ were considered in 20th-century literature. One session was given over to two <a href="http://www.ballardian.com/biblio-jg-ballard-the-complete-short-stories">Ballard short stories</a>, ‘The Concentration City’ (1957) and ‘Billennium’ (1962), which rank among the author’s most effective portrayals of the sensory overload of big-city life. Conceptually, the stories are at polar opposites, thematically they are of a piece: the absolute alliance of architecture with late capitalism. ‘Billennium’ is concerned with the complete contraction of public and private space by an overbearing architecture, while ‘Concentration City’ is based on the premise that the city is ever-expanding, without limits, its boundaries unable to be located by the central protagonist, who, no matter how far he travels, ends up where he started.</p>
<p>But the most ambitious academic program to date is almost certainly <a href="http://www.bartlett.ucl.ac.uk/architecture/programmes/units/unit15_08.htm">‘Crash: Architectures of the Near Future’</a>, which was taught by Nic Clear and Simon Kennedy at the Bartlett School of Architecture in London in 2007-08. For Clear and Kennedy, the ’speculative’ nature of Ballardian architectural space is all-important. The course, which utilised film and animation, video and motion-graphic techniques to devise representations of ’synthetic space’, challenged students to examine architectural themes across the broad span of Ballard’s writing. The aim was to process the manner by which he deploys ‘actual’ and ‘virtual’ environments to form a coherent analysis of the challenges inherent in a supersaturated technological world. Clear and Kennedy, like Manaugh, also point to the psychological effects of architecture, which leads on to their consideration of Iain Sinclair and Chris Petit’s film, London Orbital, as a text not only influenced by Ballard but also by the psychogeographical revival that Sinclair is closely associated with.</p>
<p>I recall in <a href="http://www.ballardian.com/politics-of-enthusiasm-geoff-manaugh-interview">my interview with Manaugh</a>, where I mentioned how I’d love to see Ballard taught in architectural schools. Geoff enthusiastically replied, ‘I would love to do this — it’s actually a conscious fantasy of mine…’ You can understand my excitement upon learning of Unit 15! I decided therefore to contact Nic Clear, and pin him down about Ballard, architecture and the fabulous work created by Unit 15, as well as the new U15 program for 2008-09, ‘The Near Future Part II’, which questions whether the utopianism of the ‘corporate architectural complex’ is viable in a world riven by conflict.</p>
<p><em>Simon Sellars</em></p>
<p><em><a href="http://voidmanufacturing.files.wordpress.com/2009/12/2-waterfront-city-render_560x374x90.jpg"><img class="aligncenter size-full wp-image-1058" title="2 waterfront city render_560x374x90" src="http://voidmanufacturing.files.wordpress.com/2009/12/2-waterfront-city-render_560x374x90.jpg?w=560&#038;h=318" alt="" width="560" height="318" /></a></em></p>
<p><em>Rem Koolhaas&#8217;  homage to Darth Vader&#8217;s house</em></p>
<p><em><br />
</em></p>
<p>J G Ballard is one of the most original and distinctive authors of the last part of the C20th, and beginning of the C21st. His writing has encompassed topics as diverse as ecological crisis to technological fetishism and augmentation, and from urban ruination to suburban mob culture, and he has pursued these topics with a wit and inventiveness that is without comparison.</p>
<p>His understanding of architecture, and architects, and his prophetic visions make Ballard one of the most important figures in the literary articulation of architectural issues and concerns. From the description of futuristic houses that empathise with their inhabitants, to the bleak characterisation of gated communities consumed by sex, drugs and violence, Ballard’s world is highly prescient and ruthlessly unsentimental. Rather than examining specific texts, Unit 15 will be following themes implicit in Ballard’s writing.</p>
<p>Unit 15 will also be examining filmic interpretations of his writing, particularly David Cronenberg’s Crash and Jonathan Weiss’s The Atrocity Exhibition, and to a lesser extent Steven Spielberg’s Empire Of The Sun. We shall also be looking at films inspired by Ballard’s work especially Iain Sinclair’s London Orbital. In short, we shall be examining all aspects of culture that can be considered BALLARDIAN.</p>
<p><strong>SIMON SELLARS: Nic, how did the idea for ‘Crash: Architectures Of The Near Future’ come about?</strong></p>
<p>NIC CLEAR: I’ve been interested in Ballard’s writing for many years; I was a big Joy Division fan and read <a href="http://www.ballardian.com/biblio-the-atrocity-exhibition">The Atrocity Exhibition</a> simply because they wrote a song with the same name. More recently, it struck me that the themes in Ballard’s work seem to address the issues about the built environment that architectural discourse seems to avoid: namely, how people actually operate within a social context where things are either falling, or have fallen apart. Architecture always seems to present this impossibly rosy view of the future and seems unable to deal with the possibility of failure, even though all architecture in some way fails.</p>
<p><strong>SS: How have your students responded to Ballard’s work?</strong></p>
<p>NC: The projects have been very successful, and the use of a literary point of departure has been quite liberating. The Ballardian theme has allowed students to really speculate on what they are doing, but also, more importantly, why they are doing it.</p>
<p><a href="http://voidmanufacturing.files.wordpress.com/2009/12/463684757_4d95b47b7f.jpg"><img class="aligncenter size-full wp-image-1059" title="463684757_4d95b47b7f" src="http://voidmanufacturing.files.wordpress.com/2009/12/463684757_4d95b47b7f.jpg?w=500&#038;h=333" alt="" width="500" height="333" /></a></p>
<p><em>&#8220;This is a land that actively encourages business and investment. Here you can experience globally renowned hotels and the richest horse race in the world. And you will find imaginative, breathtaking projects that inspire humanity &#8211; such as the Palm Trilogy.&#8221;</em></p>
<p><em><br />
</em></p>
<p><strong>SS: Besides Unit 15, it seems there are a few architects, architectural critics, architecturally-minded artists and architecture schools that are starting to take notice of Ballard’s work.</strong></p>
<p>NC: I’m not sure how many architects are being influenced by Ballard in their work, especially within ‘commercial’ architecture — maybe the forthcoming recession will make architects aware of the Ballardian possibilities of architecture. Within academia and architectural criticism, if such a thing still exists, there is a general disdain for ‘popular’ fiction — writing on, and about, architecture is still very elitist — and I have met quite a bit of resistance when discussing Ballard as a serious subject. However, I think that there is a desire to face up to a future that deals with a system in crisis, which Ballard articulates so brilliantly. I was recently reading Mike Davis’s breathtaking collection of essays, <a href="http://www.amazon.co.uk/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.co.uk%2FDead-Cities-Other-Mike-Davis%2Fdp%2F1565848446%3Fie%3DUTF8%26s%3Dbooks%26qid%3D1230078113%26sr%3D1-1&amp;tag=ballardian-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738">Dead Cities</a>, and was constantly thinking ‘this is so Ballardian’. Also, writers like Frederic Jameson and Jean Baudrillard, who have been influenced by Ballard, are still incredibly important and influential. Obviously Ballard’s early identification of global environmental issues also makes him incredibly pertinent to many people. However Ballard does not give easy, or even <em>any</em> answers and this puts off many people. Given the current economic and environmental conditions, he seems more prescient than ever, not simply because of the situations he describes, but because he offers a mindset for dealing with these issues.</p>
<p>Many people may think that Ballard’s characters face the scenarios he creates with an unbelievable stoicism, although Ballard has an advantage over us, as most of us have never had to face any kind of catastrophe. I think the experiences of life in Shanghai during WWII made Jim believe that the human race is able to endure — and inflict — almost any horror imaginable.</p>
<p><span style="color:#0000ee;text-decoration:underline;"><a href="http://voidmanufacturing.files.wordpress.com/2009/12/dubaitowers21.jpg"><img class="aligncenter size-medium wp-image-1061" title="DubaiTowers2" src="http://voidmanufacturing.files.wordpress.com/2009/12/dubaitowers21.jpg?w=238&#038;h=300" alt="" width="238" height="300" /></a></span></p>
<p><span style="color:#0000ee;text-decoration:underline;"><em>The residence of anal satan </em></span></p>
<p><em>&#8220;Parts of the Arabian Gulf have, of course, seen conflict in recent decades. Dubai, together with the other Emirates, has been a haven of peace throughout this time. This has not, however, led to complacency and the security forces are ever vigilant, working to ensure this remains one of the safest places in the world.&#8221;</em></p>
<p><span style="color:#0000ee;text-decoration:underline;"><em><br />
</em></span></p>
<p><strong>SS: A wider, and resurgent, trend in film and literature, which Ballard seems to have anticipated, is the idea that on some level we secretly desire the apocalypse, that we welcome the chance to explore the farthest limits of alienation. This is something that Chris Nakashima-Brown <a href="http://nofearofthefuture.blogspot.com/2008/11/politics-of-apocalypse.html">articulates very well</a>: ‘The persistence of post-apocalyptic scenarios (as well as many disaster movies) expresses a latent yearning for the destruction of the state apparatus and the abolition of private property. At a deeper psychological level … the idea of roaming a depopulated earth rummaging for useful artifacts articulates the extent of our individual alienation in a thoroughly commodified society.’</strong></p>
<p>NC: Many people may fantasise about these scenarios, but when it comes to losing their own luxuries, people will vote for whoever offers the easiest way out — which most often involves blaming someone else. The most depressing part of how current economic and social structures start falling apart is that, instead of embracing the liberating potential of re-structuring and re-organising, politically things could start getting much more conservative. This is obviously another common theme in Ballard. I grew up in the 70s with the three-day week and the winter of discontent, with the parks of London used as rubbish dumps, but for me it was great power cuts and no school, and out of it came punk … yet the down side was Thatcherism. Obviously the next few years will be catastrophic for ‘big business’ (is that so bad?), and the fall out will be difficult for many, but we will adjust to yet another ‘new normal’. We may even in the long run be better off as a society for it.</p>
<p>Personally, this will be my third major recession, and they are always the most productive times: when no one has money, money stops mattering.</p>
<p><strong>SS: High-Rise is the obvious book to cite when discussing Ballard and architecture. Which of his other works is relevant?</strong></p>
<p>NC: It’s easier to say which one’s aren’t relevant, and the answer to that is probably none! <a href="http://www.ballardian.com/biblio-crash">Crash</a> is a personal favourite, I like the perversity of it; it takes the whole modernist fetishisation of technology and mixes it with contemporary obsessions like celebrity cults. The problem with the film was that it was soft-core pornography — all those shots of Debra Unger’s stockings — when really the book is quite hardcore: the leaky orifices, the polysexuality and the car as augmented bodily technology. It’s a surrealist masterpiece up there with Bataille’s <a href="http://www.amazon.co.uk/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.co.uk%2FStory-Eye-Penguin-Modern-Classics%2Fdp%2F0141185384%2F&amp;tag=ballardian-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738">The Story of the Eye</a> and Duchamp’s <a href="http://en.wikipedia.org/wiki/The_Large_Glass">‘The Large Glass’</a>.</p>
<p><a href="http://voidmanufacturing.files.wordpress.com/2009/12/1-km-5.jpg"><img class="aligncenter size-full wp-image-1062" title="1-km-5" src="http://voidmanufacturing.files.wordpress.com/2009/12/1-km-5.jpg?w=450&#038;h=689" alt="" width="450" height="689" /></a></p>
<p><em>The proposed 1 Km tall Nakheel Tower</em></p>
<p><em>&#8220;The police force is polite, approachable and highly efficient. Dubai has made global headlines for its tough stance on drugs and makes no apologies for this.&#8221;</em></p>
<p><em><br />
</em></p>
<p><em><br />
</em></p>
<p><strong>SS: When I interviewed Geoff Manaugh, he defined ‘Ballardian space’ as ‘psycho spatial’. I’d be interested in your take.</strong></p>
<p>NC: If you take Jameson’s postmodern hyperspace, remove the post-structuralist jargon, add some dark humour and set it on the periphery of any declining western industrialised city — especially London — then you are pretty close.</p>
<p><strong>SS: Does this relate to Unit 15’s research into ’synthetic space’?</strong></p>
<p>NC: Synthetic space is the merging of the actual and virtual; writers like Ballard and Burroughs have been describing synthetic space for years. Within architectural terms, I see it as the inability to differentiate between spaces and their representations — where spatial representations are increasingly becoming spatial propositions.</p>
<p><a href="http://voidmanufacturing.files.wordpress.com/2009/12/tower1.jpg"><img class="aligncenter size-full wp-image-1063" title="tower1" src="http://voidmanufacturing.files.wordpress.com/2009/12/tower1.jpg?w=475&#038;h=369" alt="" width="475" height="369" /></a></p>
<p><strong>SS: Ballard is famously obsessive <a href="http://www.ballardian.com/the-ballardian-primer-car-parks">about multi-storey car parks</a>. What do they mean to him, do you think?</strong></p>
<p>NC: The defining symbol of the 20th century is the motor car, and car parks are part palace and part mausoleum. They also tend to be quite ugly and boring, though often in a strangely beautiful and interesting way, and that sort of perversity defines Ballard’s aesthetic.</p>
<p><strong>SS: For my PhD, I was researching contemporary attitudes towards modernist architecture and came across the critical reaction to the 2006 exhibition on modernist art at the V&amp;A. I was completely shocked by <a href="http://www.guardian.co.uk/commentisfree/2006/apr/07/comment.society">Simon Jenkins’ response</a>, which verged on demonic possession. He took particular exception to modernist architects, who he said were ‘the worst offenders because they became the most powerful’, and equates them with Hitler. (But as Deyan Sudjic <a href="http://www.guardian.co.uk/artanddesign/2006/apr/09/modernism">riposted</a>, such a caricature misrepresents ‘the full and often contradictory range of Modernist expression… none of which seemed to be inspiring much actual terror on the day I went’.) Why does Brutalist architecture in Britain continue to provoke such rage?</strong></p>
<p>NC: The British establishment, and the English in particular, still have a real suspicion of architectural modernism, seeing it as ‘elitist’, ‘European’ and ’socialist’. Brutalism especially has become a scapegoat for the failure of that post-war welfare state optimism. Of course, this is rubbish: the real failure lies in the political and cultural failure to actually bring about a more egalitarian and democratic society.</p>
<p><strong>SS: On the other hand, as the antithesis to Jenkins, <a href="http://www.guardian.co.uk/artanddesign/2006/mar/20/architecture.communities">Ballard said</a>: ‘I have always admired modernism and wish the whole of London could be rebuilt in the style of Michael Manser’s brilliant Heathrow Hilton’.</strong></p>
<p>NC: I always imagine that Eden-Olympia in Super-Cannes was designed by someone like Manser. But lets face it, we can’t always trust such pronouncements by Jim, especially if it was for the benefit of the Guardian — imagine all that liberal angst and hand wringing.</p>
