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		<title>Alan Moore on the &#8220;Watchmen&#8221; movie and his 750,000 word novel.</title>
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		<pubDate>Fri, 19 Sep 2008 19:43:08 +0000</pubDate>
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Alan Moore on &#8216;Watchmen&#8217; movie: &#8216;I will be spitting venom all over it&#8217;
12:48 PM PT, Sep 18 2008


For the record, Alan Moore has not softened his view on Hollywood nor its plan to bring his classic graphic novel &#8220;Watchmen&#8221; to the screen next March.
&#8220;I find film in its modern form to be quite bullying,&#8221; Moore told me [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=469&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<h1 class="entry-header"><a title="'I will be spitting venom all over it'" rel="bookmark" href="http://latimesblogs.latimes.com/herocomplex/2008/09/alan-moore-on-w.html">Alan Moore on &#8216;Watchmen&#8217; movie: &#8216;I will be spitting venom all over it&#8217;</a></h1>
<div class="time">12:48 PM PT, Sep 18 2008</div>
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<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/alanmoore_2.jpg"><img title="Alan Moore" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/alanmoore_2.jpg" border="0" alt="Alan Moore" width="400" height="260" /></a>For the record, <strong>Alan Moore</strong> has not softened his view on Hollywood nor its plan to bring his classic graphic novel &#8220;<strong>Watchmen</strong>&#8221; to the screen next March.<a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/alanmoore.jpg"></a></p>
<p>&#8220;I find film in its modern form to be quite bullying,&#8221; Moore told me during an hour-long phone call from his home in England. &#8220;It spoon-feeds us, which has the effect of watering down our collective cultural imagination. It is as if we are freshly hatched birds looking up with our mouths open waiting for Hollywood to feed us more regurgitated worms. The &#8216;Watchmen&#8217; film sounds like more regurgitated worms. I for one am sick of worms. Can&#8217;t we get something else? Perhaps some takeout? Even Chinese worms would be a nice change.&#8221;<span id="more-469"></span></p>
<p>Moore is often described as a recluse but, really, I think it&#8217;s more precise to say he is simply too busy at his writing desk. &#8220;Yes, perhaps I <em>should</em> get out more,&#8221; he said with a chuckle. In conversation, the 54-year-old iconoclast is everything his longtime readers would expect &#8212; articulate, witty, obstinate and selectively enigmatic. Far from grouchy, he only gets an edge in his voice when he talks about the effect of Hollywood on the comics medium that he so memorably energized in the 1980s with &#8220;<strong>Saga of the Swamp Thing</strong>,&#8221; &#8220;<strong>V for Vendetta</strong>,&#8221; &#8220;<strong>Marvelman</strong>&#8221; and, of course, &#8220;Watchmen,&#8221; his 1986 masterpiece. The Warner Bros. film version of &#8220;Watchmen&#8221; is due in theaters in March although the project has encountered some turbulence with <a href="http://latimesblogs.latimes.com/herocomplex/2008/08/watchmen-movie.html">a lawsuit filed by 20th Century Fox over who has the rights</a> to the property. Moore has no intention of seeing the film and, in fact, he hints that he has put a magical curse on the entire endeavor.</p>
<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/comedian.jpg"><img title="Comedian" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/comedian.jpg" border="0" alt="Comedian" width="300" height="456" /></a>&#8220;Will the film even be coming out? There are these legal problems now, which I find wonderfully ironic. Perhaps it&#8217;s been cursed from afar, from England. And I can tell you that I will also be spitting venom all over it for months to come.&#8221;</p>
<p>Moore said all that with more mischievous glee than true malice, but I know it will still pain &#8220;Watchmen&#8221; director <strong><a href="http://www.imdb.com/name/nm0811583/">Zack Snyder</a></strong> when he reads it. The director of &#8220;<strong>300</strong>&#8221; absolutely adores the work of Moore and has been laboring intensely to bring &#8220;Watchmen&#8221; to the screen with faithful sophistication. But I don&#8217;t think there&#8217;s any way to win Moore over, he simply detests Hollywood. Moore said he has never watched any of the film adaptations of his comics creations (which have included &#8220;<strong>V for Vendetta</strong>,&#8221; &#8220;<strong>From Hell,&#8221;</strong> &#8221;<strong>Constantine</strong>&#8221; and &#8220;<strong>The League of Extraordinary Gentlemen</strong>&#8220;) and that he believes &#8220;Watchmen&#8221; is &#8220;inherently unfilmable.&#8221; He also rues the effect of Hollywood&#8217;s siren call on the contemporary comics scene.</p>
<p>&#8220;There are three or four companies now that exist for the sole purpose of creating not comics, but storyboards for films. It may be true that the only reason the comic book industry now exists is for this purpose, to create characters for movies, board games and other types of merchandise. Comics are just a sort of pumpkin patch growing franchises that might be profitable for the ailing movie industry.&#8221;</p></div>
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<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/niteowl.jpg"><img title="Nite Owl" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/niteowl.jpg" border="0" alt="Nite Owl" width="300" height="456" /></a>There is one film that Moore <em>is</em> supporting right now. It&#8217;s the new DVD release entitled &#8220;<strong>The Mindscape of Alan Moore</strong>&#8221; and it&#8217;s an artfully executed documentary that is built entirely around Moore sitting in his somewhat spooky living room and ruminating about art, storytelling, magic and culture. The movie was made by <strong>Dez Vylenz</strong>, who was still a student at the London International Film School when he sent Moore a letter expressing interest in creating a documentary film on the writer as his senior project.</p>
<p>That project went well and, several years ago, the filmmaker and the author decided to do it again for a film that would be released to the public. Vylenz has intercut images and used visual effects that give the film a psychedelic swirl and shamanistic textures (it reminded me a bit of the sensibilities of a <strong><a href="http://www.imdb.com/name/nm0716585/">Godfrey Reggio</a></strong> film, such as &#8220;<a href="http://en.wikipedia.org/wiki/Koyanniqatsi">Koyaanisqatsi</a>,&#8221; but on a far, far smaller scale production-wise).</p>
<p>&#8220;It was very enjoyable to sit there in a chair and talking and talking and talking because, as anyone who knows me for even an hour will tell you, that is my second nature. The idea of it &#8212; just me talking &#8212; sounded incredibly boring to me but Dez Vylenz is very talented and if there is anything about the film that is not a success, I would blame the flaws of its central character.&#8221; The film was made in 2003 but is just now reaching stores, with a Sept. 30 on-sale date as a two-disc DVD from <strong><a href="http://www.shadowsnake.com/home.html">Shadowsnake Films</a></strong>.</p>