<p><strong>SS: In his review of Davis’s <a href="http://www.amazon.co.uk/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.co.uk%2FNEW-City-Quartz-Excavating-Angeles%2Fdp%2F1844675688%3Fie%3DUTF8%26s%3Dbooks%26qid%3D1230087613%26sr%3D1-1&amp;tag=ballardian-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738">City of Quartz</a>, Ballard welcomes ‘unrestricted urban sprawl, the decentred metropolis, a transient airport culture, gated communities and an absence of traditional civic pride’. He suggests that architects and urban planners need to ‘make the most of this’, letting the environment guide them almost as if it is sentient, rather than conforming to the reverse, ie, the old ideal of the arrogant architect imposing his grand vision on the environment (in High-Rise, this was the downfall of the architect Royal). Do you agree with Ballard?</strong></p>
<p>NC: ‘Unrestricted’ would be the key term; the brilliance of Davis’s analysis is to show how clearly urban planning follows such a narrow set of vested interests. Less planning, less controls, less regulation would only work if it also meant less greed, and what are the chances of that? It reminds me of that Noam Chomsky quote on the free market: ‘it sounds like a great idea, maybe we should try it sometime’.</p>
<p><a href="http://voidmanufacturing.files.wordpress.com/2009/12/x7114914-18.jpg"><img class="aligncenter size-full wp-image-1065" title="X7114914-18" src="http://voidmanufacturing.files.wordpress.com/2009/12/x7114914-18.jpg?w=468&#038;h=662" alt="" width="468" height="662" /></a></p>
<p><em>&#8220;The thrill that every whim will soon be a reality&#8221;</em></p>
<p><em>The ad for Trumpdubai&#8217;s latest hallucination must be seen to be believed, or as the website puts it &#8220;believing is seeing&#8221;. www.Trumpdubai.com</em></p>
<p><em><br />
</em></p>
<p><strong>SS: Rem Koolhaas seems to bear more than a passing resemblance to some of the architects in Ballard’s stories: the ego, the vainglory, the architect as self-styled eccentric…</strong></p>
<p>NC: He probably likes to think he does. I like Ballard’s architects: they seem genuinely optimistic and have a faith, albeit misguided, in the power of architecture to change society for the good. They are of a much older generation — Ballard’s. I bet <a href="http://www.ballardian.com/biblio-concrete-island">Robert Maitland</a> would send angry letters into <a href="http://www.bdonline.co.uk/">Building Design</a>, the weekly British architectural newspaper, complaining about these new-fangled projects.</p>
<p>Rem’s recent work, <a href="http://www.wired.com/wired/archive/12.08/beijing.html">especially in China</a>, strikes me as cynical. His obsession with celebrity, especially his own, seems to be his main driving force, and like many ‘good’ Marxists of his generation, he has become a consummate capitalist. He is much more like Wilder Penrose from Super-Cannes — without the humour.</p>
<p><strong>SS: Does architecture still have an image problem, then, in terms of this archetype of the arrogant, narcissistic architect imposing his vision on the people?</strong></p>
<p>NC: Yes, because most of us <em>are</em> arrogant and narcissistic.</p>
<p><a href="http://voidmanufacturing.files.wordpress.com/2009/12/3622-facadesud1.jpg"><img class="aligncenter size-full wp-image-1066" title="3622-facadesud1" src="http://voidmanufacturing.files.wordpress.com/2009/12/3622-facadesud1.jpg?w=450&#038;h=450" alt="" width="450" height="450" /></a></p>
<p><em>Jean Nouvel&#8217;s proposed opera house</em></p>
<p><em><br />
</em></p>
<p><strong>SS: In books such as Concrete Island and stories like ‘The Ultimate City’, Ballard depicts architecture as an instrument of oppressive capitalism, and architects as contributing to that oppression. For Ballard, it seems to me, no architect can be truly radical, or can truly think of architecture as ‘art’ when they are either carrying out the wishes of the State, mobilising state funds to realise their designs, or carrying out the desires of big business. Is this an accurate summation of architectural practice today? How would you reconcile that frustration with a pure creative spirit?</strong></p>
<p>NC: I started my postgraduate dissertation in 1989 with a quote from Frederic Jameson: ‘Of all the arts, architecture is the closest constitutively to the economic, with which, in the form of commissions and land values, it has a virtually unmediated relationship.’</p>
<p>Little has changed since; in fact, things have got worse. Architecture is now synonymous with the architectural profession (or Corporate Architectural Complex), speculation is financial rather than intellectual, and architects have been complicit with the kind of greedy thinking and acting that has got us into the current global financial crisis. We have to stop thinking about architecture simply in terms of building buildings — that’s why I am so interested in looking at other models and disciplines to draw inspiration from.</p>
<p><strong>SS: Ballard <a href="http://www.guardian.co.uk/artanddesign/2007/oct/08/architecture.bilbao">says that</a> ‘Novelty architecture dominates throughout the world, pitched like the movies at the bored teenager inside all of us.’ Any thoughts on that?</strong></p>
<p>NC: For novelty architecture, see my answer on Rem. A couple of years ago I used the phrase ‘Shapist Architecture’, taken from Tony Hancock’s 1961 film <a href="http://www.amazon.co.uk/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.co.uk%2FTony-Hancock-Collection-Punch-Rebel%2Fdp%2FB000HEVTNQ%3Fie%3DUTF8%26s%3Ddvd%26qid%3D1230088105%26sr%3D1-1&amp;tag=ballardian-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738">The Rebel</a>, a satire on the art world. At one point he says, ‘I don’t paint the object, I paint the shape around the object’. Developments in the use of computer software have allowed architects to come up with a variety of three-dimensional forms, which has led to a whole raft of ‘blobby’ buildings, a lot of which appear to be self-indulgent and that confuse ‘looking interesting’ with ‘being interesting’ and ‘looking complex’ with ‘complexity’. We have an architecture of the image.</p>
<p><a href="http://voidmanufacturing.files.wordpress.com/2009/12/0nightviewcloud.jpg"><img class="aligncenter size-full wp-image-1067" title="0nightviewcloud" src="http://voidmanufacturing.files.wordpress.com/2009/12/0nightviewcloud.jpg?w=450&#038;h=225" alt="" width="450" height="225" /></a></p>
<p><em>The object on the right that looks like a child&#8217;s drawing of a rainstorm is a proposal for a building.</em></p>
<p><em><br />
</em></p>
<p><strong>SS: In Ballard, architecture is often used as a form of social control. Did you perceive any similarities between the nature and cause of the <a href="http://en.wikipedia.org/wiki/2005_civil_unrest_in_France"><em>banlieue</em> riots</a> in France in 2005, and the breakdown of society depicted in High-Rise?</strong></p>
<p>NC: Not really. High Rise is about a rejection of convivial social structures and returning to a more ‘primitive’ social model. There is a brilliant French film from 1973 called <a href="http://www.amazon.co.uk/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.co.uk%2FThemroc-Michel-Piccoli%2Fdp%2FB00004SC7J%3Fie%3DUTF8%26s%3Ddvd%26qid%3D1230088246%26sr%3D1-1&amp;tag=ballardian-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738">Themroc</a> directed by Claude Faraldo, which seems to have a greater affinity with High-Rise, published two years later. In it, a blue-collar worker rejects his mundane life, knocks the front wall out of his apartment and starts living like a caveman. However, <a href="http://www.ballardian.com/images/kingdom-come">Kingdom Come</a>, in many ways, does describes the type of anomie and alienation that dominates the urban periphery. Boredom and disenfranchisement brought about by simply being defined by what we consume are the most incendiary factors in the contemporary city.</p>
<p><strong>SS: Do you think Ballard has much at all to do with psychogeographical conceptions of urban space? He appears to have been <a href="http://www.ballardian.com/his-personal-horizon-sinclair-and-self-on-ballard">co-opted into the ‘movement’</a>, such as it is.</strong></p>
<p>NC: It seems everyone’s a psychogeographer nowadays. Psychogeography was originally articulated by the Situationists as an experimental form of urbanism that attempted a critique of the hegemonic values of urban planning and zoning by emphasising the ‘transience’ of the urban experience. The political aspect of psychogeography has been diminished in favour of a ‘poetics’ of the city. I think Ballard in some of his writing retains a lot more of that political conception of psychogeography than many who have fashionably co-opted that term.</p>
<p><strong>SS: What role does film, video, animation and motion graphics play in your course? How can film methodology help to illuminate architectural design?</strong></p>
<p>NC: My main interest in time-based techniques is the ability to tell stories. However, at a pedagogic level, working with film, video and animation does teach a whole number of organisational and aesthetic skills, so despite my anti-profession rhetoric, I seem to be doing a very good job in equipping students to operate very successfully within the profession.</p>
<p><strong>SS: In The Atrocity Exhibition, there are many scenarios in which mental patients are encouraged to make their own films as therapy. Without wishing to casting aspersions on the mental health of your students(!), were the many references to DIY film aesthetics in the book an inspiration for your decision to use Ballard and film as a way into thinking about architecture? (Recall that in Atrocity, these amateur films recast the media landscape and the built environment in ‘ways that make sense’.)</strong></p>
<p>NC: The way I teach is very much geared toward helping students find a voice, whether that is therapeutic is unimportant (to me) — besides, I hate that psychoanalytic model of teaching, just as much as I hate the paternalistic model.</p>
<p><strong>SS: Sure, but I wasn’t really referring to the thereaputic aspects, though, more the DIY angle and the mediation of the built environment.</strong></p>
<p>NC: The main decision to start using film in the way I teach architecture, which I have been doing since 1999, was simply because it was what I was doing myself. The rise of CGI, animation and the availability of digital video made it a much more accessible and viable way of generating, developing and communicating architectural and spatial ideas and narratives. The influence of lo-fi (as opposed to DIY) artists and filmmakers such as Bruce Nauman or Burroughs was an attraction, but it was the availability of the technology that got me going.</p>
<p><strong>SS: Do you think Ballard is an especially ‘filmic’ or ‘cinematic’ writer?</strong></p>
<p>NC: Yes, which is why the English literary establishment still treats him with suspicion since he is not a ‘literary’ writer. Ballard wants to create images and tell stories rather than impress with literary form.</p>
<p><strong>SS: I think the films your students have turned out are simply stunning, especially considering they don’t have a ’studio budget’ to work with — the filmmakers, as well as you and everyone involved, should be applauded. But besides making films, you also looked at feature-film versions of Ballard’s work. How can an analysis of these adaptations help in understanding ’speculative, narrative architectures’ in Ballard’s writing?</strong></p>
<p>NC: I have taken this particular position for two reasons: to engage with a critique of contemporary architecture, and because it’ s fun. The filmic analysis was just a starting point; out of all the films we watched, Jonathan Weiss’s <a href="http://www.ballardian.com/weiss-interview">Atrocity Exhibition</a> and Sinclair and Petit’s <a href="http://www.amazon.co.uk/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.co.uk%2FLondon-Orbital-J-G-Ballard%2Fdp%2FB00023JHC2%3Fie%3DUTF8%26s%3Ddvd%26qid%3D1230088740%26sr%3D1-1&amp;tag=ballardian-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738">London Orbital</a> were the most influential.</p>
<p>Architecture should not be left to architects — the whole discourse needs opening up. The reason why I earlier questioned whether architectural criticism exists is simply because architecture is an incredibly insular and hermetic discipline — no one dares criticise the Rems, the Dannys or the Zahas for fear of being locked out. Magazines need content and they publish pretty much anything and everything without questioning it; if they did question it, then the content would dry up.</p>
<p><strong>SS: It’s good to see Jonathan Weiss’s film gaining recognition. What do you appreciate about it?</strong></p>
<p>NC: The fact that he had the guts to take it on with virtually no budget. The Atrocity Exhibition is the most ‘Burroughsian’ of all Ballard’s writing and I think Weiss has captured that. The use of found footage and the dislocated time line have echoes in the literary character of the book, and bits of the film are extremely beautiful to look at. I can’t stand the criticism that it doesn’t make sense or is difficult: these criticisms seem to ignore the difficulties of the original text.</p>
<p><strong>SS: Who else do you think would make a good fist of adapting Ballard?</strong></p>
<p>NC: Taakishi Miike to direct High Rise as a total gore-fest, Michael Mann to direct Super-Cannes — and I’m working on an adaptation of ‘Motel Architecture’.</p>
<p><strong>SS: Taakishi Miike? Good call! But tell me about your own adaptation.</strong></p>
<p>NC: I’m going through the shower scene from Pyscho frame by frame to develop the analysis that JG alludes to in ‘Motel Architecture’. I’ve mapped out a rough script and hope to shoot something in the new year. Part of what I am doing for ‘The Near Future’, the issue of <a href="http://en.wikipedia.org/wiki/Architectural_Design">Architectural Design</a> I’m guest editing, will be based on this project (some sort of ‘House Of The Future’) — the other part is an essay/rant against the architectural profession.</p>
<p>At the time he had been sitting in his chair in the centre of the solarium, bathing in the warm artificial light that flowed through the ceiling vents and watching the shower sequence from Psycho on the master screen. The brilliance of this tour de force never ceased to astonish Pangborn. He had played the sequence to himself hundreds of times, frozen every frame and explored it in close-up, separately recorded sections of the action and displayed them on the dozen smaller screens around the master display. The extraordinary relationship between the geometry of the shower stall and the anatomy of the murdered woman’s body seemed to hold the clue to the real meaning of everything in Pangborn’s world, to the unstated connections between his own musculature and the immaculate glass and chromium universe of the solarium. In his headier moments Pangborn was convinced that the secret formulas of his tenancy of time and space were contained somewhere within this endlessly repeated clip of film.</p>
<p><em>J.G. Ballard, ‘Motel Architecture’ (1978).</em></p>
<p><strong>SS: The guest issue of AD was originally going to be explicitly ‘Ballardian, wasn’t it?</strong></p>
<p>NC: The publication, in its current form, has changed from being explicitly about Ballard and Ballard’s writings to something more general: an antidote to the shiny ‘bigness’, ‘everything’s great’ vision of contemporary architecture presented by the mainstream architectural press. The guiding principles are still thoroughly ‘Ballardian’, even though I have opened the discussion up. I would still like to do a purely Ballardian book and will use The Near Future as a first step.</p>
<p>This is the blurb for the issue, which I think neatly sums up my aims for the whole Near Future project:</p>
<p>For the last 20 years, the architectural profession has been complicit with the laissez-faire ideology of late capitalism, assuming that the economic forces of growth and expansion are the only means by which society can develop and prosper.</p>
<p>The current economic crisis makes us question whether a future of unlimited growth is not only possible, but taking into account environmental factors, actually advisable. We have reached a moment of crisis — economic, environmental and technological — where we have to make choices about the type of future that we want, but also the type of future we can actually achieve.</p>
<p>It would appear that the Architectural Profession has nothing to say except ‘business as usual’, as it continues to produce bright, shiny renders of schemes that will sit empty for years. This proposed issue of Architectural Design offers a series of alternate voices, developing some of the neglected areas of contemporary urban life and trying to find visions of the future, not simply images of the future.</p>
<p><a href="http://voidmanufacturing.files.wordpress.com/2009/12/hydropolis-underwater-hot-001.jpg"><img class="aligncenter size-full wp-image-1069" title="Hydropolis-Underwater-Hot-001" src="http://voidmanufacturing.files.wordpress.com/2009/12/hydropolis-underwater-hot-001.jpg?w=460&#038;h=276" alt="" width="460" height="276" /></a></p>
<p><em>The Hydropolis underwater hotel where local dredging operations can be viewed in style. </em></p>
<p>The proposed issue offers a diverse set of ideas that explore a number of possible ‘Near Futures’ — futures that may be influenced the resurgence of gout in Swindon, or take precedent from an analysis of the political landscape of Southern Italy where in some areas a state of effective lawlessness exists.</p>
<p>The issue combines critical analysis with gorgeous graphics, and features work produced at the margins of contemporary architectural practice. Drawing on topics as diverse as synthetic space, psychoanalysis, post-modern geography, post-economics, cybernetics, developments in neurology as well as the fictional writings of authors such as J G Ballard and William Gibson, ‘The Near Future’ will present a series of polemical blasts that are intended to rock the cosy world of architectural discourse.</p>
<p><a href="http://voidmanufacturing.files.wordpress.com/2009/12/zha_dubai-opera-house_sq.jpg"><img class="aligncenter size-full wp-image-1068" title="zha_dubai-opera-house_sq" src="http://voidmanufacturing.files.wordpress.com/2009/12/zha_dubai-opera-house_sq.jpg?w=450&#038;h=450" alt="" width="450" height="450" /></a></p>
<p>Zaha Hadid&#8217;s proposed opera house</p>
<p>Thank you, Nic Clear and Unit 15. ‘The Near Future’, the issue of Architectural Design guest-edited by Nic, will be published in September 2009.</p>
<p><em>Thanks from Void to the Ballardian for this interview</em></p>
<p><em><a href="http://voidmanufacturing.files.wordpress.com/2009/12/coaster3.jpg"><img class="aligncenter size-full wp-image-1057" title="coaster3" src="http://voidmanufacturing.files.wordpress.com/2009/12/coaster3.jpg?w=480&#038;h=320" alt="" width="480" height="320" /></a><br />
</em></p>
<p><em>The Thunderbolt roller coaster coney island.</em></p>
<p>Storm the reality studio.</p>
<p>And retake the universe.</p>
<p>-William S. Burroughs</p>
Posted in Dystopia, Economy, Evil, Hell, Insanity, Nightmare  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/voidmanufacturing.wordpress.com/1055/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/voidmanufacturing.wordpress.com/1055/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/voidmanufacturing.wordpress.com/1055/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/voidmanufacturing.wordpress.com/1055/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/voidmanufacturing.wordpress.com/1055/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/voidmanufacturing.wordpress.com/1055/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/voidmanufacturing.wordpress.com/1055/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/voidmanufacturing.wordpress.com/1055/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/voidmanufacturing.wordpress.com/1055/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/voidmanufacturing.wordpress.com/1055/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=1055&subd=voidmanufacturing&ref=&feed=1" /></div>]]></content:encoded>
			<wfw:commentRss>http://voidmanufacturing.wordpress.com/2009/12/11/an-interview-with-nic-clear-from-the-ballardian/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">voidmanufacturing</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/dubai_pictures_the_world_dubai.jpg" medium="image">
			<media:title type="html">dubai_pictures_the_world_dubai</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/2-waterfront-city-render_560x374x90.jpg" medium="image">
			<media:title type="html">2 waterfront city render_560x374x90</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/463684757_4d95b47b7f.jpg" medium="image">
			<media:title type="html">463684757_4d95b47b7f</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/dubaitowers21.jpg?w=238" medium="image">
			<media:title type="html">DubaiTowers2</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/1-km-5.jpg" medium="image">
			<media:title type="html">1-km-5</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/tower1.jpg" medium="image">
			<media:title type="html">tower1</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/x7114914-18.jpg" medium="image">
			<media:title type="html">X7114914-18</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/3622-facadesud1.jpg" medium="image">
			<media:title type="html">3622-facadesud1</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/0nightviewcloud.jpg" medium="image">
			<media:title type="html">0nightviewcloud</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/hydropolis-underwater-hot-001.jpg" medium="image">
			<media:title type="html">Hydropolis-Underwater-Hot-001</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/zha_dubai-opera-house_sq.jpg" medium="image">
			<media:title type="html">zha_dubai-opera-house_sq</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2009/12/coaster3.jpg" medium="image">
			<media:title type="html">coaster3</media:title>
		</media:content>
	</item>
		<item>
		<title>Woe is the economy&#8230;.</title>
		<link>http://voidmanufacturing.wordpress.com/2008/12/02/woe-is-the-economy/</link>
		<comments>http://voidmanufacturing.wordpress.com/2008/12/02/woe-is-the-economy/#comments</comments>
		<pubDate>Tue, 02 Dec 2008 17:31:05 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
				<category><![CDATA[Economy]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://voidmanufacturing.wordpress.com/?p=813</guid>
		<description><![CDATA[

Fathoming the financial crisis at the Brecht Forum
By Casey Samulski
The Web site’s introduction opens with the words of playwright Bertolt Brecht: “Everything changes.” Like the economy, for one.
Even for those unfamiliar with the playwright’s work, prominent quotations on the Brecht Forum’s Web site from Marx’s “Das Kapital” should leave no room for error when guessing [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=813&subd=voidmanufacturing&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><!--StartFragment--></p>
<p class="MsoNormal"><a href="http://voidmanufacturing.files.wordpress.com/2008/12/40-07-110_t2.jpg"><img class="aligncenter size-full wp-image-812" title="40-07-110_t2" src="http://voidmanufacturing.files.wordpress.com/2008/12/40-07-110_t2.jpg?w=376&#038;h=250" alt="40-07-110_t2" width="376" height="250" /></a></p>
<p class="MsoNormal"><span><strong><em>Fathoming the financial crisis at the Brecht Forum</em></strong></span></p>
<p class="MsoNormal"><span>By Casey Samulski</span></p>
<p class="MsoNormal"><span>The Web site’s introduction opens with the words of playwright Bertolt Brecht: “Everything changes.” Like the economy, for one.</span></p>
<p class="MsoNormal"><span>Even for those unfamiliar with the playwright’s work, prominent quotations on the Brecht Forum’s Web site from Marx’s “Das Kapital” should leave no room for error when guessing which direction its politics lean. However, now perhaps for the first time, the forum and its contributors are not just being taken as a bastion of leftist intellectualism in the city, but rather, something much more: scarily prescient.<span id="more-813"></span><br />
</span>
</p>
<p class="MsoNormal"><span>The crisis on Wall St. and the subsequent bailout have become the subject of much discussion and speculation over at 451 West St., at Bank St., home of the forum, and while the debaters strive to ground theory in reality, for many New Yorkers this reality has already become a painful one.</span></p>
<p class="MsoNormal"><span>The Brecht Forum was founded in 1975 as the New York Marxist School. It moved into the Westbeth complex three years ago, where it occupies the ground floor of the former Serge’s Gym. The forum hosts more than 250 events each year, including Theater of the Oppressed Laboratory and the Institute for Popular Education. A discussion panel on Oct. 6 titled “An Offer We Can’t Refuse?” on the Wall St. crisis included such leading leftist intellectuals as Naomi Klein, Arun Gupta, Frances Fox Piven, William Greider and Doug Henwood.</span></p>
<p class="MsoNormal"><span>In interviews with The Villager, none of the above panelists seemed particularly taken aback by the string of failures still shaking the financial markets. Each spoke of this outcome as something nearly inevitable — the trick, one might say, lies in reading the harbingers of its coming.</span></p>
<p class="MsoNormal"><span>Gupta, an investigative journalist, called the near collapse part of a trend that dates back to the start of the Reagan presidency. He cited “The Gipper” as the beginning of the shift in America “from production-based consumption to debt-driven consumption.”</span></p>
<p class="MsoNormal"><span>Gupta suggested watching the rise of the credit-card industry from the Reagan era onward: Debt had become the new purchasing power, fueling the average American. And this growing debt, one way or the other, had to be paid for.</span></p>
<p class="MsoNormal"><span>Gupta also talked about the equity-based consumption of the ’90s, funding the Internet boom and bust. The housing bubble, he argued, was the next logical extension. And the numbers were even more mind-boggling for this go-round.</span></p>
<p class="MsoNormal"><span>He cited Americans using home equity for “$3 hundred billion to $4 hundred billion per year to fund consumption” between 2004 and 2006. Leveraging figures like that, the damage that’s been done to the sub-prime loan industry thus far seems almost a light consequence (home foreclosures notwithstanding.)</span></p>
<p class="MsoNormal"><span>Of course, it’s also these sorts of figures that make the unappealing $700 billion bailout seem like a reasonable course of action. And with Obama coming to power, perhaps there is the will to repair these problems?</span></p>
<p class="MsoNormal"><span>Not so, says Piven, author and professor. Piven, who teaches at the CUNY Graduate Center, said the crisis was being used by the high-powered firms involved to “to stick the public” for their own dangerous investing.</span></p>
<p class="MsoNormal"><span>“The election of Obama doesn’t really change that,” she said.</span></p>
<p class="MsoNormal"><span>Former John McCain campaign adviser Phil Gramm helped deregulate the derivative markets during the Clinton administration, using the same tools Warren Buffett would later call “financial weapons of mass destruction,” the same mechanisms that led Lehman Brothers to bankruptcy and Buffett’s own AIG to a $70 billion rescue by the taxpayers. Thus, the legacy of these problems draws from decisions made by both Democratic and Republican presidencies.</span></p>
<p class="MsoNormal"><span>So while Piven saw parallels between F.D.R.’s ascendancy and Obama’s, she said the only way to garner “a second New Deal” and a way out of the mess would be “if [Americans] become defiant and threaten the operations of major businesses.”</span></p>
<p class="MsoNormal"><span>It was this kind of outcry during the run-up to F.D.R.’s first term, the growing chaos under President Hoover, she said, that spurred the new president into action.</span></p>
<p class="MsoNormal"><span>Right now, there simply isn’t the right atmosphere for that kind of uproar.</span></p>
<p class="MsoNormal"><span>“More than half the country are intoxicated, delighted [with Obama],” Piven said. But people who think everything is going to be O.K. when he takes office “are in for a disappointment,” she said.</span></p>
<p class="MsoNormal"><span>The problem, as more specifically addressed by the panelists, isn’t that the bailout is happening — the consensus among panelists was that the bailout was necessary given the severity of the failures. The problem lies, according to David Harvey, in how that bailout is being used.</span></p>
<p class="MsoNormal"><span>Harvey, another professor at the CUNY Grad Center, has been a longtime attendant and lecturer at Brecht Forum. In a theory he put forth, “Accumulation by Dispossession,” Harvey argues that the bailout is being used as a kind of “class warfare,” holding the taxpayers hostage in return for opportunities to further consolidate wealth. And while those phrases might seem like some kind of Marxist paranoia, the situation that Harvey is describing is exactly what is happening, he and the other Brecht intellectuals charge.</span></p>
<p class="MsoNormal"><span>As Gupta explained, so far, those who have been bailed out “are sitting on the capital, using it to acquire weaker rivals.” The injected funds are, in fact, being used for “everything but lending,” and Gupta said that, as a result, the Federal Reserve has become “the lender of first resort.” This fact, he said, is why the bailout is “a complete failure.” In other words, the move is all but a flag of surrender by the free market, the ultimate admission of government into the banking sector.</span></p>
<p class="MsoNormal"><span>Harvey spoke to this idea, as well, explaining that many of the world’s banking facilities are being “de facto nationalized.” This process indicates, as he believes, that finance should be treated as “a public good.” But the problem is that while all of this money is being poured into the recipient institutions, the Fed is voluntarily not giving itself voting rights over the shares it is buying.</span></p>
<p class="MsoNormal"><span>“Can you imagine,” Harvey said, “any stockholder putting billions of dollars into an enterprise and then not having the rights?”</span></p>
<p class="MsoNormal"><span>When asked if Obama could enforce these powers, Harvey said if he tried that “half of his party would revolt.”</span></p>
<p class="MsoNormal"><span>And this is really the crux of the matter, according to Harvey and his colleagues. While a new Democratic administration offers some promise of addressing these problems, Gupta said he was waiting for Obama’s cabinet appointments to see if “the foxes are still in the henhouse.” He said Obama had surrounded himself with “all these Wall St. types,” the same ones asking to be bailed out and pushing for minimum oversight.</span></p>
<p class="MsoNormal"><span>Politicians see Wall St. as the engine of the American economy and, as a result, the cascading deregulation of the finance industry has been largely dictated on big finance’s terms. Gramm, derivative deregulator extraordinaire, called Wall St. “holy ground,” and it is this reverence that has precipitated the market-knows-best attitude exuded by both parties.</span></p>
<p class="MsoNormal"><span>But when the market in question weighs in at almost 25 times the annual budget of the U.S. government, perhaps a prying eye or two is warranted. And if the $62 trillion value of the credit-swap market doesn’t sound big enough, the Wall Street Journal pegged total value of the over-the-counter derivative market at $400 trillion in June of this year. That, as Harvey noted, is “ten times the total output of goods and services in the world.” In other words, enough to bankrupt the planet if even 10 percent were to undergo the failures that led to AIG’s bailout.</span></p>
<p class="MsoNormal"><span>Harvey argues that this sort of extreme position and the wealth disparity seen in America today is the result of a political project by the wealthy. Money like that, Harvey argues, is power enough to buy congressmembers and ensure that proper regulation never ensues. According to Harvey, “mobilizing a class movement” against this phenomenon, from the bottom up, is the only solution.</span></p>