<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/alanmooremovie.jpg"><img title="Alan Moore movie" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/alanmooremovie.jpg" border="0" alt="Alan Moore movie" width="300" height="432" /></a>In the film, Moore makes it clear that he believes magic and storytelling are clearly linked and that, upon closer examination, the definitions of what is real and what is imagined are far more slippery than generally considered. This documentary is not the compelling success that &#8220;<a href="http://www.imdb.com/title/tt0109508/">Crumb</a>&#8221; was but, like that 1994 film by Terry Zwigoff, this one will leave casual viewers with the impression that some of the more peculiar geniuses of our day tend to gravitate to comics.</p>
<p>Moore sometimes wears metallic talons, describes himself as an anarchist and, in the past, has told interviewers that he worships an ancient Roman snake god. But what&#8217;s <em>really</em> unusual about him is that he seems to be the very last creator in comics who would hang up on Hollywood anytime it calls.</p>
<p>&#8220;I got into comics because I thought it was a good and useful medium that had not been explored to its fullest potential,&#8221; Moore told me.</p>
<p>He went on to explain that it was the late Will Eisner who brought a cinematic approach to comics in the 1940s after watching &#8220;Citizen Kane&#8221; dozens of times and transferring its visual style and approach to transitions to the pages of &#8220;The Spirit.&#8221; &#8220;As much as I admire Eisner, I think maintaining that approach in recent history has done more harm than good. If you approach comics as a poor relation to film, you are left with a movie that does not move, has no soundtrack and lacks the benefit of having a recognizable movie star in the lead role.&#8221;</p>
<p>Moore said that with &#8220;Watchmen,&#8221; he told the epic tale of a large number of characters over decades of history with &#8220;a range of techniques&#8221; that cannot be translated to the movie screen, among them the &#8220;book within a book&#8221; technique, which took readers through a second, interior story as well as documents and the writings of characters. He also said he was offended by the amount of money and resources that go into the Hollywood projects. &#8220;They take an idea, bowdlerize it, blow it up, make it infantile and spend $100 million to give people a brief escape from their boring and often demeaning lives at work. It&#8217;s obscene and it&#8217;s offensive. This is not the culture I signed up for. I&#8217;m sure I sound like Bobby Fischer talking about chess &#8220;</p>
<p><a href="http://latimesblogs.latimes.com/photos/uncategorized/2008/09/18/rohrshach.jpg"><img title="Rorschach" src="http://latimesblogs.latimes.com/herocomplex/images/2008/09/18/rohrshach.jpg" border="0" alt="Rorschach" width="300" height="478" /></a>Moore said he is now working on new installments in his marvelous comics series &#8220;League of Extraordinary Gentlemen,&#8221; which is far more nuanced and daring than the forgettable film of the same title. The new stories take the narrative to the moon where there is a war underway between the giant insects (inspired by the <a href="http://www.hgwellsusa.50megs.com/"><strong>H.G. Wells</strong></a> 1901 book &#8220;<a href="http://en.wikipedia.org/wiki/The_First_Men_in_the_Moon">The First Men in the Moon</a>&#8220;) and nude lunar amazons. &#8220;The idea, it pretty much sells itself, doesn&#8217;t it?&#8221;</p>
<p>He is also at work on a massive, 750,000-word novel. &#8220;It&#8217;s the grown-up kind, with no pictures at all,&#8221; he said. &#8220;Although modern binding technology may be overwhelmed by the size of it. It&#8217;s a huge mad fantasy called <strong>&#8216;Jerusalem</strong>.&#8217; &#8220;</p>
<p>The story is partially a history of his native Northampton that dates back to its Saxon settlement days in AD 700, but it is also a &#8220;demented children&#8217;s story&#8221; that features <strong>Charlie Chaplin</strong>, <strong>Oliver Cromwell</strong> and &#8220;an explanation of the afterlife that conforms to all known laws of physics.&#8221;</p>
<p>There&#8217;s also a huge sort of reference book of magic that he is toiling on with contributions from notable artists and writing peers. It delves into Kabbalah, astral projection, seance, tarot, practical applications of magic and deep research into the origins of magic history, such as the true beginnings of the <strong>Faust</strong>tales. Talking about the book, the skeptical shaman of comics sounded positively giddy, especially for a parchment wizard trapped in a crass digital age.</p>
<p>&#8220;Magic is a state of mind. It is often portrayed as very black and gothic and that is because certain practitioners played that up for a sense of power and prestige. That is a disservice. Magic is very colorful. Of this, I am sure.&#8221;</p></div>
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		<pubDate>Wed, 20 Aug 2008 17:39:21 +0000</pubDate>
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    First test of &#8220;psychedelic psychotherapy&#8221; since the 70&#8217;s. Researchers hope effects will improve quality of life.
    Scientists are exploring the use of psychedelic drugs such as LSD to treat a range of ailments from depression to cluster headaches and obsessive compulsive disorder.
    The first clinical trial using LSD since the 1970s began in Switzerland in June. It [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=304&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<p>    <strong><em>First test of &#8220;psychedelic psychotherapy&#8221; since the 70&#8217;s. Researchers hope effects will improve quality of life.</em></strong></p>
<p>    Scientists are exploring the use of psychedelic drugs such as LSD to treat a range of ailments from depression to cluster headaches and obsessive compulsive disorder.</p>
<p>    The first clinical trial using LSD since the 1970s began in Switzerland in June. It aims to use &#8220;psychedelic psychotherapy&#8221; to help patients with terminal illnesses come to terms with their imminent mortality and so improve their quality of life.<span id="more-304"></span></p>
<p>    Another psychedelic substance, psilocybin &#8211; the active ingredient in magic mushrooms, has shown promising results in trials for treating symptoms of terminal cancer patients. And researchers are using MDMA (ecstasy) as an experimental treatment for post-traumatic stress disorder.</p>
<p>    In the Swiss trial eight subjects will receive a dose of 200 microgrammes of LSD. This is enough to induce a powerful psychedelic experience and is comparable to what would be found in an &#8220;acid tab&#8221; bought from a street drug dealer. A further four subjects will receive a dose of 20 microgrammes. Every participant will know they have received some LSD, but neither the subjects nor the researchers observing them will know for certain who received the full dose. During the course of therapy researchers will assess the patients&#8217; anxiety levels, quality of life and pain levels.</p>