<p class="MsoNormal"><span>Which brings one back to Piven’s original assertion that grassroots action is the only way to really begin the change Obama’s campaign has been talking about. She talked about “that sense that people would no longer obey the rules” as being the catalyst for F.D.R.’s aggressive measures in fighting the Depression.</span></p>
<p class="MsoNormal"><span>“That’s why the Brecht Forum is so important,” Gupta said. The more people are educated and talking about these issues, he said, the more they can expect to see them addressed by those in power.</span></p>
<p class="MsoNormal"><span>Piven agreed, saying Brecht Forum “presents a kind of vehicle for disseminating the ideas,” and helps people realize “their circumstances are not the inevitable result of market law.” She was encouraged by the “lively” turnout she saw for her panel.</span></p>
<p class="MsoNormal"><span>Klein’s recent essay in Rolling Stone magazine is linked to by the Brecht Forum’s Web site and is a searing critique of the rampant cronyism in the current bailout. Comparing the government’s strategy to the mismanagement of the beginning of the Iraq War, “The Shock Doctrine” author exposes flagrant conflicts of interest that exist in the rescue plan’s current structure, writing, “Unless we get a good deal, there will be nothing left over after the banks are done feeding.” But Klein ends her criticism with a hopeful note about the Fed’s power in becoming majority shareholder of all these institutions:</span></p>
<p class="MsoNormal"><span>“When a society no longer has enough money to pay for its most pressing needs, there are worse things than discovering you own the banks.”</span></p>
<p class="MsoNormal"> </p>
<p><!--EndFragment--></p>
Posted in Economy, Uncategorized  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/voidmanufacturing.wordpress.com/813/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/voidmanufacturing.wordpress.com/813/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/voidmanufacturing.wordpress.com/813/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/voidmanufacturing.wordpress.com/813/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/voidmanufacturing.wordpress.com/813/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/voidmanufacturing.wordpress.com/813/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/voidmanufacturing.wordpress.com/813/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/voidmanufacturing.wordpress.com/813/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/voidmanufacturing.wordpress.com/813/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/voidmanufacturing.wordpress.com/813/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=813&subd=voidmanufacturing&ref=&feed=1" /></div>]]></content:encoded>
			<wfw:commentRss>http://voidmanufacturing.wordpress.com/2008/12/02/woe-is-the-economy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">voidmanufacturing</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2008/12/40-07-110_t2.jpg" medium="image">
			<media:title type="html">40-07-110_t2</media:title>
		</media:content>
	</item>
		<item>
		<title>The Inimitable Frere Dupont</title>
		<link>http://voidmanufacturing.wordpress.com/2008/11/25/the-inimitable-frere-dupont/</link>
		<comments>http://voidmanufacturing.wordpress.com/2008/11/25/the-inimitable-frere-dupont/#comments</comments>
		<pubDate>Tue, 25 Nov 2008 18:24:09 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
				<category><![CDATA[Communism]]></category>
		<category><![CDATA[Dystopia]]></category>
		<category><![CDATA[Economy]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://voidmanufacturing.wordpress.com/?p=771</guid>
		<description><![CDATA[ 


FOR EARTHEN CUP
By Frere Dupont
Complex Reproduction
The individual consumption of the labourer, whether it proceed within the workshop or outside it, whether it be part of the process of production or not, forms therefore a factor of the production and reproduction of capital; just as cleaning machinery does, whether it be done while the machinery is [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=771&subd=voidmanufacturing&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p> </p>
<div>
<h2><a href="http://voidmanufacturing.files.wordpress.com/2008/11/chaingang.jpg"><img class="aligncenter size-full wp-image-772" title="chaingang" src="http://voidmanufacturing.files.wordpress.com/2008/11/chaingang.jpg?w=400&#038;h=301" alt="chaingang" width="400" height="301" /></a></h2>
<h2>FOR EARTHEN CUP</h2>
<p>By Frere Dupont</p>
<h3>Complex Reproduction</h3>
<blockquote><p><em>The individual consumption of the labourer, whether it proceed within the workshop or outside it, whether it be part of the process of production or not, forms therefore a factor of the production and reproduction of capital; just as cleaning machinery does, whether it be done while the machinery is working or while it is standing. The fact that the labourer consumes his means of subsistence for his own purposes, and not to please the capitalist, has no bearing on the matter. The consumption of food by a beast of burden is none the less a necessary factor in the process of production, because the beast enjoys what it eats. The maintenance and reproduction of the working-class is, and must ever be, a necessary condition to the reproduction of capital. But the capitalist may safely leave its fulfilment to the labourer&#8217;s instincts of self-preservation and of propagation. All the capitalist cares for, is to reduce the labourer&#8217;s individual consumption as far as possible to what is strictly necessary, and he is far away from imitating those brutal South Americans, who force their labourers to take the more substantial, rather than the less substantial, kind of food.</em> [ - Karl Marx chapter 23: simple reproduction, <span style="text-decoration:underline;"><em>Capital, vol 1</em></span>]</p></blockquote>
<p>To place some emphasis here,</p>
<blockquote><p><em>The maintenance and reproduction of the working-class is, and must ever be, a necessary condition to the reproduction of capital. But the capitalist may safely leave its fulfilment to the labourer&#8217;s instincts of self-preservation and of propagation.</em></p></blockquote>
<p>This evidently has not been the case since 1914; the whole apparatus of social control from the outsourcing of &#8220;training&#8221; from private enterprise to state education, to ceaseless &#8220;welfare&#8221; interference, to continuous regulation of industrial relations, all prove that the capitalist social relation finds it extremely difficult to reproduce itself when relying on the working class&#8221;s &#8220;instincts of selfpreservation and of propagation&#8221;.<span id="more-771"></span></p>
<p>In fact, the intervention of the state in ensuring reproduction of labour power suggests that the working class does not reproduce labour power at all. It seems they cannot be relied upon, they tend to drift from their role. On the contrary, the working class constantly prepares for its &#8220;return&#8221; to species being, it is perpetually packing its cases and getting ready to depart the scene entirely, but you know, the phone keeps ringing, somebody is knocking at the door, there is constant interruption of this reverting.</p>
<p>The working class does not reproduce itself by itself. In fact it continually reproduces its readiness not to be the working class. Social organisation at present is based upon the abandonment of the cycle of reproduction by both industry and proletariat, and has been taken on by the reforming impulse of the bourgeois state.</p>
<p>This means that if the reproduction of the working class is a necessary condition for the reproduction of capital, the cycle and mechanism of reproduction itself is not a simple matter, and is not easily contained within the capitalist social relation. There are other elements in play, elements that cannot be reduced to &#8220;use value&#8221; or &#8220;labour power&#8221;.</p>
<p>The working class is determined by capital, it would not exist without the imposition of the capitalist social relation, just as the relation is dependent on it. However, the working class does not, cannot, reproduce itself as a constant, as a value within the relation, or as a &#8220;function&#8221;, that is as &#8220;labour power&#8221;. The working class does not reproduce anything except capital in the factories; it is the general social relation through its institutions that reproduces roles within itself. This means that the reproduction of labour power is generated within the proletariat by the institutions that unquestioningly serve the social relation.</p>
<p>To ensure that the proletariat remains a constant in the relation, to ensure that it stays in its place, huge resources must be invested through the state, otherwise the working class and the functions/characteristics assigned to it would break apart and cease to exist.</p>
<p>There is some other motor other than the set terms of the social relation which is at work in the &#8220;instincts of self-preservation and of propagation&#8221;, there is a tumbling over, an excess, a constant renewal of the departure point. There is sprouting from the base. It is an energy. It is all potential, a capacity for forgetting the historical and remembering the primordial, a blank slate, the reset button.</p>
<p>This other motor can only be persuaded back into the social relation by huge investment in social institutions. It is also recruited, deployed, channelled and tricked into supplying enthusiastic involvement in mad schemes and lunatic endeavours &#8211; as one or other patriotism. And what remains outside is often seduced by carnival, and burnt off as a gas.</p>
<h3>A Nihilist Communism</h3>
<p>So what does &#8216;being against dialectics&#8217; mean? We cannot escape the world that is for sure. But equally, we cannot accept the world. I think this where nihilism comes in. Nihilism is the non-acceptance of current terms, it supposes that if there is to be communist society, in its most utopian sense, then existing social forms firstly have to be dismantled. Unlike the Russian nihilists that we know of, I am sure there were many other strands which have subsequently been erased, I don&#8217;t praise, supra-human or objective forces, I don&#8217;t think &#8217;science&#8217; will overthrow the tsar, or that human beings must bend the knee to the tyranny of nature. I think these positions are rather projective and do not accurately articulate either objective or subjective conditions. I think these &#8216;nihilists&#8217; were looking for a greater power, a bigger stick, a more tsar-like force to out-tzar the tsar, and in this way they became what you might have called &#8217;strategic nihilists.&#8217; I find this to be a contradiction in terms, when I think of nihilism I think at the opposite scale, when I say I believe in nothing, I don&#8217;t mean that I believe in something else that is going to give present society a crack on the head, i mean I don&#8217;t believe (in anything). I try and think in terms beyond or outside of &#8216;belief&#8217;, I try to think and act in the human scale, I want things to be broken down into hand-sized pieces (that is not to say that I &#8216;believe&#8217; that what I do is objectively significant or an example, it&#8217;s just that I refuse the role of &#8216;revolutionary&#8217; which presents self-action as the solution and thereby reproduces spectacular representations of cause and effect). In this way I reject &#8217;strategy&#8217; because a strategic outlook implies hierarchy, it demands that the strategist sees things not as they are in themselves but as units functioning within the bigger picture. I absolutely refuse the bigger picture, I do not set my pieces against the pieces of my enemy, I reject the game entirely.</p>
<p>The only point where I do coincide with the means to the end &#8216;overview nihilists&#8217; is in the debate on whether change comes by modification and reform or by break and eruption. The activist might ask, doesn&#8217;t the reliance on an outside and unpredictable agency imply quietism and disengagement? I see no reason for this, those who resist present conditions resist present conditions and that&#8217;s an end of it. It is what they do, there is no need to add on to this resistance a set of higher aims, which must in the end drag back &#8216;resistance&#8217; into negotiation&#8217;. There is no teleology, there is no movement, there is no representationalism in the rebels actions, there is only the act of resistance itself which has no significance but for those engaged. They fight for themselves, for their sense of themselves and they fight because it is what they are driven to. If they fight because they believe they can overthrow present conditions they are wrong, in that belief they reproduce present conditions.</p>
<p>&#8230;For my part I think it is better to be rid of those delusions that we may be rid of now rather than be disappointed by supposed allies at the critical juncture just because of some hasty agreement to the terminology of others for the sake of ‘solidarity’. It is better to be true to what we think now rather than attempting to second guess what will be appropriate in the future.</p>
<p>&#8230;if resistance is constituted in the terms expressed, what is immediately apparent in our everyday life, what grates our soul, then insurrection is an event not constituted in everyday terms. The ‘dialectical’ understanding of ‘revolution of everyday life’ is surely the supercession, that is the abolition of everyday life and its struggles not its ‘reclaiming’ or ‘self-management’ as is so often the anarchist formulation. It is simply not good enough to explain atrocity committed in terms of atrocity endured, if our intent is to escape all this&#8230;we should exist in a manner that they might find in us a stance that is&#8230;pro-human both individually and in common. Anything else is just strategy.</p>
<p>Having said all this, it is well to remember here the dead ends of the pro-revolutionary position. Firstly there is an absolute disconnection between the points 1. the current situation of the world; 2. the pro-revolutionary yearnings for another future; 3. the structural impossibility of pro-revolutionaries imposing their vision under current circumstances without reproducing previous ideological recomposition&#8217;s of the basic capitalist social hierarchy. The milieu must always exist between the closing walls and ceiling of these relentless conditions. Should it go to the people? Should it withdraw altogether? Should it form secret bands and disrupt the social mechanism? These are not merely rhetorical questions and may be answered swiftly: to the first we should observe that transmitting a libertarian consciousness under present conditions has become impossible, this has something to do with ‘information’ and something to do with replicating existing hierarchies within the anti-hierarchical message; to the second, another question what is withdrawal, where in the world is there to escape to? Thirdly, the armed struggle is inherently elitist and any possible disruption could not equal in magnitude capital’s own disruptions of itself.</p>
<h3>Lines, Tendencies and Positions of Dissent</h3>
<p>Each defined position seeks to draw to itself only those lines that reaffirm what it is. In order to sustain itself in discussion the position must access subsidiary lines of argument which immediately become the mainstay of what it, as a position, must be. But in defining itself as a position it also inadvertently draws to itself other minor or &#8220;neutral&#8221; lines which it shares with radically different positions. These neutral lines do not immediately effect a crisis within the position as a position because they are, for that moment, neutral. Even so, no subject position ever seeks to appropriate or rehearse those lines which actively contradict itself; this capacity for aggregating all lines together lies within the generality. There are positions taken up within an antagonistic moment but the antagonism itself is held within a specified formation of space and time.</p>
<p>It is within this capacity for aggregation of multiple lines, this general &#8220;tendency&#8221; to determine subjective reception of lines, that society is located. The decision to emphasise a line positively or negatively is a capacity of the subject position but the possibility of the position itself is determined by the general system&#8230; the position is fated, tragic. It is this clinging to its lines, this negligence of neutral lines, this active rejection of lines not appropriate to itself, that does for it in the end. Positions are fixed by lines but the transitory intensity of lines is attributable to the moments within the social relation and not by subject positions.</p>
<p>As an example, a &#8220;subsistence&#8221; position will not find itself arguing for &#8220;workers control&#8221;, on the contrary, it will clearly demonstrate how &#8220;workers&#8221; control&#8221; actually reproduces capitalism at the level of objective &#8220;production&#8221;. Subsistence as an anti-capitalist position is defined to a greater degree in its rejection of the anti-capitalist potential of workers councils. The knowledge of the subsistence position&#8221;s critique of &#8220;the left wing of capital&#8221; is remarkable and prescient. On the other hand, it is fated to find its own understanding blocked on how the categories of its solutions also &#8220;reproduce&#8221; capitalism, the lines of that particular critique make up the position which defines itself against &#8220;primitivism&#8221;.</p>
<p>The constitutive movement of the generality can be discerned in simultaneous appropriations of the same line, e.g. on council communism, by positions which in no way can be understood to be &#8220;subsistence&#8221;, the text &#8220;Self-organisation is the first act of the revolution&#8230;&#8221; by Theorie Communiste to name one. Certainly, several different defined positions no longer find it possible to advocate &#8220;workers&#8221; councils&#8221; as most left communist groups in the &#8220;60&#8243;s and &#8220;70&#8243;s once did. Something has changed; some of the lines which defined us then have since died. At the level of lines and their distribution amongst subject positions the mechanics of the generality impose almost any combination of divergences/convergences, the unlikely mutual owning of lines, unaccountable blindspots and blockages, then track-jumpings/parallel movements.</p>
<p>Coincidences within theoretical findings from different positions, such as that on &#8220;workers&#8221; autonomy&#8221;, may indicate a continued impoverishment of experience amongst those who reject capitalism or it may signal a shift in the general conditions which all &#8220;revolutionary&#8221; groupings are more or less determined by. Either way the phenomenon of lines going cold and how this gives the shivers to subject positions is significant. As we become aware of the strange, otherwise incompatible alliances that are caused by it, the question of what to do about it is evidently raised.</p>
<h3>FOR EARTHEN CUP</h3>
<blockquote><p>If it is true to say that ritual marks the place where technology fails, then equally it should be recorded that technology appears where human feeling has been defeated.</p></blockquote>
<p>What can it be, this pre-human<a name="a1"></a>, that we emerge from and run up against? What is it: arrangement; ground; law; ancestors; convention; sum of all possible modes; historical contingency; the core retreated to?</p>
<p>Within all human ventures, there is inevitably encountered an element that properly belongs neither to the venture itself nor to the indifferent surroundings where the venture takes place. The element is experienced as both facilitation of, and limit to, the enterprise&#8230; it has a circular character, it acts partially as a condition for the actions undertaken and partially as an active principle which diffuses the action&#8217;s focus.</p>
<p>For example, in marxist conceptions of revolution, the proletariat is caused to come into existence by a shift in society&#8217;s productive organisation, but it is also seen to be the agency that will end this organisation; thus, the proletariat experiences productive organisation as both the condition for its existence in the world and the limit to its possibilities. From the perspective of the proletariat factory conditioning is a pre-human structure, and is &#8216;run up against&#8217; during life events as that which is always, already &#8216;in place&#8217;. Similarly, at an individual level, the narrator of Poe&#8217;s Imp of The Perverse experiences this circular element, the pre-human, thus: &#8220;Today I wear these chains and am here! Tomorrow I shall be fetterless! &#8211; but where?&#8221; Thus, the world is not directly experienced by the subject position which &#8216;comes to&#8217; as organised within discreet &#8216;local&#8217; structures that are intended, precisely, to prevent direct experience of the entirety of the world.</p>
<p>If limits placed by social conditions upon experience characterise the pre-human then what is the human? What is the human in his natural state? Or rather, what is the human without influence of pre-human structuring? Rousseau writes: &#8220;I see him satisfying his hunger under an oak, quenching his thirst at the first stream, finding his bed under the same tree which provided his meal and, behold, his needs are furnished.&#8221; Rousseau demonstrated that the quality of the immediately human is an inter-subjectivity of otherwise isolated individuals who meet only by chance, in a forest which functions for them as nothing but the background to their meeting. There is nothing else. The savages organise as they agree, and their ambition stretches no further than the purpose of their encounter, which is soon forgotten as they drift apart again. There is nothing in their world beyond them, or before them. They do not have memory. They do not plan for the future. Nothing is accumulated in the storehouses of knowledge and grain. And so it is that they have never encountered the pre-human. But if two of Rousseau&#8217;s savages were to find themselves transported from the forest to a corridor in a large building, then it would be a different story.</p>
<p>It is a corridor, it is either dimly lit and strewn with rubbish, or it is bright and plushly carpeted. The corridor is situated within the architecture of a low-rise housing estate, or a cloister, or an office building, a public utility, or a hotel. The corridor serves a planned or adapted purpose within a wider architecture that is in itself integrated into ever-widening productive circuits. From opposite ends of the corridor Rousseau&#8217;s two savages are approaching each other. These two do not own the corridor, nor did they build it, nor do they now decide its current purpose. They merely inhabit the defined space for a particular moment, and they do so with more or less familiarity. They are walking along the corridor towards each other and the corridor is affecting them, it is quietly imposing limits and possibilities onto their engagement with each other, and with the conventions of the place. This quiet arranging of interaction is how the pre-human operates. The two savages will adjust their individual habitude psychically and physically for their encounter in response to the corridor&#8217;s pre-human prompts and likelihoods which they are unthinkingly absorbing. Each asks, is the other more or less likely to greet me, shout abuse or ignore me altogether? Each is prepared to receive the other by the operating of a pre-human framework present in the corridor, a framework which to a large degree decides and enforces likely outcomes.</p>
<p>Every corridor is haunted. Every corridor collects to itself its own subcategories of whoring &#8211; every corridor arranges its doors into a polite end of good neighbours set against their enemies. How the savages encounter each other in the corridor is determined by their expectations which are informed by numerous atmospheric effects that are, in turn, determined by the previous encounters that have accumulated in that place. A place where violence has routinely occurred, for example, will cause individuals to ready themselves for likely violence.</p>
<p>Therefore, the pre-human should not be reduced purely to an effect of the material corridor itself, it is rather a localised arrangement of the history and system of human affects that are summoned up or accessed by individuals gathering in that location and interacting at a particular moment. Access to, or awareness of, what has gone before somehow becomes an impersonal, or spiritual, authority in the present (there are always individuals who &#8216;know the score&#8217;, &#8216;professional northerners&#8217;, &#8216;locals&#8217; as The League of Gentlemen would have it); somehow the dead, the ancestors, the previous occupiers of these rooms, are experienced as having a subliminal authority over the practice of the living (present day jazz musicians are ritually hamstringed by their elders who invoke the dead, &#8216;I remember Miles when he played for pennies in the street&#8217;). Jesus understood the church precisely in terms of a pre-human surplus over and above both the place of congregation and the aggregate of individuals involved, &#8216;where two or three are gathered together in my name, there I am in the midst of them.&#8217; The Pre-human should now be understood as the domination of personal relations by the dictates of the supra-personal dead.</p>
<p>Reality, the perceived organisation of the world, has as its second source the gathering together of congregations which produce for themselves, via their internal development, peculiar and self-centred explanations of the world. Every tribe finds itself at the centre of the universe, no human society conceives of itself as &#8216;not particularly special&#8217;. This self-centering is the work of the reality principle, Freud explains it as a subjective taking &#8216;into account (of) the conditions imposed by the real external world&#8217;. The reality principle is not the appearance in people&#8217;s heads of objective material conditions, nor a direct perception of the relations of production, but rather the experience of process, that is the ongoing development, of sets of rules of behaviour which are intended to rub alongside, facilitate, or not antagonise too much, the angry gods of material scarcity.</p>
<p>The pre-human, or principle of perceived reality, and the actions derived from it, are always inaccurate reflections upon actual conditions. And although the pre-human structure forms the basis for all social acts it is also subject to rapid change and abandonment as the productive economy dictates new scarcities and inhibitions &#8211; old gods die, new rites are developed. Fundamentalism and most protest movements in general should therefore be understood as phenomena generated by distortions of the pre-human organisation of subjectivity (that is, the falling out of favour of certain rituals and beliefs) rather than, say, a direct reflection of the drop in the price of oil.</p>
<p>The reality principle is accumulated by, and inherited from, the experiences of others who are no longer present in society. The dead have bequested us their pain as a set of conventional behaviours and repressive codes. This is how you eat. This is how you relate. This is the position of the father in your life. In short, the pre-human is an aggregate of experiences which become transformed into &#8216;communities&#8217; or subject positions &#8211; it is a congregation, the function of which to produce a sense of continuity in spite of productive developments. Our forefathers, the ancestors, appear amongst us so that we reproduce past values in the present. Their values are brought forward and must meld with our own revaluation imperatives (our urge to &#8216;get with it&#8217;) which are caused by technological developments in the present. We are asked to tear ourselves apart in our struggle to maintain the antagonism between inherited values and factory demands as a continuity, as a way of life. We must love and honour the ones designated for love and honour but we must also play for many hours on our X-box. We see in this that the pre-human element of social relations has a pathological character caused by repressed scarcity &#8211; this is best understood if we examine two situations, one where it dominates and the other where it is entirely absent.</p>
<p>Of course, the prehuman is never entirely absent from any given human encounter because the material framework for all such encounters are dependent not just on &#8216;nature&#8217; or &#8216;history&#8217; taken as a background but also on the human species as it realises itself in the individual, Marx writes of this:</p>
<blockquote><p>&#8220;Man, much as he may therefore be a particular individual (and it is precisely his particularity which makes him an individual, and a real individual social being), is just as much the totality &#8211; the ideal totality &#8211; the subjective existence of imagined and experienced society for itself; just as he exists also in the real world both as awareness and real enjoyment of social existence, and as a totality of human manifestation of life.&#8221;</p></blockquote>
<p>However, human beings in the particular and unlike all life forms (this &#8220;suffering, conditioned and limited creature, like animals and plants&#8221;), are the only creatures to experience their need in a form that is alienated from the immediate, that is as &#8216;consciousness&#8217; (consciousness being precisely the collective accumulation of need-memories passed on as reflections upon technological responses to need). If a human being were to live outside of the pre-human conditioning of his existence he would have to forgo memory, and in particular memories of the &#8216;death&#8217; of others, which Marx describes as the harsh victory of the &#8220;species over the particular individual&#8221; and which Bataille says is &#8220;the profound truth of that movement of which life is the manifestation&#8221;. Memory, and especially memory of other people&#8217;s deaths, is the ground of all conditioned/social existence, and thus consciousness. Socialised human beings are essentially characterised as moving forwards/looking backwards, sorrow and wrenching are the modes of our most profound connections with the world &#8211; all conceptions of change are framed in terms of memory and the wiping of memory.</p>
<p>The first movement that carries a retrieved surplus from death into life is located materially in the species&#8217; physical modification of itself in evolutionary response to the needs that the world causes within it. And in the second movement this surplus carried over is located within consciousness &#8211; which may be defined in the partial reflections of consciousness on both physical adaptation and on consciousness itself. Consciousness also intervenes in the subsequent development of what has been called &#8217;second nature&#8217; or history, which is the sphere most inhabited by our wanderings in second level alienation.</p>
<p>The pre-human mechanism develops as an aspect of this second movement, or carry over, from death and so it seems that any existence without the pre-human would necessitate a severance of the individual from all process. Existence without the pre-human is individuation beyond context, a life without memory or names, and without even the benefit of the accumulations of one&#8217;s species. If we were to imagine individuals outside of the pre-human we would be brought up against lives born into extreme and contorting pressures such as that encountered in Rousseau and the &#8216;very cool and shady&#8217; wood in Alice Through The Looking Glass, &#8220;And now, who am I? I will remember, if I can!&#8221;</p>
<p>If life without pre-human conditioning, caused by the attempt to &#8216;get away&#8217; from society and to live as a rouseauean savage, simply denies the relation of the individual to the species then what &#8216;primitivists&#8217; describe as &#8216;domestication&#8217; accurately conveys the existence of those for whom no aspect of their life escapes the grid set down in the present by the &#8216;harsh victory&#8217; of dead fathers over their sons, Zerzan writes, &#8220;The start of an appreciation of domestication, or taming of nature, is seen in a cultural ordering of the wild, through ritual.&#8221; It is in ritual that the pre-human, as a residue of accumulated memories, is most directly apparent.</p>