<p>    Before hallucinogenic drugs became popular with the counter culture, they were at the forefront of brain science. They were used to help scientists understand the nature of consciousness and how the brain works and as treatments for a range of conditions including alcohol dependence.</p>
<p>    Charles Grob, a professor of psychiatry at the Harbor-UCLA Medical Centre, is in the vanguard of the resurgence of scientific interest in psychedelics, having recently completed a trial that used psilocybin to help patients with terminal cancer come to terms with their illness. &#8220;I think there&#8217;s a perception these compounds hold untapped potential to help us understand the human mind,&#8221; he said.</p>
<p>    The way hallucinogens such as LSD (lysergic acid diethylamide), psilocybin and mescaline (the active ingredient in the peyote cactus) act on the brain is reasonably well understood by scientists. The drugs stick to chemical receptors on nerve cells that normally bind the neurotransmitter serotonin, which affects a broad range of brain activities. But how this leads to the profoundly altered states of consciousness, perception and mood that typically accompany a &#8220;trip&#8221; is not known.</p>
<p>    Prof Roland Griffiths at the Johns Hopkins School of Medicine in Baltimore Maryland recently published a study of 36 healthy volunteers who were given psilocybin and then observed in the lab. The participants&#8217; ages ranged from 24 to 64 and none had taken hallucinogens before. When the group were interviewed again 14 months later 58% said they rated the experience as being among the five most personally meaningful of their lives, 67% said it was in their top five spiritual experiences, and 64% said it had increased their well-being or life satisfaction.</p>
<p>    &#8221;The working hypothesis is that if psilocybin or LSD can occasion these experiences of great personal meaning and spiritual significance &#8230; then it would allow [patients with terminal illnesses] hopefully to face their own demise completely differently &#8211; to restructure some of the psychological angst that so often occurs concurrently with severe disease,&#8221; said Griffiths. So by expanding their consciousness during a session on the drug, the patient is able to comprehend their thoughts and feelings from a new perspective. This can lead to a release of negative emotions that leaves them in a much more positive state of mind.</p>
<p>    Twelve patients with terminal cancer have already helped Grob to test this idea and, although the research is not yet published, anecdotal reports from some subjects are encouraging. Pamela Sakuda (see below) was diagnosed with stage 4 colorectal cancer in December 2002. Her husband, Norbert Litzinger, said the psilocybin treatment transformed her outlook.</p>
<p>    &#8221;Pamela had lost hope. She wasn&#8217;t able to make plans for the future. She wasn&#8217;t able to engage the day as if she had a future left,&#8221; he said. Her &#8220;epiphany&#8221; during the treatment was the realisation that her fear about the disease was destroying the remaining time she had left, he said.</p>
<p>    Despite fears that psychedelic drugs can induce psychosis, they are comparatively safe when administered with the proper precautions and with trained medical professionals present, according to a manual for studying their effects, which was recently published in the Journal of Psychopharmacology.</p>
<p>    They do have a powerful effect on a person&#8217;s perception and consciousness and cannot be considered &#8220;safe&#8221;, but they are almost entirely nontoxic, they virtually never lead to addiction and they only rarely lead to long-lasting psychosis (usually in people with a family history of mental illness). The main danger is that the person taking the drug injures him or herself while in a mind-altered state, for example because they think they can fly. The manual states, for example, that, &#8220;investigators need to be confident that the volunteer could not exit the window if in a delusional state&#8221;. Griffiths does not advocate recreational use.</p>
<p>    Since the 1970s, scientific research into the effects hallucinogenic drugs have on the brain and their potential benefits has become a pariah field for any scientist who wanted to keep their reputation &#8211; and funding &#8211; intact. The psychologist Timothy Leary was the most famous advocate of the scientific and recreational use of psychedelic drugs. He conducted experiments at Harvard that were widely criticised and he was accused of faking data.</p>
<p>    &#8221;The way I view it is we experienced some kind of broad cultural trauma back in the 60s and these drugs became demonised in that context,&#8221; said Griffiths. &#8220;As a culture we just decided clinical research shouldn&#8217;t be done with this class of compounds,&#8221; he said. &#8220;This was partly the federal regulatory authorities, it was partly the funding agencies and it was partly the academics themselves &#8230; Leary had so discredited a scientific approach to studying these compounds that anyone who expressed an interest in doing so was automatically discredited.&#8221;</p>
<p>    Dr Rick Doblin is president of the <a href="http://www.maps.org/" target="_blank">Multidisciplinary Association for Psychedelic Studies</a> (MAPS) in California, a nonprofit organisation which funds clinical studies into psychedelic drugs, including the Swiss LSD trial. &#8220;These drugs, these experiences are not for the mystic who wants to sit on the mountain top and meditate. They are not for the counter-culture rebel. They are for everybody,&#8221; he said.</p>
<p>    <strong>Case Study: Edited extract from an interview Pamela Sakuda did for researchers on the psilocybin experience.</strong></p>
<p>    &#8221;As the session began, and as it built up, I felt this lump of emotions welling up and firming up almost like an entity. I started to cry a little. Then it started to dissipate and I started to look at it differently and I think that is the beauty of being able to expand your consciousness. I don&#8217;t think the drug is the cause of these things. I think it is a catalyst that allows you to release your own thoughts and feelings from some place that you have bound them to very tightly. I began to realise that all of this negative fear and the guilt was such a hindrance to making the most of and enjoying the healthy time that I&#8217;m having &#8211; however long it may be. I was not utilising it to the best and enjoying my life because I was so afraid of what wasn&#8217;t there yet. These substances occur in our natural world and people have been using them for thousands of years to treat physical illness, to treat social and behavioural problems.&#8221;</p>
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		<title>Future wars &#8216;to be fought with mind drugs&#8217;</title>
		<link>http://voidmanufacturing.wordpress.com/2008/08/14/future-wars-to-be-fought-with-mind-drugs/</link>
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		<pubDate>Thu, 14 Aug 2008 15:19:00 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
				<category><![CDATA[Drugs]]></category>
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Future wars could see opponents attacking each other&#8217;s minds, according to a report for the US military. (?)!



 


By Jon Swaine 
Last Updated: 11:00AM BST 14 Aug 2008
Landmines releasing brain-altering chemicals, scanners reading soldiers&#8217; minds and devices boosting eyesight and hearing could all one figure in arsenals, suggests the study.
Sophisticated drugs, designed for dementia patients but also [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=223&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<h1>Future wars could see opponents attacking each other&#8217;s minds, according to a report for the US military. (?)!</h1>
<h2><span id="more-223"></span></h2>
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<p>By Jon Swaine <br />
Last Updated: 11:00AM BST 14 Aug 2008</p></div>
<p>Landmines releasing brain-altering chemicals, scanners reading soldiers&#8217; minds and devices boosting eyesight and hearing could all one figure in arsenals, suggests the study.</p>
<p>Sophisticated drugs, designed for dementia patients but also allowing troops to stay awake and alert for several days are expected to be developed, according to the report. It is thought that some US soldiers are already taking drugs prescribed for narcolepsy in an attempt to combat fatigue.</p>
<p>As well as those physically and mentally boosting one&#8217;s own troops, substances could also be developed to deplete an opponents&#8217; forces, it says.</p>
<p>&#8220;How can we disrupt the enemy&#8217;s motivation to fight?&#8221; It asks. &#8220;Is there a way to make the enemy obey our commands?&#8221; Research shows that &#8220;drugs can be utilized to achieve abnormal, diseased, or disordered psychology&#8221; among one&#8217;s enemy, it concludes.</p>
<p>Research is particularly encouraging in the area of functional neuroimaging, or understanding the relationships between brain activity and actions, the report says, raising hopes that scanners able to read the intentions or memories of soldiers could soon be developed.</p>
<p>Some military chiefs and law enforcement officials hope that a new generation of polygraphs, or lie detectors, which spot lie-telling by observing changes in brain activity, can be built.</p>
<p>&#8220;Pharmacological landmines,&#8221; which release drugs to incapacitate soldiers upon their contact with them, could also be developed, according to the report&#8217;s authors.</p>
<p>The report, which was commissioned by the Defense Intelligence Agency, contained the work of scientists asked to examine how better understanding of how the human mind works was likely to affect the development of technology.</p>
<p>It finds that &#8220;great progress has been made&#8221; in neuroscience over the last decade, and that continuing advances offered the prospect of a dramatic impact on military equipment and the way in which wars are fought.</p>
<p>It also explains that the concept of torture could be transformed in the future. &#8220;It is possible that some day there could be a technique developed to extract information from a prisoner that does not have any lasting side effects,&#8221; it states. One technique being developed involves the delivery of electrical pulses into a suspect&#8217;s brain and delay their ability to lie by interfering with its neurons.</p>
<p>Research into &#8220;distributed human-machine systems&#8221;, including robots and military hardware controlled by an operator&#8217;s mind, is another particular area for optimism among researchers, according to the report. It says significant progress has already been made and that prospects for use of the field are &#8220;limited only by the creative imagination.&#8221;</p>
<p>Jonathan Moreno, a bioethicist and the author of &#8216;Mind Wars: Brain Research and National Defense&#8217;, said &#8220;It&#8217;s too early to know which, if any, of these technologies is going to be practical. But it&#8217;s important for us to get ahead of the curve. Soldiers are always on the cutting edge of new technologies.&#8221;</p>
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		<title>DELEUZE: Postscript to Societies of Control</title>
		<link>http://voidmanufacturing.wordpress.com/2008/07/20/deleuze-postscript-to-societies-of-control/</link>
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		<pubDate>Sun, 20 Jul 2008 03:16:32 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
				<category><![CDATA[Deleuze]]></category>
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G