<p>There have been, in the past, societies wholly orientated around &#8216;ritual&#8217;, in fact, it is likely that all societies began, as Zerzan says, from ritualised practices. In other words, society itself is not grounded on the directly perceived interest of self-preservation as embodied in a social contract, such as enlightenment philosophers thought, on the contrary, such self-interest was only an effect of still more primal urges. In fact, societies grow out of irrational, continually repeating patterns, which in themselves develop as an unresolved or &#8216;raw&#8217; response to the felt certainty of precarious existence, and thus to a continued feeling for the proximity of those who were once here amongst us but who now are not, the dead. From this perspective, society always begins objectively in precarity, and subjectively in grief.</p>
<p>The actual origins of organisation, of the process of accumulating the material of the pre-human, are found in the behaviours of those currently described with &#8216;obsessive compulsive disorder&#8217;:</p>
<blockquote><p>&#8220;Compulsive acts or rituals are stereotyped behaviours that are repeated again and again. They are not inherently enjoyable, nor do they result in the completion of inherently useful tasks. The individual often views them as preventing some objectively unlikely event, often involving harm to or caused by himself or herself. Usually, though not invariably, this behaviour is recognized by the individual as pointless or ineffectual and repeated attempts are made to resist it&#8230;&#8221; - <span style="text-decoration:underline;">The ICD-10 Classification of Mental and Behavioural Disorders</span>, World Health Organization, Geneva, 1992</p></blockquote>
<p>They are counting and counting, they are arranging objects, they are finding importance in cleaning, they are pacing a number of steps, they are repeating a set of words, they are balancing left and right, they are holding their breath, they are making a noise to drown out a thought. They are setting boundaries and defining territories. Obsessive compulsives are trapped within the most basic mechanical gestures of inventing social rules, their&#8217;s is a perpetual volcanic activity that sometimes succeeds in causing new islands. Social organisation is first founded from compulsive, irrational, rituals, but these rituals are also performed by all currently existing people at distinctive junctures in their lives &#8211; potential new societies are being sketched out, and returned, to all of the time, it is very rare however for any specific ritual to be communicated and become the nucleus of practical organisation.</p>
<p>If the rituals of obsessive compulsion lie at the heart of societal organising then what of social development? What of societies that develop an objective &#8216;knowledge&#8217; of themselves and the world, and therefore apparently open the possibility for management and modification of their irrational core by means of application of this knowledge? Unfortunately, contrary to the claims for self-knowledge, these projects for social reform seem to adjust society always to a hidden barbarism rather than to the ideals suggested by such knowledge. History, thus far, tells only of structures that have tended, despite their own liberatory intentions, to the worst, towards rarified and perfected barbarities, that is precisely to those values most deplored by their own constitutions. Self-knowledge, thus far, has not proved itself to be a sufficiently powerful force for changing the direction of human society.</p>
<p>As an example, Jonathan Miller has pointed out in &#8216;<span style="text-decoration:underline;">A Brief History Of Disbelief</span>&#8216;, that atheism began in the Christian context through the development of alternative theist systems and post-reformation branchings. In other words, atheism is a product of irrational belief reflecting on itself and not, as is often claimed by progressives, the application of more &#8216;advanced&#8217; knowledge classifications of the world which developed within scientific investigation &#8211; and which, incidentally, often sought to maintain the central role for god. Atheism developed passively from an entropic principle in religion, and was not an aspect of some wider, active &#8216;movement&#8217; ( in Marx&#8217;s sense). Science served religion, the dominant social power, very well up to the realisation of the modern state and capitalism and then it began to emphasise its theory of evolution as the most appropriate ideology to reflect the new social forces.</p>
<p>The ideological practices of &#8216;applied&#8217; and &#8217;social&#8217; sciences, which sought to intervene in social structure and reorganise society according to reason, proceeded from the assumption that &#8220;all that is real is rational; and all that is rational is real.&#8221; In other words, for the science of governance, the imposition of scientific categories and protocols upon social organisation depends upon the truth of the dictum, &#8216;knowledge is power&#8217;; consequently, the more that is known about a set of circumstances, the more precisely and effectively an intervention might be made; and furthermore, the more integrated the knowledge of a process is with the functioning of the process itself the more likely it is that function will submit to the guidance of knowledge. However, the continued performance of the pre-human, that is of a specifically perverse impishness, a death orientated openness, within human organisation, has caused the consistent disruption of all rationalising systems which, because they are equally bound to refuse the irrational, are found to be, simply, inadequate to the tasks they set themselves.</p>
<p>Psychoanalysis and Marxism, as ideologies of &#8216;reform science&#8217;, began applying their schemes on the assumption of the world&#8217;s latent rationality, and that this ordering would be developed or revealed when manifested contradictions were resolved.</p>
<p>However, the history of both Marxism and psychoanalysis, in terms of their early unsullied optimism, has been one of practical failure and ideological fracture. The least ossified of both practices retreated into an activist conception, abandoning the role of the &#8216;inevitable&#8217; and falling back on realising the ideal alongside the irreducible perversity and resistance of the world. This was manifested in the post-bolshevist communist movement as a split between the ideologies of &#8217;socialism in one country&#8217; and &#8216;permanent revolution&#8217;, whilst the proposed &#8220;band of helpers for combating the neuroses of civilisation&#8221; as envisaged by Freud, rapidly decayed into rearguard defences of &#8216;lay analysis&#8217; against the growing demands by the scientific establishment for &#8216;proofs&#8217;.</p>
<p>In response to its lack of self-evidence, psychoanalysis sought the route of least possible resistance and adopted the concept of &#8216;interminable&#8217; analysis in which it re-caste itself in a reduced role, being that of a corrective to all which could not be wholly eradicated. And Trotskyism, similarly, in its break-off from the self-defeat of Bolshevism, embraced an orientation towards &#8216;permanent revolution&#8217;. &#8216;Endless&#8217; Freudianism coincided in the late Nineteen Twenties with &#8216;permanent&#8217; Trotskyism. At first these appear to be intransigent positions, resolute holdings out for nothing short of total victory but in reality are mere hollowed out surfaces. The idea of &#8216;permanence&#8217; within ideology always indicates a dishonest acceptance of defeat, and involves the drawing of a boundary around the particular field of organisational specialism. At some level, within both these ideologies, the utopian outcome was retained as an ideal but for both it was also displaced to a further-off location, to become a &#8216;not in this world&#8217; scenario. For the first time the fetish of &#8216;the struggle&#8217; was placed over that of &#8216;end&#8217;.</p>
<p>Practice inevitably degrades during this relinquishment, the &#8216;permanence&#8217; to which it is now directed, as to a receding light, causes it to fall back onto what might be called a resistance perspective &#8211; that is, the advocacy of &#8216;continuation&#8217;, and business as usual; the gestures of agitation, activism, intervention are retained but now without concrete expectation of an end, they become a bureaucracy of acts, a circumlocution office. Under the sign of &#8216;permanence&#8217;, which signals the end of the scientific method and of any change brought on by application of the method, the practice of &#8216;permanence&#8217;, which once was directed towards social transformation, now becomes the practice of continuity of the institution. In other words, the falling back of both Marxism and psychoanalysis onto the concept of &#8216;permanence&#8217; as a strategy indicates a bad faith acceptance of a political role within the world as it is, a role that must be defended permanently, and maintained as a set value. The ideologies, which once sought to reorganise the totality of the world, must now take their places within it, and therefore live with the appearance of certain contradictions, of which they are a manifestation, and which they practically accept to be wholly insurmountable. This is the high tide mark for the rationalised reformisms of the Nineteenth Century, it is where pro-human interventions have been washed up.</p>
<p>To begin again from a slightly different position: there has never been a time when the human being was in a position to decide together with itself what kind of society it was going to live in, and then, one step further, impose that decision as a reality. All attempts at achieving this integrated position have so far been defeated, and up to very recently, strangely, this defeat has not been engaged by those who actively seek change of conditions. On the contrary, it has been denied, it has been displaced, we are asked to embrace &#8216;movement&#8217;, &#8216;process&#8217;, &#8216;permanence&#8217;. we have been asked to affirm that change is already occurring, that we are part of &#8216;it&#8217;.</p>
<p>However, there are now amongst us some, what we shall call, post-activists, who have recorded this failure of reform, and have grasped its reasons. They have maintained their desire for social change but are no longer prepared to fall back into arranged denial. Nevertheless, the understanding of this few of why consciousness cannot be communicated in the manner that most activists imagine communication, is merely a recognition of the impasse and not its undoing. Awareness does not alter the problem, that of the communication of values, and nor has a viable model replaced that of the Twentieth Century activists&#8217; formulations. To say, as I have done, that events determine consciousness, that consciousness of events has its moment as well as its place, does not solve the basic obstacle of the pre-human, and that which resists rational engagement. To ask of another of one&#8217;s own type,</p>
<blockquote><p>&#8216;what makes you think that s/he needs some other person, a stranger (you), to &#8220;open&#8221; her/his eyes? do you think that s/he is really that stupid that the oppression needs to be discovered and then presented to her/him by some smart person (you)?</p></blockquote>
<p>is not an answer to the question of organisation. This looking for an innate &#8217;spontaneity&#8217;, an immediate insurrectionary upsurgence, a moment, a break &#8211; this denial of movement, of activism, of process, in no way communicates the required spontaneity to those whose role it is to rise up. There is still, I find, in my own thoughts, and in the thoughts of all those who have run up against the limitations of previous thoughts of revolution, there is still a tendency to rationalise, there is still a divergence between the thought of reality and reality itself. To announce that we must not lead, because our leadership has always led to disaster, answers neither the question of why consciousness of revolutionary possibilities does not occur in others, nor that of the role of those who do have consciousness.Perhaps, and we must consider this, perhaps the giving up of the leader role and the task of &#8216;opening&#8217; another&#8217;s eyes is in itself a rationalisation, and a displacement of the desired role for &#8216;our&#8217; consciousness within revolutionary events. In other words, the advocacy of leaderlessness is no tactical advantage when there is no reciprocation from those who are not ready either for being led, or for not being led.</p>
<p>To begin again from a slightly different position: those who have the idea of revolution are those who are not in the position to make it, whilst those who are in the position to materially impose it have no ideas of it; and worse than this, there is no discernible way out of the bind except through the intervention of what seems to be miraculous events. On the other hand, there is something perverse in the formulation of this mutual relinquishing between revolutionary motivation and revolutionary agency; there is something wearying in acknowledging that these two gifts cannot be exchanged. And yet, again, we cannot deny that these indeed are our findings: from nowhere in the world do we hear of values similar to our own being generated on a meaningful scale within those sections of society that must make the first stage of social revolution. This is the boundary that must be overcome &#8211; and although it is a boundary set before all people, we also cannot deny that it is those who look for revolution that are most provoked by it, and who seek for means to breach it. Even as we castigate the activist role, whilst remaining involved with the issue, we find ourselves reasserting a, second order, activist supremacism.</p>
<p>To begin again from a slightly different position: it is the engagement with this maddening puzzle of separated components and temporalities that compels pro-revolutionaries to return to the question of organisation. And if, for those who have already understood the failure of organisation, there is no alternative but organisation then the return will be orientated with the aid of a proper regard to the pre-human. If we cannot wholly escape the rationalisations of reform movements, if we are to insist on finding certain actions and reactions in society, then we must also hook into, or merge, our organisations with what is otherwise thought of as an irrational surplus, but which in fact is the actual core of all societies. To this end we should consider the basic character of human organising.</p>
<p>From the perspective of the outsider, the most interesting element of the structure of any organisation, and beyond that to the delivery of its function, is its unconscious adherence to the pre-human, as that is manifested in ritual. The guest, the stranger, is struck first by the strange manners and customs of his hosts. Difference, the alien, what is outside of actual function catches the guest&#8217;s eye because these apparent surplus irrationalities form the core of any critique of organisation &#8211; your clothing, your manner of address, your procedures make no sense to me, don&#8217;t they get in the way of what you want to do. The outsider, as consultant, suggests &#8216;dress-downs&#8217;, informalisation, sofas, flexitime because all that matters is results &#8211; but then it takes a foreigner of another sort to demonstrate the formalisation of anti-form. It takes a further step towards estrangement from the structure to understand that &#8216;function&#8217; is only possible because of the peculiar surplus of custom and not the other way round.</p>