---
"Postscript on the Societies of Control"
Gilles Deleuze

1. Historical

     Foucault located the _disciplinary societies_ in the
eighteenth and nineteenth centuries; they reach their height at the
outset of the twentieth. They initiate the organization of vast
spaces of enclosure. The individual never ceases passing from one
closed environment to another, each having its own laws: first [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=70&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<pre><a href="http://voidmanufacturing.files.wordpress.com/2008/07/captsgejog57030607175143photo03photodefault-512x341.jpg"><img class="alignnone size-medium wp-image-71" src="http://voidmanufacturing.files.wordpress.com/2008/07/captsgejog57030607175143photo03photodefault-512x341.jpg?w=300&#038;h=199" alt="" width="300" height="199" /></a>G

---
"Postscript on the Societies of Control"
Gilles Deleuze<span id="more-70"></span>

1. Historical

     Foucault located the _disciplinary societies_ in the
eighteenth and nineteenth centuries; they reach their height at the
outset of the twentieth. They initiate the organization of vast
spaces of enclosure. The individual never ceases passing from one
closed environment to another, each having its own laws: first the
family; then the school ("you are no longer in your family"); then
the barracks ("you are no longer at school"); then the factory;
from time to time the hospital; possibly the prison, the preeminent
instance of the enclosed environment.  It's the prison that serves
as the analogical model: at the sight of some laborers, the heroine
of Rossellini's _Europa '51_ could exclaim, "I thought I was seeing
convicts."

     Foucault has brilliantly analyzed the ideal project of these
environments of enclosure, particularly visible within the factory:
to concentrate; to distribute in space; to order in time; to
compose a productive force within the dimension of space-time whose
effect will be greater than the sum of its component forces.  But
what Foucault recognized as well was the transience of this model:
it succeeded that of the _societies of sovereignty_, the goal and
functions of which were something quite different (to tax rather
than to organize production, to rule on death rather than to
administer life); the transition took place over time, and Napoleon
seemed to effect the large-scale conversion from one society to the
other.  But in their turn the disciplines underwent a crisis to the
benefit of new forces that were gradually instituted and which
accelerated after World War II: a disciplinary society was what we
already no longer were, what we had ceased to be.

     We are in a generalized crisis in relation to all the
environments of enclosure--prison, hospital, factory, school,
family.  The family is an "interior," in crisis like all other
interiors--scholarly, professional, etc.  The administrations in
charge never cease announcing supposedly necessary reforms: to
reform schools, to reform industries, hospitals, the armed forces,
prisons.  But everyone knows that these institutions are finished,
whatever the length of their expiration periods.  It's only a
matter of administering their last rites and of keeping people
employed until the installation of the new forces knocking at the
door. These are the _societies of control_, which are in the
process of replacing disciplinary societies.  "Control" is the name
Burroughs proposes as a term for the new monster, one that Foucault
recognizes as our immediate future.  Paul Virilio also is
continually analyzing the ultrarapid forms of free-floating control
that replaced the old disciplines operating in the time frame of a
closed system.  There is no need to invoke the extraordinary
pharmaceutical productions, the molecular engineering, the genetic
manipulations, although these are slated to enter the new process.
There is no need to ask which is the toughest regime, for it's
within each of them that liberating and enslaving forces confront
one another.  For example, in the crisis of the hospital as
environment of enclosure, neighborhood clinics, hospices, and day
care could at first express new freedom, but they could participate
as well in mechanisms of control that are equal to the harshest of
confinements.  There is no need to fear or hope, but only to look
for new weapons.

2. Logic

     The different internments of spaces of enclosure through which
the individual passes are independent variables: each time one us
supposed to start from zero, and although a common language for all
these places exists, it is _analogical_.  One the other hand, the
different control mechanisms are inseparable variations, forming a
system of variable geometry the language of which is numerical
(which doesn't necessarily mean binary).  Enclosures are _molds_,
distinct castings, but controls are a _modulation_, like a
self-deforming cast that will continuously change from one moment
to the other, or like a sieve whose mesh will transmute from point
to point.

     This is obvious in the matter of salaries: the factory was a
body that contained its internal forces at the level of
equilibrium, the highest possible in terms of production, the
lowest possible in terms of wages; but in a society of control, the
corporation has replaced the factory, and the corporation is a
spirit, a gas. Of course the factory was already familiar with the
system of bonuses, but the corporation works more deeply to impose
a modulation of each salary, in states of perpetual metastability
that operate through challenges, contests, and highly comic group
sessions.  If the most idiotic television game shows are so
successful, it's because they express the corporate situation with
great precision.  The factory constituted individuals as a single
body to the double advantage of the boss who surveyed each element
within the mass and the unions who mobilized a mass resistance; but
the corporation constantly presents the brashest rivalry as a
healthy form of emulation, an excellent motivational force that
opposes individuals against one another and runs through each,
dividing each within.  The modulating principle of "salary
according to merit" has not failed to tempt national education
itself.  Indeed, just as the corporation replaces the factory,
_perpetual training_ tends to replace the _school_, and continuous
control to replace the examination.  Which is the surest way of
delivering the school over to the corporation.

     In the disciplinary societies one was always starting again
(from school to the barracks, from the barracks to the factory),
while in the societies of control one is never finished with
anything--the corporation, the educational system, the armed
services being metastable states coexisting in one and the same
modulation, like a universal system of deformation.  In _The
Trial_, Kafka, who had already placed himself at the pivotal point
between two types of social formation, described the most fearsome
of judicial forms.  The _apparent acquittal_ of the disciplinary
societies (between two incarcerations); and the _limitless
postponements_ of the societies of control (in continuous
variation) are two very different modes of juridicial life, and if
our law is hesitant, itself in crisis, it's because we are leaving
one in order to enter the other.  The disciplinary societies have
two poles: the signature that designates the _individual_, and the
number or administrative numeration that indicates his or her
position within a _mass_.  This is because the disciplines never
saw any incompatibility between these two, and because at the same
time power individualizes and masses together, that is, constitutes
those over whom it exercises power into a body and molds the
individuality of each member of that body. (Foucault saw the origin
of this double charge in the pastoral power of the priest--the
flock and each of its animals--but civil power moves in turn and by
other means to make itself lay "priest.")  In the societies of
control, on the other hand, what is important is no longer either
a signature or a number, but a code: the code is a _password_,
while on the other hand disciplinary societies are regulated by
_watchwords_ (as much from the point of view of integration as from
that of resistance). The numerical language of control is made of
codes that mark access to information, or reject it. We no longer
find ourselves dealing with the mass/individual pair. Individuals
have become _"dividuals,"_ and masses, samples, data, markets, or
_"banks."_  Perhaps it is money that expresses the distinction
between the two societies best, since discipline always referred
back to minted money that locks gold as numerical standard, while
control relates to floating rates of exchange, modulated according
to a rate established by a set of standard currencies.  The old
monetary mole is the animal of the space of enclosure, but the
serpent is that of the societies of control.  We have passed from
one animal to the other, from the mole to the serpent, in the
system under which we live, but also in our manner of living and in
our relations with others.  The disciplinary man was a
discontinuous producer of energy, but the man of control is
undulatory, in orbit, in a continuous network. Everywhere _surfing_
has already replaced the older _sports_.