<p>To begin again from a slightly different position: the purpose of ritual has always been that of perceptual filter for the members of the organisation. From the perspective of the organisation, ritual reduces the threat of the objective world whilst magnifying the importance of the actions of its members, who are placed, by their belonging, at the centre of the world. Ritual is a mechanism for editing the universe, it keeps certain phenomena of reality from impacting on consciousness, whilst overemphasising the value of others. This unrealistic, even absurd drawing of boundaries in the world and upon bodies &#8211; this making things distinct, this codification of parts and procedures &#8211; is the line that makes possible processes of accumulation. Accumulations of wealth around named bodies eventually facilitates the alteration of objective conditions so as to better suit the designs of what has become collective subjectivity, or community.</p>
<p>All organisations are arranged about ritualistic practices that persist beyond the stated aims of the organisation; all organisations exist, to a greater or lesser degree, antagonistically to the generality of present conditions; all organisations, because they ritualistically deny those elements that they perceive to be threatening to their integrity, refuse the totality of reality; all organisations seek to strengthen their subjective evaluating presence in the world by means of accumulating objects that resemble themselves; all organisations, using themselves as an example to the world, unconsciously seek to replace the multiple profusions of the world, with their own singular systematisation.</p>
<p>What is certain about this flickering of organisation within the bosom of the destroyer world is that ritual is present in all human structure, even from the earliest, &#8216;most primitive&#8217;, of times. This has recently been confirmed in the unearthings of a ten thousand year old settlement at Milfield in Northumberland. The manner in which the artefacts that have been retrieved by archaeologists had been arranged suggests that contrary to what both Class War and Nike urge of us, human beings are incapable of &#8216;just&#8217; doing it.</p>
<p>The Milfield archaeologists have found there a curious precursor to the premise of Hitchcock&#8217;s film &#8216;Rope&#8217; &#8211; inside one of the buildings they unearthed a cooking pit, and beneath the pit they found human remains. Food was prepared in the hut over the buried remains of a significant individual. Therefore, it seems that members of the earliest of human organisations could not &#8216;just do it&#8217;, they could not simply &#8216;just&#8217; prepare dinner for themselves, at least not without first securing the authorisation of an ancestor. The everyday intervention of the dead in the business of the living was essential to the continuation of life. An ongoing presence of the dead meant that the wealth of the ancestor&#8217;s existence was not lost upon his death but was retrieved by his descendants in their magical invocations of him. His spirit had to be retrieved because the cycle of economic accumulation depends upon social continuity, just as social continuity as guaranteed by ancestor worship depends upon a cycle of controlled accumulation (and expenditure). Dinner would not, could not, be dinner without the empty chair, without the creaking, flickering, whistling of the old one, the provider buried beneath the fire. Mere &#8216;hunting and gathering&#8217; is impossible without ritualised filtering of the practice of hunting and gathering, without its contextualisation, without it first being suffused with meaning.</p>
<p>Primitive existence is simply too precarious to bear without the stiffening, binding agency of the collective, which acts to displace the fears of all individuals, and facilitates them in their becoming less real, more alienated, less &#8216;up against it&#8217;. The pre-human frees individuals from a direct relation to nature and allows them to accumulate their subjectivity even beyond the grave. Death is defeated, put in its place if individuals feel they have something to &#8216;pass on&#8217; and a ritualised framework within which the transaction may take place. Death is the harsh victory of the species over the individual but social organisation mitigates death by ensuring memory of the dead. Organisation then, and above all, is the organisation of memory. The pre-human condition for individual existence should be understood as a palliative to the existential conundrum, &#8216;how can I smile now when others have died around me and when I know I too will die.&#8217;</p>
<blockquote><p>&#8216;Consequences are too often only a response made inevitable by fear, collective action against such &#8216;consequences&#8217; can render them powerless. Failures of collective action often stem from individuals allowing fear to dictate their responses.&#8217; &#8211; Concluding paragraph from a text, &#8216;anchored desire&#8230;&#8217;</p></blockquote>
<p>The collective action, or organisation, of those who refuse their exploitation by a pseudo-objective interest appears in their consciousness as the only reasonable response. But it appears in consciousness because it does not sufficiently exist in practice. Collective action, or organisation, against the capitalist fetish of accumulation is not sufficiently real to appear as self-evident &#8211; it is not inherent, it is not immanent, it is not passed down to us as being &#8217;so&#8217;. The organisation that sets itself against organisation, the for-human collectivity that arranges itself against antihuman framework, immediately encounters at least three significant obstacles to its self-realisation: </p>
<ol>
<li>Capitalism, because of the sheer weight of its accumulations, is no longer merely an &#8216;organisation&#8217; in the world, at many levels and junctures it has actually become the world. It has attained this status over a relatively short span of time because its move into social organisation was not consciously negative. Capital has never rejected existing reality but has succeeded in destroying other realities by binding its productive structure with what is already present &#8216;on the ground&#8217; &#8211; this is the colonisation caused by trade. Capitalism has taken advantage of that which, in current parlance, is written into the dna of all human organising, i.e. the tendency to accumulate objects as a function in the development of subjectivity. Capitalism now produces subject positions; it has caused many variants of human beings to come into existence (via &#8216;identity&#8217; practices, and niche markets) which feel completely at home within the boundaries capitalism has drawn onto them &#8211; from the perspective of its subject positions, capitalism has replaced nature. It has become, or it was always, almost impossible to consciously reject the values developed by capitalist organisation because consciousness itself is derived from the movement of its value &#8211; the refusal of capital is literally the refusal of reality. </li>
<li>It is almost impossible to replace the world as it is now by an imposed subjectively constituted value. Too much of the world is contradictory, too much slips through the fingers. There is too much to the world for it to be dictated to in terms of mere governance, proclamations, institutions issuing from a single source. </li>
<li>Authorisation. Rebel positions struggle profoundly with a perceived lack of precedence for their perspective and absence of legitimacy for their acts &#8211; they have trouble channelling the ancestors buried beneath the cooking pit. It is the nature of human society that all of its component gestures, ideas, structures must be imbued with a past, everything is backward arranged; and so it is that those without authorisation inevitably lack authority.</li>
</ol>
<p>Such are the barricades thrown up against revolt. And therefore, if the boundaries of subjectivity are to be rewritten organisationally, so as to counter the antihuman traits developed by capitalism, and if these patterns are to re-connect with those aspects currently written out of human existence, then the new organisations will, like capitalism, also have to be developed from the basic pre-human mechanism. Up to this moment groups have tended to allow the existence of an untheorised &#8216;pre-human&#8217; element hostile to their own expressed values Even within (or especially within) anarchist groupings you find the following: the cult of leader; sect consciousness; accumulation of recruits, funds, events, texts; cult of self-prolongation beyond all reasonable usefulness; cult of acts; cult of significance; cult of rules, ideological purity, coherence; cult of bureaucracy, etc. To counter this backwards drift the new communist structures must be grounded in some primal element that, if it is not communist, is also not hostile to communism. If capitalism has stitched itself into the accumulatory aspect of a primal arrangement of the species towards the world then communism must, similarly, entwine itself with one of the most immediate strands of organisation itself.</p>
<p>I would suggest that if the the communist milieu is to hook into the pre-human it should organise itself at those points where human beings experience most profoundly their alienation from the world. I would suggest that organisations most fitted for developing a communist subjectivity in the face of the world will conform to the patterns laid down by brotherhoods, fraternities, the very earliest workers&#8217; unions, chivalric orders; in other words those organisations based upon the rituals which invoke horizontally organised allegiance, mutual aid, comradeship. I would suggest that the patterns and boundaries of communist subjectivity could first be developed from a role-playing game to this purpose, a theatrical game which, like all ritual structures, will become more real the more it is played. I suppose it is my contention that the rituals of a communist roleplaying game are more likely to cause disruption and organise the basis for social revolution than communist ideals and the practices of the ideals themselves.</p>
<blockquote><p>&#8220;It may be true that the poison of theatre, when injected in the body of society, destroys it, as St. Augustine asserted, but it does so as a plague, a revenging scourge, a redeeming epidemic when credulous ages were convinced they saw God&#8217;s hand in it, while it was nothing more than a natural law applied, where all gestures were offset by another gesture, every action by a reaction&#8230;This theatre releases conflicts, disengages powers, liberates possibilities, and if these possibilities and these powers are dark, it is the fault not of the plague nor of the theatre, but of life&#8230;this theatre invites the mind to share a delirium which exalts its energies; and we can see, to conclude, that from the human point of view, the action of theatre, like that of the plague, is beneficial, for, impelling men to see themselves as they are, it causes the mask to fall, reveals the lie, the slackness, baseness, and hypocrisy of our world&#8230;&#8221;</p></blockquote>
<h3>Introducing Forward Unit</h3>
<p>Earthen cup described the process of accumulation as the basis for the homeostasis of the self. All practice is possible because it both generates its form within previous practice, and because its end is directed towards returning and belonging to the self. Statements of self emphasise cohesion of parts, identifiablity of parts, fittedness of parts. Primarily, organisations described by the earthen cup model are concerned with what they are, and the continuation of what they are even as they contemplate change. A structure might call for open consideration of all possibilities, it might go so far as contemplating its own disorganisation so as to anticipate what will succeed it, but it is impossible for it to advocate self-annhilation and the removal of itself from history.</p>
<p>Forward Unit is not concerned with statements of self. It understands that the self is devoted to the problem of how to overcome its internal circuits and thereby connect with the outside. Earthen Cup cannot but place its internal consciousness as the problem of the world. So it is that revolutionary groups set themselves the task of connecting to the working class as a precondition for social revolution. This two step model begins by asking how to include the outside within its own circuits.</p>
<p>But the question, &#8216;how to connect?&#8217; is merely an inheritance, or device, from a structure that operates by means of first isolating itself through self-definition. For that reason Forward Unit cannot ask the question, it cannot begin from defining its own identity. It must assume that connection is already established, or rather, that multiple connections are present in the world and that its project is less formed by the understanding of what things are (and deciding whether they are mutually compatible) as it is directed towards engagement with the already established relatedness of things.</p>
<p>Forward Unit is not a deconstructionist project, it has no interest in loosening the corsets of the self. It takes the condition of identity to be a product of an inevitable form of ritualised accumulation. Forward Unit does not undo Earthen Cup. Its interest lies in quite another direction, namely in the relatedness between structures and structures, structures and processes, processes and processes. Its focus on what connects rather than in &#8216;how to connect&#8217; necessarily invokes a tendency to judgement and moral intervention. Forward Unit is designed specifically to intensify particular sets of relations whilst relaxing others.</p>
<p>Forward Unit assumes relatedness. The structure and mechanism of Forward Unit&#8217;s intervention within the field of relations can be grasped heuristically via the theory of Collateral Energy.</p>
<h3>Forward movement and organisation:</h3>
<p>In the essay &#8216;for earthen cup&#8217; I discussed how organisations are set up and how they preserve their identity through the accumulation of wealth within established territories and procedures. All organisations share this earthen cup character.</p>
<p>However, earthen cup does not exhaust the possibilities for organised activity and in many cases, as I pointed out, it can actually inhibit them. The reason for this is that most organisations function retrogressively in relating their activity to their identity. In other words, an activity is deemed worthwhile, or not, through backward checking &#8211; if the activity maps the co-ordinates of established aims and principles then it is continued, if not, it is abandoned.</p>
<p>It is possible to conceive of organisation that is not based on backward reference to selection criteria but rather to a forward moving structure which attempts to engage the parameters of selectivity for success and thus alter them.</p>
<p>I would term this organisation Forward Unit. The purpose of this organisation is to anticipate or somehow bring on possible future conditions favourable to the human species. It would act as a commando or advanced guard movement, and would attempt to cause events much greater than its apparent capacities would allow for; this would be achieved by interfering in categories and events that have not yet occurred. It assumes that future events are less armoured by &#8216;what is&#8217; than past events and that human behaviour is more malleable and relaxed/open to suggestion, less determined by past defeats, in the future than it is in the present.</p>
<p>I will further outline possible scientific bases for these operations in later posts, particularly with regard to lamarckism and natural selection, homology, steady state, the concept of relays and gates, collateral energy, honest signalling (amongst others). Also it will be important to define how such an organisation is &#8216;organised&#8217; and who its members might be.</p>
<p>To briefly look at these last to issues. It has always struck me as strange that there are so few people who are prepared to abandon everything in the present so as to commit themselves entirely to speculative activity when so many are prepared to abandon everything for unrecognised retrogressive type conformity to past forms.</p>
<p>It follows then that membership of Forward Unit will be based upon personally experienced crisis which will propel them forward in their search for truer or more aneable conditions. Members must forsake academic careers and take up low paid or manual work. They must commit themselves to realise forward directed real projects in real time, unreal projects in real time, real projects in unreal time. Commitment to a set of principles is less important than commitment to hook with future occurrences and processes.</p>