     Types of machines are easily matched with each type of
society--not that machines are determining, but because they
express those social forms capable of generating them and using
them.  The old societies of sovereignty made use of simple
machines--levers, pulleys, clocks; but the recent disciplinary
societies equipped themselves with machines involving energy, with
the passive danger of entropy and the active danger of sabotage;
the societies of control operate with machines of a third type,
computers, whose passive danger is jamming and whose active one is
piracy or the introduction of viruses.  This technological
evolution must be, even more profoundly, a mutation of capitalism,
an already well-known or familiar mutation that can be summed up as
follows: nineteenth-century capitalism is a capitalism of
concentration, for production and for property.  It therefore
erects a factory as a space of enclosure, the capitalist being the
owner of the means of production but also, progressively, the owner
of other spaces conceived through analogy (the worker's familial
house, the school).  As for markets, they are conquered sometimes
by specialization, sometimes by colonization, sometimes by lowering
the costs of production.  But in the present situation, capitalism
is no longer involved in production, which it often relegates to
the Third World, even for the complex forms of textiles,
metallurgy, or oil production.  It's a capitalism of higher-order
production. It no-longer buys raw materials and no longer sells the
finished products: it buys the finished products or assembles
parts.  What it wants to sell is services but what it wants to buy
is stocks. This is no longer a capitalism for production but for
the product, which is to say, for being sold or marketed.  Thus is
essentially dispersive, and the factory has given way to the
corporation.  The family, the school, the army, the factory are no
longer the distinct analogical spaces that converge towards an
owner--state or private power--but coded figures--deformable and
transformable--of a single corporation that now has only
stockholders. Even art has left the spaces of enclosure in order to
enter into the open circuits of the bank.  The conquests of the
market are made by grabbing control and no longer by disciplinary
training, by fixing the exchange rate much more than by lowering
costs, by transformation of the product more than by specialization
of production.  Corruption thereby gains a new power.  Marketing
has become the center or the "soul" of the corporation.  We are
taught that corporations have a soul, which is the most terrifying
news in the world.  The operation of markets is now the instrument
of social control and forms the impudent breed of our masters.
Control is short-term and of rapid rates of turnover, but also
continuous and without limit, while discipline was of long
duration, infinite and discontinuous.  Man is no longer man
enclosed, but man in debt. It is true that capitalism has retained
as a constant the extreme poverty of three-quarters of humanity,
too poor for debt, too numerous for confinement: control will not
only have to deal with erosions of frontiers but with the
explosions within shanty towns or ghettos.

3. Program

     The conception of a control mechanism, giving the position of
any element within an open environment at any given instant
(whether animal in a reserve or human in a corporation, as with an
electronic collar), is not necessarily one of science fiction.
F lix Guattari has imagined a city where one would be able to leave
one's apartment, one's street, one's neighborhood, thanks to one's
(dividual) electronic card that raises a given barrier; but the
card could just as easily be rejected on a given day or between
certain hours; what counts is not the barrier but the computer that
tracks each person's position--licit or illicit--and effects a
universal modulation.

     The socio-technological study of the mechanisms of control,
grasped at their inception, would have to be categorical and to
describe what is already in the process of substitution for the
disciplinary sites of enclosure, whose crisis is everywhere
proclaimed.  It may be that older methods, borrowed from the former
societies of sovereignty, will return to the fore, but with the
necessary modifications.  What counts is that we are at the
beginning of something.  In the _prison system_: the attempt to
find penalties of "substitution," at least for petty crimes, and
the use of electronic collars that force the convicted person to
stay at home during certain hours.  For the _school system_:
continuous forms of control, and the effect on the school of
perpetual training, the corresponding abandonment of all university
research, the introduction of the "corporation" at all levels of
schooling.  For the _hospital system_: the new medicine "without
doctor or patient" that singles out potential sick people and
subjects at risk, which in no way attests to individuation--as they
say--but substitutes for the individual or numerical body the code
of a "dividual" material to be controlled.  In the _corporate
system_: new ways of handling money, profits, and humans that no
longer pass through the old factory form.  These are very small
examples, but ones that will allow for better understanding of what
is meant by the crisis of the institutions, which is to say, the
progressive and dispersed installation of a new system of
domination.  One of the most important questions will concern the
ineptitude of the unions: tied to the whole of their history of
struggle against the disciplines or within the spaces of enclosure,
will they be able to adapt themselves or will they give way to new
forms of resistance against the societies of control?  Can we
already grasp the rough outlines of the coming forms, capable of
threatening the joys of marketing?  Many young people strangely
boast of being "motivated"; they re-request apprenticeships and
permanent training.  It's up to them to discover what they're being
made to serve, just as their elders discovered, not without
difficulty, the telos of the disciplines.  The coils of a serpent
are even more complex that the burrows of a molehill.</pre>
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		<title>LSD is good for you.</title>
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		<pubDate>Sat, 28 Jun 2008 04:45:03 +0000</pubDate>
		<dc:creator>voidmanufacturing</dc:creator>
				<category><![CDATA[Drugs]]></category>
		<category><![CDATA[LSD]]></category>