<p>The earthen cup principle by which identity and cohesion is maintained by laying down accumulating levels upon each other is projected forwards, or inverted, by Forward Unit; just as it is the aim of the space program to undertake various operations under weightless conditions so it is the purpose of Forward Unit to establish communistic connections already operating in the future to thereby aid the selection and thus success of communistic mutations in the present.</p>
<p> </p>
<hr /><span><a name="b1"></a>It is not about pre-history, or a primitive state as such (which I do not recognise as being separate from our everyday existence). It does not suggest we are more human now than &#8216;they&#8217; were then. It is much more simple than that, it means that there is always a prior specific, unconscious, context for any specific activity; it does not denote a cause or drive or motive of activity so much as a constant availablity of all that has led to that particular moment. We could say a sufferer from Tourettes is cursed by constantly mapping his speech back into the pre-human, and onto a constant set of transgressive co-ordinates. On the other hand, by conceptualising the pre-human, we might also see that this one with Tourettes is at the point of drawing something out of the prehuman that is unprecedented and vital (&#8217;strong in him is the pre-human&#8217;, or something) – innovation occurs through breaks from very tight accumulative cycles of ritualised (mad) acts. You may like to consider the role of the &#8216;drone&#8217; in music and how melody overlays it&#8230;</span> </p>
<hr />
<p align="right"><a href="http://fendersen.com/index.html"><em>HOME</em></a></p>
</div>
Posted in Communism, Dystopia, Economy, Poetry  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/voidmanufacturing.wordpress.com/771/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/voidmanufacturing.wordpress.com/771/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/voidmanufacturing.wordpress.com/771/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/voidmanufacturing.wordpress.com/771/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/voidmanufacturing.wordpress.com/771/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/voidmanufacturing.wordpress.com/771/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/voidmanufacturing.wordpress.com/771/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/voidmanufacturing.wordpress.com/771/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/voidmanufacturing.wordpress.com/771/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/voidmanufacturing.wordpress.com/771/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=771&subd=voidmanufacturing&ref=&feed=1" /></div>]]></content:encoded>
			<wfw:commentRss>http://voidmanufacturing.wordpress.com/2008/11/25/the-inimitable-frere-dupont/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">voidmanufacturing</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2008/11/chaingang.jpg" medium="image">
			<media:title type="html">chaingang</media:title>
		</media:content>
	</item>
		<item>
		<title>Simon Critchley on Obama</title>
		<link>http://voidmanufacturing.wordpress.com/2008/11/19/simon-critchley-on-obama/</link>
		<comments>http://voidmanufacturing.wordpress.com/2008/11/19/simon-critchley-on-obama/#comments</comments>
		<pubDate>Wed, 19 Nov 2008 23:59:28 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
				<category><![CDATA[Anarchy]]></category>
		<category><![CDATA[Economy]]></category>
		<category><![CDATA[Obama]]></category>

		<guid isPermaLink="false">http://voidmanufacturing.wordpress.com/?p=721</guid>
		<description><![CDATA[ 


Obama’s victory marks a symbolically powerful moment in American history, defined as it is by the stain of slavery and the fact of racism. It will have hugely beneficial consequences for how the United States is seen throughout the world. His victory was also strategically brilliant and his campaign transformed those disillusioned with and disenfranchised [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=721&subd=voidmanufacturing&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p> </p>
<div class="column span-11 prepend-3">
<p class="xsmall serifed"><a href="http://voidmanufacturing.files.wordpress.com/2008/11/in_the_blackout.jpg"><img class="aligncenter size-full wp-image-723" title="in_the_blackout" src="http://voidmanufacturing.files.wordpress.com/2008/11/in_the_blackout.jpg?w=497&#038;h=500" alt="in_the_blackout" width="497" height="500" /></a></p>
<p class="xsmall serifed"><span class="dropcaps-3">O</span>bama’s victory marks a symbolically powerful moment in American history, defined as it is by the stain of slavery and the fact of racism. It will have hugely beneficial consequences for how the United States is seen throughout the world. His victory was also strategically brilliant and his campaign transformed those disillusioned with and disenfranchised by the Bush administration into a highly motivated and organized popular force. But I dispute that Obama’s victory is about change in any significant sense.<span id="more-721"></span></p>
</div>
<div class="column span-11 prepend-3">
<p>Obama’s politics is governed by an anti-political fantasy. It is the call to find common ground, the put aside our differences and achieve union. Obama’s politics is governed by a longing for unity, for community, for communion and the common good. The remedy to the widespread disillusion with Bush’s partisan politics is a reaffirmation of the founding act of the United States, the hope of the more perfect union expressed in the opening sentence of the <span class="caps">US</span>Constitution. It is a powerful <em>moral</em> strategy whose appeal to the common good attempts to draw a veil over the agonism and power relations constitutive of political life. The great lie of moralism in politics is that it attempts to deny the fact of power by concealing it under an anti-political veneer. At the same time, moralism engages in the most brutal and bruising political activity. But the reality of this activity is always disavowed along with any and all forms of partisanship. Moralistic politics is essentially hypocritical.</p>
<p>Yet, what is most hypocritical, of course, is the talk of change. What are the elements of Obama’s strategy? Let me identify three. Firstly, we have a depoliticized moral discourse of the common good, backed up by a soft and inoffensive version of historically black Christianity. Obama inhabits the<em>rhetorical</em> space of prophetic, black Christianity, while adopting none of its critical radicalism, none of the audacity that one can find in the sermons of Pastor Jeremiah Wright.</p>
<p>Second, Obama’s strategy is about a shift or recalibration of the governmental, symbolic order of American society. As can be seen from a reading of the opening chapters of <em>The Audacity of Hope</em>, Obama is promising a return to liberal constitutionalism against the Schmittian or, more properly, Straussian extension of executive power that marked the Bush administration. All vapid talk of renewing the American dream is simply a return to the priority of the Constitution and the unimpeachable sagacity of the Founding Fathers. Henceforth, all political decisions have to be derived from legal norms whose basis for legitimacy derives from the Constitution. Obama’s genius is to have infused a very traditional, liberal constitutionalism with the elements of a civil profession of faith, and here what is essential is the implicit religiosity of the rhetorical force of Obama’s discourse.</p>
<p>Third, Obama’s strategy is about the normalization of capitalism, which in the short to medium term means the stabilization of financial capitalism given the grotesque deregulated irresponsibility and greed that have operated in these sectors in recent decades. As is clear from <em>The Audacity of Hope</em>, Obama’s moralistic refusal of conflict in the political realm somehow goes hand in hand with his faith in free market competition. Although the free-market system might be flawed, he insists, the capitalist economy is constantly open to change and ‘liberal democracies offer people around the world their best chance at a better life’. It is completely unclear to me how Obama’s views on the economy might truly begin to deal with the disgusting fact of poverty in a genuinely redistributive way.</p>
<p>So, Obama’s strategy is very clear. There is to be no change at the level of the state and capital. We must maintain and defend the state in its classical, liberal constitutional form and use the governmental mechanisms of the state to stabilize the current disorder of finance-based capitalism. Change alone consists in a <em>moral-symbolic</em> shift or recalibration that allows citizens to overcome their despair at the hands of Bush and reaffirm their civil faith in the <span class="caps">US</span> governmental system. To be clear, this is not nothing and I am delighted that my liberal friends are so ecstatic. However, not being such a good liberal myself, Obama’s victory begs the question as to what a leftist strategy might be in such circumstances.</p>
<p>What are the possible consequences of Obama’s victory? I think there are at least two possibilities that circle in a perhaps melancholy dialectic. One possibility – which is highly unlikely, but at least conceivable – is that the change of regime will lead to local and diverse forms of popular politicization which perhaps might place in question the current socio-economic doxa. On this view, emboldened by Obama’s victory, various groups might accelerate their political activity around issues such as immigrant rights, union representation or corporate greed. What Obama’s victory might unleash is a sequence of progressive radicalizations inside the <span class="caps">US</span> and perhaps outside as well that would act as a serious irritant to the usual business of the state or the usual state of business.</p>
<p>The second possibility is the reverse, namely that the popular force that has been mobilized around Obama’s presidential campaign simply <em>exhausts</em> itself in its governmental victory. On this view, once Obama has been elected, citizens can switch off politically and sit back and watch how well his administration does. Politics becomes reduced to a spectacle of media and governmental representation. Furthermore, this possibility is undoubtedly the one favoured by the Obama campaign itself, which explains the somber, slightly disappointed tone to Obama’s speech on the night of his victory: ‘The road ahead will be long. Our climb will be steep. We may not get there in one year or even in one term’. On this view, the rhetoric of change (‘Together we can change the country and change the world’) was simply what it took to get people mobilized. Once the victory is secure, there must be no further mobilizations at the popular level. All must henceforth be mediated through the apparatus of government. Politics as the experience of a people suddenly present to itself and aware of its awesome power has to die at the precise moment when a representative government is elected.</p>
<p>This is perhaps the tragedy concealed in the events of the late evening of November 4th: as I walked to the subway at about 10 p.m. a vast United States flag was being unfurled in Union Square; there were spontaneous parties in the streets of my part of Brooklyn, and many others can testify to much more exotic, collective experiences. This was a moment when people, no longer cowed by the power of the state and held in check by the police, suddenly become aware of their power and the power of their activity, which is nothing less than the activity of liberty. At such a moment, no force can stop them and a demonstration or street party erupts into being. This is collective joy. There is the <em>potential</em> for a political moment here, but it is a potential whose actualization is denied by the very representative process which is being celebrated. At the moment when people become aware of their power through the activity of the vote, they are simultaneously rendered powerless by the representative process. Liberty slips from the hands of those who have suddenly become aware of its power. In the face of such human fireworks, it is not surprising that Obama cancelled the firework display planned to accompany his victory speech. The message is clear: ‘The victory is yours. But when you’ve finished celebrating, dancing and crying, return to your homes and be quiet. Thanks to you, the business of government is ours and we will take it from here. We’ll let you know how it goes. <span class="caps">P.S.</span> Please don’t take popular sovereignty too literally’.</p>
<p>I’d like to borrow an idea from the philosopher Alain Badiou. In his terms, a political event is what gives existence to a collectivity under the general norm of equality. Crucially, on this definition, politics does not consist in remaining within and buttressing the power of the state. On the contrary, it consists in taking a distance from the state. Now, such a distance does not exist, as the state, particularly the soft democratic state that merges with civil society, saturates more and more areas of social life. Distance, then, is something that has to be <em>created</em>. Moreover, it has to be created within what I call the interstices of the state. Politics, then, is the creation of interstitial distance through acts whereby collectives take shape. The question of scale is vital here. A collective can be something as vast and rhizomatic as the anti-globalization movement a few years back or as small as 5, 10 or 20 people deciding in concert on a program of action. The Paris Commune, lest we forget, began with an act of refusal by a handful of citizens.</p>
<p>Whatever is left of the left after Obama should be committed to the creation of local experiments with politics, the formation of collectivities that exist apart from and which can exert a pressure upon the state. True politics does not exhaust itself in the play of representation and spectacle characteristic of liberal democracy. It is about the emergence out of invisibility of collectivities in the interstices of the state and at the limits of capital. There was perhaps a moment on the evening of November 4th when the potential for such emergence threatened to happen. It might happen still.</p>
<p> </p>
<hr />
<p class="txtGrey">Simon Critchley is Professor and Chair of the Philosophy Department at the New School for Social Research in New York City. He has authored over a dozen philosophy books including the celebrated Infinitely Demanding: Ethics of Commitment, Politics of Resistance, in which he argues for an ethically committed political anarchism.</p>
</div>
Posted in Anarchy, Economy, Obama  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/voidmanufacturing.wordpress.com/721/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/voidmanufacturing.wordpress.com/721/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/voidmanufacturing.wordpress.com/721/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/voidmanufacturing.wordpress.com/721/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/voidmanufacturing.wordpress.com/721/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/voidmanufacturing.wordpress.com/721/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/voidmanufacturing.wordpress.com/721/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/voidmanufacturing.wordpress.com/721/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/voidmanufacturing.wordpress.com/721/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/voidmanufacturing.wordpress.com/721/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=721&subd=voidmanufacturing&ref=&feed=1" /></div>]]></content:encoded>
			<wfw:commentRss>http://voidmanufacturing.wordpress.com/2008/11/19/simon-critchley-on-obama/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">voidmanufacturing</media:title>
		</media:content>

		<media:content url="http://voidmanufacturing.files.wordpress.com/2008/11/in_the_blackout.jpg" medium="image">
			<media:title type="html">in_the_blackout</media:title>
		</media:content>
	</item>
	</channel>
</rss>