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Lancet calls for LSD in labs
&#8220;Use more psychedelic drugs,&#8221; is not advice you would expect from your GP, but that is the call from an influential UK medical journal to researchers.

 
An editorial in the Lancet says that the &#8220;demonisation of psychedelic drugs as a social evil&#8221; has stifled vital medical research that would lead to [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=voidmanufacturing.wordpress.com&blog=4051308&post=47&subd=voidmanufacturing&ref=&feed=1" />]]></description>
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<p class="MsoNormal"><span><strong>Lancet calls for LSD in labs</strong></span></p>
<p class="MsoNormal"><span>&#8220;Use more psychedelic drugs,&#8221; is not advice you would expect from your GP, but that is the call from an influential UK medical journal to researchers.<span id="more-47"></span><br />
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<p class="MsoNormal"><span>An editorial in the Lancet says that the &#8220;demonisation of psychedelic drugs as a social evil&#8221; has stifled vital medical research that would lead to a better understanding of the brain and better treatments for conditions such as depression.</span></p>
<p class="MsoNormal"><span>The journal&#8217;s editor Richard Horton said he was not advocating recreational drug use, but championed the benefits of researchers studying the effects of drugs such as LSD and Ecstasy by using them themselves in the lab.</span></p>
<p class="MsoNormal"><span>&#8220;The blanket ban on psychedelic drugs enforced in many countries continues to hinder safe and controlled investigation, in a medical environment, of their potential benefits,&#8221; said the editorial, &#8220;&#8230;criminalisation of these agents has also led to an excessively cautious approach to further research into their therapeutic benefits.&#8221;</span></p>
<p class="MsoNormal"><span>Dr Horton told Guardian Unlimited that important advances were made by researchers using psychedelic drugs on themselves, but that these studies were stifled by the post-1960s anti-drug backlash. &#8220;Our very earliest understanding of the neurochemistry of the brain came from studying LSD-like compounds. Those same researchers were also taking those drugs, not recreationally, but as experiments on themselves. This was immensely important work.&#8221;</span></p>
<p class="MsoNormal"><span>&#8220;The whole taboo around recreational drug use can make the study of these drugs very difficult,&#8221; he said, &#8220;We need to get a balance between these social taboos and what&#8217;s best for patients.&#8221;</span></p>
<p class="MsoNormal"><span>Dr Horton&#8217;s comments echo those from psychiatrist Ben Sessa on the 100th birthday of Albert Hoffmann, who discovered LSD. &#8220;It is as if a whole generation of psychiatrists have had this systematically erased from their education,&#8221; he told the Guardian in January.</span></p>
<p class="MsoNormal"><span>&#8220;But for the generation who trained in the 50s and 60s, this really was going to be the next big thing. Thousands of books and papers were written, but then it all went silent. My generation has never heard of it. It&#8217;s almost as if there has been an active demonisation.&#8221;</span></p>
<p class="MsoNormal"><span>Some anti-drug charities and politicians argue that medical research on illegal drugs should remain taboo because it risks sending a confused message to potential users. Rick Doblin of the Multidisciplinary Association for Psychedelic Studies in Sarasota, Florida rejects this argument. &#8220;The idea that by contradicting the exaggerated propaganda you are somehow sending the wrong message is false,&#8221; he said, &#8220;Kids know when they are being told something that is way exaggerated, but then they don&#8217;t know what is the truth.&#8221;</span></p>
<p class="MsoNormal"><span>The journal&#8217;s call comes at a crucial moment, he said, because several small studies of the medicinal effects of illegal drugs are under way. &#8220;I think it is a tremendously courageous step.&#8221;</span></p>
<p class="MsoNormal"><span>MDMA, the active ingredient in ecstasy, has shown promise in treating post-traumatic stress disorder and anxiety in cancer patients, while LSD and psylocibin &#8211; the active ingredient in magic mushrooms &#8211; are being investigated as treatments from cluster headaches. Sativex, a treatment for multiple sclerosis derived from cannabis, is already available in Canada.</span></p>
<p class="MsoNormal"><span>0.</span><span>guardian.co.uk © Guardian News and Media Limited 2008</span></p>
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